WGA membership approves credit proposals

The WGA announced this afternoon that all three proposed revisions to the Screen Credits Manual passed handily, ranging from 83 to 90 percent yes votes.

  • Digg
  • Facebook
  • Reddit
  • SphereIt
  • StumbleUpon
  • Twitter
August 1, 2008 @ 3:19 pm | Comments (5)
Filed under: Asides, Follow Up, WGA

5 Responses to “WGA membership approves credit proposals”

  1. Johnny

    Big backflippin whoop. Seeing that the dude who refills red licorice gets screen credit, how about a proposal to give the gal who did the eleventh hour rewrite and whose words and ideas are ON THE SCREEN get credit?? Then we’re talkin.

  2. Carrie

    Re: Eliminate the 60% rule: “The current manual states that where a subsequent writer…” Does this refer to rewrites only?

    A friend and I are co-producing an adaptation of a novel we’ve optioned, working with a writer who will get “Screenplay by” credit. The co-producer and I developed the (entirely reworked) story, with the writer’s participation. We are submitting the script with shared “Screen story” credit. I know that if we sell to a studio these decisions will ultimately be taken out of our hands, but for now — I’m still unclear as to what our percentage participation needs to be in order to merit the shared story credit.

  3. John

    @Johnny:

    As noted throughout, these were minor but important fixes to the system. Crediting all participating writers is a complicated, controversial objective — one I’d support — that extends beyond what the WGA can do without studio agreement.

    @Carrie:

    Your situation is complicated by the fact that it’s an adaptation, you’re producers, and you hope to share story credit with the screenwriter. That’s ambitious. Producers often take a strong hand in helping develop the story (or approach to the story), but rarely try to get story credit.

  4. Johnny

    @John

    I hearya…. But while I have no objection to the latest amendments, they seem a little…feckless in regards to the bigger issue at hand. All proposals would become pretty much redundant if the credit-for-all issue were addressed and resolved in accordance with the studios (who’d fight tooth and nail to not pay out more residuals, but hey, that’s why it’s the REAL issue, isn’t it). Anyhow, tiny steps in the right direction I guess. Now that the Credits Committee succeeded with flying colors, maybe they can use the vigor of their triumphant victory to address the bigger picture…

  5. Sarah

    Hey John, stopping by to wish you a HAPPY BIRTHDAY!

 

About

This site is run by screenwriter John August. Mostly, he answers reader-submitted questions about the craft, but occasionally he goes on tangents that run far afield of writing and filmmaking. You'll also find info on past, present and future projects.

Follow Me

On Twitter: @johnaugust

Ask a Question

If you have a question about screenwriting or my movies that hasn't been answered, by all means ask. There are a few guidelines to follow.

Featured Articles

101: Some screenwriting basics


There are more than 900 articles on the site. You can find category archives at the bottom of every page.

Read Me

  • The Variant
  • A new short story available for download, Kindle and iPhone.

Feeds