Keith Kuramoto takes a look back at Go, which I always forget is technically a Christmas movie.
Go
In Go, would Todd have shot Ronna?
Todd also didn’t come across as stupid, reckless or naive. It seems if he wanted to kill someone, he would have chosen a better place than a very public party where he likely would have been recognized by his clientele.
Don’t make the feature version of your short
Having worked with many emerging filmmakers through the Sundance Institute and other programs, I’m convinced it’s usually the wrong choice.
How to logline a dual-plot story
If both plotlines are key to your story, you need to make that clear in the logline. Otherwise, you risk future readers feeling like you bait-and-switched them.