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QandA

Should I include a list of characters?

September 23, 2009 QandA, Words on the page

questionmarkFrom what I gather, it seems to be almost “bad form” to include a list of characters with your screenplay or at the beginning of it. At least it’s something. However, in dense scripts, wouldn’t such a list be helpful?

Seeing a movie on screen has the advantage of visual recognition in a sea of faces ( “Oh, that’s the Joe Pesci character,” “There’s the guy with the red hat again”, etc.), which obviously the written word can’t always convey, except if you go into background or descriptions every time the character shows up.

So is it okay to include a brief list of characters for a particularly complex and character-rich script?

— Liam
Paris, France

No. Never do this.

The Godfather screenplay doesn’t include a list of characters. Ditto for Lord of the Rings.

If your script is so convoluted that readers won’t be able to remember which characters are which, you need to fundamentally rethink it. A list of character names won’t help.

Yes, in some screenplays it can be tough to recall who’s who. Be nice to your readers. If you have a character who hasn’t shown up for fifty pages, it’s okay to throw a line in the scene description to remind us who he is:

The elevator doors open to reveal Marcel -- Tiff’s obnoxious boyfriend from the race track -- lighting two cigarettes. He hands one to the blonde gamine beside him, who we’ll call FAKE EDIE SEDGWICK.

When I’m reading a script that I’ll need to discuss later, one trick I’ve learned is to write down the major character names on the title page as I’m reading it, like this:

Todd – stockbroker
Brett – meth addict brother
Wallengate – Todd’s boss, narcoleptic

It’s a cheat sheet for myself, based on my reading, and helps me remember the geography of the plot when I meet with the writer. A prebaked character list wouldn’t help the same way.

Last looks

September 9, 2009 Formatting, Words on the page

I handed in a script today, and thought it might be helpful to talk through my best practices when finishing up a draft. I don’t always do all of these — but I get nervous if I’ve skipped one.

1. Print it out.
=====

There are mistakes you’re only going to catch on paper. So print it. I like to do two-up (side-by-side) printing to save paper, but your eyes might prefer full size.

Circle mistakes with a colored pen so you’ll see them. In addition to typos, look for any bit of redundant description or needless fluff. You can almost always squeeze a page out of a 120-page script.

2. Make changes all at once.
=====

It’s tempting to fix mistakes as you catch them, but you’re likely to miss things if you’re constantly switching between error detection and error correction. Sit at the computer and go through page by page, fixing each problem you’ve found. As you go, you may spot ways to improve page breaks and other formatting niceties.

3. Fix the title page.
=====

This is the step I often forget, resulting in mis-dated drafts and re-exported .pdfs. If I’m doing multiple versions of a draft — for example, one with starred changes, one without, I’ll make sure the title page indicates this.

4. Save this draft and email it to yourself.
=====

Yes, you should have multiple backup strategies. But the self-addressed email will always work, and can be accessed from wherever you find yourself.

5. Export a .pdf — then check it.
=====

These days, you almost always “hand in” a draft as a .pdf by email. But make sure it actually looks right, complete with title page. If you’re friendly with the assistant on the other end, ask her to check if there’s anything you’re at all worried might print strangely, such as a title page font ((Yes, you can use a font other than Courier for the title page. But I rarely do anymore.)) or starred changes in the right margins.

How to do college

September 6, 2009 Education, Random Advice

If you’ve decided that [college is worth it](http://johnaugust.com/archives/2009/undergrad-worth), the New York Times has a [series of short op-ed pieces](http://www.nytimes.com/2009/09/06/opinion/06collegeadvice.html?_r=1) with advice for incoming students. Some highlights:

[Stanley Fish](http://www.nytimes.com/2009/09/06/opinion/06fish.html):

> First, find out who the good teachers are. Ask your adviser; poll older students; search the Internet; and consult the teacher-evaluation guides available at most colleges.

[Gerarld Graff](http://www.nytimes.com/2009/09/06/opinion/06graff.html):

> Pay close attention to what others are saying and writing and then summarize their arguments and assumptions in a recognizable way. Work especially on summarizing the views that go most against your own.

[Carol Berkin](http://www.nytimes.com/2009/09/06/opinion/06berkin.html):

> Do ask questions if you don’t understand the professor’s point. Do not, however, ask any of the following: “Will this be on the test?” “Does grammar count?” “Do we have to read the whole chapter?” “Can I turn in my paper late?”

I would add:

* Each semester, pick one class you worry might be too hard for you, and one that’s easy but engaging.

* Never choose a class just because your friend(s) will be taking it. Each course is a chance to expand your social circle.

* Schedule yourself a block of library time for reading/studying, just like it’s a class.

* If you can’t find courses that interest you, take a semester off and re-evaluate.

* [Alternate with water](http://johnaugust.com/archives/2009/alternate-with-water).

What would your college advice be?

What an undergrad degree is worth

September 4, 2009 Education

From today’s [USA Today](http://www.usatoday.com/money/perfi/college/2009-08-30-college-costs-recession_N.htm):

> Darla Horn, 26, acknowledges she didn’t give much thought to the cost of college when she enrolled at State University of New York in Purchase. […] Because she didn’t qualify for financial aid, she took out student loans, graduating in 2005 with a double major in journalism and anthropology and more than $80,000 in debt.

That’s way too much debt for an anthro-journalist. But is it too much for an engineer? Is it too much for an actuary?

When I was buying a house, the rule of thumb was that you could afford a home three to four times your annual income. It feels like there should be an equivalent rule of thumb for how much you can spend on your education versus average salary of your studied profession. Or, hell, a web calculator.

In a few minutes of Googling, the closest I could find was this:

> **Don’t take out more student loans than what you expect to make in the first year.** This rule of thumb puts a reasonable upper limit on how much in student loans you should take out, which is a good thing, but doesn’t paint the whole picture.

There are some jobs (like screenwriting) in which starting salary is almost impossible to predict, and others (like law) in which salary goes up quickly based on experience. But rules of thumb are helpful *because* they simplify things, and this one seems a good start.

By this measure, an actuary could take out about $50,000 in loans, while an electrical engineer could feel okay taking on $55,000 in debt. Darla, meanwhile, should have capped her loans at $33,000. (All salary estimates from [PayScale](http://www.payscale.com/research/US/Job=Actuary/Salary).)

What often gets lost in these discussions is that relatively few students end up paying full freight. For four-year, private American universities, the [average tuition discount rate](http://www.nacubo.org/Research/News/Newly_Released_NACUBO_Tuition_Discounting_Survey_Report_Shows_Rates_Remain_Stable.html) for fall 2007 was 39.1%. The price on the sticker isn’t necessarily the price you pay.

But if you’re looking to study a low-paying field, do Future You a favor by being honest about the cost.

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