The Remnants

Yesterday, a Google News alert informed me that the web pilot I wrote and directed way back in February has been dis-embargoed. I’ve been deliberately sketchy on details about the project, but since Variety has the story, there’s no reason to be coy.

It’s called The Remnants.

It’s a comedy about a group of squabbling survivors in post-apocalyptic Los Angeles. Tonally, it’s a cross between The Stand and The Office.

It stars Justine Bateman, Michael Cassidy, Ben Falcone, Ze Frank, Ernie Hudson, and Amanda Walsh. It was produced by Dan Etheridge and Matt Byrne.

60Frames and NBC Universal Digital Studio are in discussions about shooting a bunch of episodes as a web series. If that happens, hooray. If not, it was a great experience making it. We shot it during the darkest part of the WGA strike, so to be working again was amazing.

You can watch a two-minute snippet from the middle of the pilot here:


Better yet, if you have a fast connection and a fairly fast computer, check out the HD version. It even looks good full-screen.

October 9, 2008 @ 8:39 am |
Filed under: Projects, The Show

35 Responses to “The Remnants”

  1. Jack

    Hahaha, I’m so excited to see Ze Frank!

  2. UGLY PUNK GURL!

    that looks awesome, although to be honest, I have no clue what they are saying (I’m Deaf). congrats on the writing gig, hope it goes great for you!!!

  3. Craig

    John,

    Please excuse my ignorance, but what is meant when you say that it was “dis-embargoed”? I’m picturing all the warships blockading its port raising anchor and sailing home, but somehow I don’t think that’s quite the correct meaning here. I looked at the Variety article, but didn’t see anything that really helped explain it to me.

  4. Kristan

    Okay, hahaha, I don’t think I fully comprehended “The Stand and the Office” until I watched.

  5. Spoon

    Pro: I chuckled.

    Con: Way too much cutting.

    And Ben Falcone is like Michael Cera-lite.

  6. Grant

    Craig,

    I’m assuming the colloquial embargo took place between the time the project was done and now. John was prohibited from talking about it in public or showing it because he was shopping it around. Now that he has a deal, and it’s public knowledge, the “embargo” is lifted and he can talk until he’s blue in the face.

  7. Johnny

    Awesome, hope something happens with it. Good to see more of Ze

  8. Robert

    That’s really sharp. I’m sold.

    Reminds me a little bit of Arrested Development.

  9. John

    @Craig: Grant is right.

    @UGLY PUNK GURL: I just added the script to the Library, so now you can know what they’re saying.

  10. Cecil

    She wasn’t afraid of me, that means she’s one of them. Nice! This looks great or you just picked the best two minutes. I hope this gets made. I saw Ze Frank twitter about this and was wondering why you had not said anything about it. All the 60 frames new projects sound good. The Stand and The Office, Great! That’s why they pay you the big bucks!

  11. Grumpy

    It’s a comedy about a group of squabbling survivors in post-apocalyptic Los Angeles. Tonally, it’s a cross between The Stand and The Office.

    And not at all like the short-lived, post-apocalyptic sitcom on FOX, appropriately titled “Whoops!”.

  12. Chris

    Now the question I just emailed is out of date. Perfect.

    My favorite line: “Can you even have kids anymore, Gwen?”

  13. Marc Ostrick

    Was part of that pilot shot at Blane Dunham’s apartment? Looks like a really great show. I hope it happens and you can utilize components of the web that make it a unique medium for storytellers. Would love to see more original work of yours online.

  14. Eric

    I like this. Cool stuff!

  15. Hector

    Wow, that looks awesome! I really hope it gets picked up.

    The acting was great, the dialogue was great and the camera work was like Arrested Development and The Office… which is a good thing.

    I’m excited for this.

    Congrats on a job well done John.

  16. Andrew Paulson

    Really funny. This makes me excited about the prospects for new media.

  17. Heather

    Ha! I saw Ze Frank’s twitter tweet about this, but I didn’t realize it was the same thing you blogged about! Woo hoo!

  18. Paul D. Waite

    Man, that looks great.

  19. Emily

    Hey I love this! I think it’s my favorite thing you’ve done. The premise seems so inevitable, but I never would have thought of it.

  20. Chris Danvers

    Hey John… not trying to start a shit storm or anything… but if u did this is the strike period… And its a pilot for something that will be produced by a network isn’t that defeating the purpose of the strike?… I can see that obviously you had some creative freedom which is great, and I think it looks great too, I was just wondering about the implications (whether you care about them or whether they are even relevant), or was this written before the strike and you just directed it?…

    I don’t mind either way, just that the thought came into mind as soon as you mentioned NBC… Actually surprised no one else has mentioned it… Have i missed something (wouldn’t surprise me)?

  21. John

    @Chris Danvers:

    We shot the pilot on spec. So it’s very much in keeping with the WGA’s goal of getting their members shooting projects outside of the normal studio system. (Read “Seeing other people.”)

    If (big IF) we end up shooting it as a web series, and if it ends up being for NBC/U, we’ll need to figure out a workable model for paying for it. That’s all still murky.

  22. Max Munro

    I don’t like the camera movement. It’s pretty off-putting to me, although, I suppose it works if it’s web-based.

  23. peoplecallmebryner

    Great job. It’s at once simple enough to make me think even I could write it, and then when I try I discover how tough it is to make simple so funny.

  24. Chris Danvers

    Thanks John… Like i said.. sounds good to me too.. great concept…

  25. Cesar Romero

    Funny bit, that…and holy snap-zoom! Curious…hand-held work for practical or artistic reasons?

  26. John

    @Cesar Romero:

    I pushed the camera work to dangerous places because, hell, it’s an experiment. That clip has the worst of it, because covering five people in a half-improvised conversation is naturally going to get messy. My editor (Doug Crise) did a heroic job.

  27. Chris

    You’re my hero. I love the office and post apocalyptic scenarios.

  28. Paul Ramos

    John, awesome snippet. I’d watch it regularly if it were on the web. I don’t understand the reticence of the big media companies to do stuff like this on the web. If anything Dr Horrible has proved that it’s totally viable. Do you have insight into why NBC/U wouldn’t do such a thing? (I’ll totally understand if you aren’t allowed to talk about why they wouldn’t since you are in the middle of getting it out there.)

  29. Ayz

    loved that. great clash of genre’s.

    nice to see ernie back on screen too. Is it just me, or did that guy get younger?!

  30. Chad Nuttall

    Link to the full episode?

  31. Jason

    I would’ve said “bone” not “boink”. Otherwise, funny!

  32. Mark

    Nice work. Interesting and humorous. I liked it.

    Mark

  33. Karen

    I didn’t even notice the camera work while watching — strange that people would have such different reactions. I’m happy to see Justine Bateman in something…. looking forward to more of this.

    And as a side note to the Variety article: “skein”? Do insiders really use that term? Just say “series,” dude.

  34. Todd

    Ze FTW!!! Hope this happens.

  35. daveednyc

    This was fantastic, and I hope you get to put it into full production for the web. As someone else mentioned, Dr. Horrible had tremendous success on the web, and that was more in the style of a tv prduction. The Remnants however, seems tailor-made — in its stylishly low-fi way — for the web, and for those of us who love to share this stuff on social networks, and have conversations about it online.

    Oh and vampire yetis are cool. Way cooler than zombies. Zombies are totally lame.

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