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Test screening questionnaires

February 28, 2008 Film Industry, Projects, QandA, Resources, Television, The Nines

questionmarkWe have the first cut on a historical drama we eventually want to try to get on History Channel or Lifetime. It’s about a group of young Quaker Girls who create an anti-Rebel/Pro-Abolutionist Newspaper in the middle of Confederate Virginia.

We want to have a test screening to determine plot comprehension, pace, etc. Where do we find an example of a test screening card or form we can “borrow?”

— Drew
Virginia

There are several companies that do paid test screenings, and I’m sure each has a template and a standardized methodology. But you’re not interested in statistics, and don’t need to compare your movie with other historical dramas of the last five years. You just want to make your movie better. So you can safely make up a sheet of your own.

Here’s what you want to include:

1. First question: How did they like it? You want to get a sense of (a) what changes the people who liked it feel are necessary, and (b) whether there are any changes that could win over the people who didn’t really like it. ((Often, the folks who don’t like it will never like it, but it’s worth hearing their opinion so you’ll know what to expect.))

2. A space to list the things they liked most.

3. A space to list the things they liked least.

4. A space to list any moments they felt it lagged.

5. Ask if they ever got confused — and when, and why.

6. If you have specific areas of concern (music, narration, whatever), you can either make those open answer questions, or give some sort of 1-5 grid for circling.

7. A big thank you at the end, because they are doing you a huge favor watching your in-progress project.

You want your viewer to be able to fill this all out in less than five minutes, so that means no more than two pages. Your best bet is to photocopy it on card stock, two sides.

In the [Downloads](http://johnaugust.com/downloads) section, I’ve included the form we used for our second test screening of The Nines. Feel free to use it as a template. ((The second question, “Given a pair of magical scissors, is there anything you’d snip out?” is the one I always wished people would ask me.))

Because you’ll ask: Yes, it was strange test screening a movie in which a significant plot point concerns the test screening process. But it was a big help.

Ultimately, you may still want or need to do a more professional test screening. For instance, if you sold it to Lifetime, they might need to know how their audience responds to it, so they can tailor their advertising appropriately. But for the early stages you’re in, I’d save your money and do it yourself.

Post-strike update

February 26, 2008 Projects, Shazam, Strike, The Remnants

Last night I went out for beers with my picketing team from the Van Ness gate. I hadn’t spoken with any of them since the end of the strike, so it was nice to catch up, and see them in clothes not specifically chosen for walking in the cold.

Remarkably, it was the first conversation I’d had about the strike in over a week. After three months of talking (and blogging) about nothing other than the AMPTP, the NegComm and picketing schedules, it’s surprising how completely the strike has vanished off the radar.

With the official contract ratification results due today, it feels like a good time to take stock of where various projects have ended up in a post-strike universe.

The web series
—

We’re finishing editing on the [web pilot](http://johnaugust.com/archives/2008/seeing-other-people) I shot at the start of the month. Once it’s done, the financiers will go off and look for distribution and advertising partners. If we can find the right combination, we’ll aim to shoot a block of episodes this summer.

Shazam!
—

I spent the weekend barricaded at the Disney Grand Californian working on the next draft of Shazam! I’d gotten the studio and producer notes just before the strike, so this was my first chance to address them. It was great having a three-month break from the script, because it meant I could look at it with fresh eyes.

There are some web reports out of WonderCon about a possible title change to something longer and more Harry Potter-ish. Nothing’s decided yet. Obviously, one of the challenges with the property is that an audience will automatically assume that the hero’s name is Shazam, when it’s not. ((Shazam is the wizard who bestows his powers; the guy in the cape is Captain Marvel. For legal reasons, the movie can’t be called Captain Marvel.))

Dreamworks project
—

When the strike began, I was halfway through the first draft of an unannounced project for Dreamworks, with a major star and director involved. Without being too specific, Something Happened unrelated to the strike which made it very unlikely that our movie could (or should) get made. So one of the first conversations I had after the strike was with the producer and director to figure out whether or not to proceed. After about 15 phone calls, many involving agents and executives, the decision was made to kill the project.

It was the right choice. While it’s hard to walk away from 55 pages, finishing the next 55 while almost certain that they could never be filmed would be even more dispiriting. As I write this, it’s not clear whether I’ll segue into a different project for the studio, or just write them a check for the money they’ve already paid me. Either way, I feel better getting to work on a script that is much likelier to become a movie.

Heroes: Origins
—

My hunch is that this [spin-off series](http://johnaugust.com/archives/2007/heroes-origins) will stay in the [deep-freeze](http://johnaugust.com/archives/2007/no-heroes) for a while, maybe never to be thawed out. Tim Kring has said in interviews that the priority is getting next season’s plotline (“Villains”) ready for launch, as it should be. If Origins is resurrected at some point, I’d be happy to direct my episode.

Saturn Award nomination

February 20, 2008 Awards, Projects, The Nines

[Matt Venne](http://www.imdb.com/name/nm1107639/) emailed me this morning to point out something I would have otherwise missed: The Nines just got a [Saturn Award nomination](http://www.saturnawards.org/nominations.html) for its DVD.

It’s a cliché to say, “It’s an honor just to be nominated,” but really, it is. And surprising, too. The Nines isn’t an obvious choice at all.

The Saturn Awards are all about science fiction, and while The Nines ultimately fits in that category, the viewer doesn’t really understand why until the last 10 minutes. When we were doing press for the movie, I called it “stealth sci-fi.” Hearing the logline, you wouldn’t guess it goes into [Star Trek](http://memory-alpha.org/en/wiki/Remember_Me) territory. (I’m spoiling very little to say it does.)

So, my thanks to the nominators, who obviously did watch it and get it.

Pack-saddles to listen

February 15, 2008 Projects, The Nines

After reading this Italian blog review of The Nines, I’m convinced that the translation technology behind [Babelfish](http://babelfish.altavista.com/tr) is actually Icelandic singer Bjork.

I confess. They are remained struck by lightning from the film The Nines, of which for other I do not have news regarding the distribution in Italy. To the foreign country it is already exited in DVD. Which thing has of special The Nines?

Beh, is an independent film that it knows to astonish with one apparently simple weft, but much deep one. Three episodes in which the same actors they interpret various parts, in some way tied. It will be only discovered to the end. A film that leaves numerous interrogated to you and that it deserves of being discussed and see again.

Which thing alloy The Nines to the net? The director and scripteriter of the film, John August, have a blog. In its blog he has published the audio comment to the film, bonus that in kind he only finds himself on the DVD, free of charge. He has commented the escape of the film in the exchange circuits rows with sobrietà, convinced that it is only a good for the film that is seen and that if of it speaks.

In order to promote the film it has been opportunely launch a competition in order to realize a trailer beginning from “social” some material puttinges to disposition of the navigators. The sonorous column is simply sublime. Pack-saddles to listen to the topic of Alex Wurman in order to convince itself. In Italy, but that it has participated to the Festival of Venice 2007, probably nobody has seen this film and is a true sin. It deserves.

**UPDATE:** The original author noticed the link, and wrote up his [own English translation](http://luca.wordpress.com/2008/02/15/the-nines-a-movie-you-have-to-see/).

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