Pronunciation jokes have a tendency to feel cheap and hoary. But when they work, they work — and it’s easy enough to show them on the page.
Words on the page
Writing fight scenes
In a screenplay, you’re not going to write every punch. Rather, you need to get specific about what makes this fight unique to this moment and this movie.
Javier Grillo-Marxuach on craft
The Tiny Protagonist has a good interview with Javier Grillo-Marxuach (a writer/producer on LOST and many other shows), talking about how he got started and the craft of television.
Formatting an interview montage
If you’re staying in one location — or a series of similar locations — you don’t need individual sluglines.