John August

Projects

Charlie and the Chocolate Factory teaser up

Charlie, Projects

The [teaser](http://mp3content01.bcst.yahoo.com/bmfroot02/BMFShare02/yahoomovies/4/10140065.mov) for Charlie and the Chocolate Factory is now up at Yahoo!, for those who are interested. It should be attached to movies beginning this weekend.

One good thing about a movie like this is that you don’t have to worry about the trailer spoiling the movie, because the story is already familiar to most people. If you go through the teaser frame by frame, you can match up pretty much everything with events from Roald Dahl’s book. That’s not to say there aren’t some surprises in the movie, though.

Thanks to reader Steve for pointing out the link.

Back to work

News, Projects

After the [trip to Miami](http://johnaugust.com/archives/2004/off-to-miami) for the Urban Challenge, and an extended Thanksgiving weekend, it’s finally back to work. That is, if I can avoid the life-destroying forces of [World of Warcraft](https://www.worldofwarcraft.com/).

For those who are curious, I’ll eventually get the full write-up of the Miami race posted. The short version is that we crossed the finish line #31 (of 104), but DQ’d on a soccer question that was many teams’ undoing. Damn those corner kicks. We didn’t win the $50K, but after more than four hours running, there was simply no way we could have competed in the second race. So we were more than happy to drink our free beers and watch much better teams wrap it up.

What became of American McGee’s Alice?

Dead Projects, QandA, Treatments

questionmarkI’m just wondering what ever happened with the production of “Dark Wonderland,” with the American McGee characters of Alice In Wonderland. I haven’t heard anything about it in a while, and can’t seem to find much info on it.

— Dan
Ontario, Canada

To the best of my knowledge, nothing’s happening with it.

The brief history: Miramax/Dimension hired me to write a (long) film treatment based on [American McGee’s Alice](href=”http://www.amazon.com/exec/obidos/redirect?tag=johnaugustcom-20&path=tg%2Fdetail%2F-%2FB00006G9SB%2Fqid%3D1099782249%2Fsr%3D8-1%2Fref%3Dpd_csp_1%3Fv%3Dglance%26s%3Dvideogames%26n%3D507846) videogame — a trippy retelling/continuation of Alice in Wonderland. Wes Craven was supposed to direct it, but he didn’t really care for my treatment, and things quickly fell apart.

It’s so interesting how (mis-) information spreads on the Internet. For instance, the title “Dark Wonderland.” Don’t ask me where that came from. It was never real, nor was any of the “casting” that was supposedly taking place.

I had lunch a few weeks ago with American, and asked him about it. He didn’t really know what was going on either, except that the project’s apparently at Fox now. He posted everything he knows about the movie at his own site, so people would hopefully stop asking. (Link is now dead.)

I’ll ask around, but as far as I know, there’s no script, no director, no actress, nothin’. But it’s still a kick-ass game. And for his part, American has become a screenwriter himself, so if anyone should take the reins, it’s him.

The Dead File

Dead Projects, Projects

While writing about the [non-existent Columbia thriller](http://johnaugust.com/archives/2004/whatever-happened-to) on my resume, I got to thinking about all the other scripts I’ve written that haven’t been produced. I thought it might be alarming comforting for aspiring screenwriters to see how much work never makes it to the screen.

This list is only projects for which I’ve written entire 120-page drafts. Pitches, treatments, rewrites and aborted attempts would be a much longer list.

HERE AND NOW
Unsold. My first script, a romantic tragedy set in Colorado. Under-plotted and over-written, but it got me an agent.

HOW TO EAT FRIED WORMS
Universal/Imagine. My first paid screenwriting assignment, an adaptation of [Thomas Rockwell’s book](http://www.amazon.com/exec/obidos/redirect?tag=johnaugustcom-20&path=tg%2Fdetail%2F-%2F0440445450%2Fqid%3D1099597776%2Fsr%3D8-1%2Fref%3Dpd_csp_1%3Fv%3Dglance%26s%3Dbooks%26n%3D507846).


A WRINKLE IN TIME
Miramax/Dimension. An adaptation of [Madeleine L’Engle’s book](http://www.amazon.com/exec/obidos/redirect?tag=johnaugustcom-20&path=tg%2Fdetail%2F-%2F0440498058%2Fqid%3D1099597867%2Fsr%3D1-1%2Fref%3Dsr_1_1%3Fv%3Dglance%26s%3Dbooks). Technically, it was made, as an ABC TV movie. But the draft they used pre-dated mine.

DEVIL’S CANYON
Unsold. Zombie western set in a Colorado mining town, circa 1859.

FENWICK’S SUIT
Fox 2000. Adaptation of [David Small’s book](http://www.amazon.com/exec/obidos/redirect?tag=johnaugustcom-20&path=tg%2Fdetail%2F-%2F0374322988%2Fqid%3D1099597947%2Fsr%3D1-1%2Fref%3Dsr_1_1%3Fv%3Dglance%26s%3Dbooks) about a man’s suit which comes to life.

DEMONOLOGY
Paramount. Two prep school girls have to save Manhattan from the Apocalypse.

FANTASY ISLAND
Columbia. Big-budget tentpole adaptation of the ABC TV show.

THIEF OF ALWAYS
Universal.
Adaptation of [Clive Barker’s novel](http://www.amazon.com/exec/obidos/redirect?tag=johnaugustcom-20&path=ASIN%2F0064409945%2Fqid%3D1099598005%2Fsr%3D2-1%2Fref%3Dpd_ka_b_2_1).

SCARED GUYS
Columbia. Page-one rewrite of comedy about phobic brothers.

BARBARELLA
Fox 2000/Warner Bros. Based on the comic book character, not the movie.

FURY
Unsold. Violent action thriller.

This, dear readers, is what sucks about being a screenwriter. Added up, this list represents five or more years of my writing career, but I don’t have a frame of celluloid to show for it.

Not one of these projects is “the best thing I’ve ever written,” I’m happy to report. Still, many of these scripts are near and dear to my heart. Demonology, for example, is the unholy spawn of my two favorite movies, Clueless and Aliens. Others, like Fantasy Island, I’m happy enough to forget. Even though I spent months on various drafts, it never connected for me or the studio.

When asked what kind of movies I prefer to write, I’ll sometimes glibly anwer: “Ones that get made.” I don’t think that’s cynical as much as it is pragmatic. I never think about writing a script. The goal is always to make a movie.