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Writers Guild agreement reached

October 13, 2004 Film Industry, News

Suddenly, the five-month pause in negotiations between the Writers Guild and the studios has ended, with a [tentative agreement announced today](http://www.wga.org/pr/1004/pr101304.html).

For those who haven’t been following the situation, film and television writers have been working without a contract since June 2nd. The Writers Guild walked away from the studios “last, best offer” because it didn’t address the principal concerns:

1. Health plan funding
2. DVD residuals
3. Late payments
4. Other creative issues, such as reality television writing

The idea was to wait until the Directors Guild started their negotiations, and piggyback on any advances they were able to make. (This isn’t as unfair as it sounds; the DGA traditionally goes last in the cycle after WGA and SAG, and benefits from increases the first two guilds win.) However, the DGA made their deal really quickly, and didn’t make any progress on DVD residuals. So there wasn’t a lot for the WGA Negotiating Committee to build on.

What did the writers get in this tentative agreement? Well, the health plan is the biggest thing, with about $37 million more pumped in to keep the fund solvent. There are also increases in pension and minimum writing fees. DVD residuals stay where they are, but there’s at least some token attention to late payments and reality television, which uses writers but calls them producers.

Also on the television front, there will be a new training program for educating writers about the business side of running a TV show. And to encourage wider viewing, networks can repeat the intial episodes of a series during the first two months without paying residuals. Both make sense to me.

Is it a good deal? Well, it doesn’t address the [awful state of DVD residuals](http://johnaugust.com/archives/2004/big-fish-sells-2-million-dvds-in-its-first-week), but I really didn’t expect it would. You know how when something bad happens, people always say, “At least you have your health?” In this case, at least we have our health plan, which is certainly something to be happy about.

New Fox show announced

October 4, 2004 News, Projects, Television

Both [The Hollywood Reporter](http://www.hollywoodreporter.com/thr/television/brief_display.jsp?vnu_content_id=1000652435) and [Variety](http://www.variety.com/article/VR1117911329?categoryid=13&cs=1) had stories today about the new one-hour drama that I’m developing for Fox with Jordan Mechner, the writer of [Prince of Persia](http://johnaugust.com/archives/2004/prince-of-persia-announced).

The show is about two guys, business partners, who work as private military contractors. They run their own startup firm. Week-to-week, they find themselves in the most dangerous parts of the world — Iraq, Africa, South America — trying to complete short-term contract jobs such as rescuing hostages, guarding facilities, or protecting diplomats. Of course, being a drama, things never go as smoothly as planned.

The idea sprang from research Jordan was doing about military corporations, the mercenaries of the 21st century. It could have been a feature, but the more we talked about it, the more excited we got about developing it for television. The show is sort of a procedural (the term for all the CSI’s and such), but instead of trying to find a killer, our heroes are trying to complete a mission.

Television moves fast, but as I have updates, I’ll try to keep them posted.

My schedule for the Austin Film Festival

September 10, 2004 News

As I [mentioned previously](http://johnaugust.com/archives/2004/speaking-at-the-austin-film-festival),
I’m going to be one of the panelists at the Austin Film Festival this October 14-17. I now know my schedule, so I can at least pretend to be prepared to talk about the following topics of interest.

(Standard caveat: everything is subject to change.)

Saturday, 10/16

10:45AM – 12PM
Writer’s Block
When your mind and screen go blank. The painful struggle of writer’s block and how to overcome it. An inside look at how professionals stay focused and get the writing juices flowing.

2PM – 3:15PM
On Writing: Action/Adventure
Do you have to follow the formula? Does anyone even buy spec action scripts anymore? Or are they all studio-generated? Writing action-filled, violence-laden, explosion-stuffed films that don’t sacrifice story or characters. At least not their development.

Sunday, 10/17

9:45AM – 11AM
Editing Your Script
Congratulations! You’ve finished your screenplay. Now it’s time for the real work: Editing. How to take an objective look at your script and edit your own writing.

If you’re headed to Austin, maybe I’ll see you at one of the panels. And if you [do decide to go](http://www.austinfilmfestival.com/content/register/index.htm), remember that they’ll give you a 10% break on the registration fee if you tell them I sent you.

All the Feeds you can eat

September 9, 2004 Geek Alert, News

The [Feeds](http://johnaugust.com/site/feeds) section is now up and running, offering RSS and Atom feeds for all the content on the site. If you’re subscribing to one of the old feeds, update it now, because the old ones won’t be functional after this week.

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