• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

John August

  • Arlo Finch
  • Scriptnotes
  • Library
  • Store
  • About

Charlie

Back from the Charlie press junket

June 28, 2005 Charlie

Bahamas PlaneThis weekend, I travelled to The Bahamas for the [Charlie and the Chocolate Factory](http://imdb.com/title/tt0367594/) press junket. For those who aren’t familiar with the term, a press junket is a two or three day period during which the stars and filmmakers of a movie meet with the press (both domestic and international) to answer questions about the film. Since most of the U.S. media is based in New York or Los Angeles, press junkets are usually in one of these two cities.

Which begs the question, why the hell was the press junket in The Bahamas?

Answer: Johnny Depp. He’s currently shooting the sequels to [Pirates of the Caribbean](http://imdb.com/title/tt0383574/) down there, and since he’s The Guy on the Poster, Warner Bros. decided to fly everyone to The Bahamas so he could participate.

The event itself was at the Atlantis Resort on Paradise Island. I’d never been to the Caribbean, but I’ve been to Vegas plenty of times, so here’s my best analogy. Take [The Luxor](http://www.luxor.com), exchange the Egyptian theme for a vaguely Mayan one, add in [Mandalay Bay](http://www.mandalaybay.com)’s shark tanks, and put the whole thing on a pretty beach. It’s only an hour-and-a-half from Florida, so that’s your target audience.

I ended up spending a whopping 20 hours in the country, so I don’t feel qualified to comment on anything about The Bahamas beyond the fact that everyone I met was friendly.

As for the press junket itself, my job was to sit next to producer [Richard Zanuck](http://imdb.com/name/nm0005573/maindetails) and answer questions from three different groups of journalists, all of whom had just seen the movie at a special screening. Then I did an on-camera interview for a VH-1 special.

In all, I travelled about 18 hours for less than three hours of actual work. Was it worth it?

Hard to say. I honestly don’t know if a single quote of mine will appear in any of the stories about Charlie. I try to say honest and witty things, but given a choice between me and Mr. Depp, a reporter will always use his quotes. I knew that going in. And for most of the longer stories about the movie, I do in-person or phone interviews, which are most easily done from Los Angeles.

However, I think it’s important that the screenwriter show up for junkets. My being there hopefully reminds journalists that the movie was written before it was shot. Far too often in the entertainment press, the only mention of the screenwriter is to lambaste a (supposedly) dreadful script; in success, we’re invisible. At least for a few sweaty hours in The Bahamas, I was part of the story.

Deciding which parents get to visit the factory

June 24, 2005 Charlie, Projects, QandA

[Charlie Tour Group](http://johnaugust.com/Assets/charlieriver.jpg)I have a question about your upcoming film, Charlie and the Chocolate Factory. What made you decide to have each child bring only one guardian to Wonka’s factory, and how did you choose which one would go?

–Michael
Daphne, Alabama

In Roald Dahl’s [book](http://www.amazon.com/exec/obidos/tg/detail/-/0375834605/), each of the four rotten kids (Veruca, Violet, Augustus and Mike) brings both of their parents on the tour of the factory. Charlie only bring Grandpa Joe, for reasons that are never entirely clear. According to the rules on the Golden Ticket, he’s allowed to bring two parents, but he doesn’t.

When Tim Burton and I first sat down to talk about how we were going to adapt Dahl’s book for the screen, the two-parent issue was one of my first questions. In addition to being a little unfair to Charlie, having each of the rotten kids bring both parents presented a lot of problems.

With a book, the reader can conveniently forget that Mrs. Teavee hasn’t said anything for a long time. In a movie, however, that character is always going to be on-screen. Which means she needs to be doing something, saying something. She has to interact with all the other characters in the scene, who in turn have to interact with each other, which steals focus from Charlie, Willy Wonka, and the rotten kids.

Basically, twice the parents means everyone gets half as much to say and do.

So we quickly decided that the rule on the Golden Ticket would be that every kid gets to bring one parent or guardian. No fuss, no muss.

Then the question becomes, which parent goes with which kid?

In my mind, piggy Augustus got that way because he had a mother who equated food with love. So Mrs. Gloop would be the first parent. We don’t learn much about her except that she and her husband own a sausage shop in Germany.

Violet Beauregarde claimed to be the world record-holder in chewing gum, so we decided to make her hyper-competitive, her ego stoked by sports mom Ms. Beauregarde, herself a former baton champion. We never say anything about Violet’s father.

Veruca Salt is a daddy’s girl gone wicked, manipulative and bossy. So it only made sense for her to bring her father, a British nut baron.

Finally, there’s Mike Teavee. In Dahl’s book, he’s obsessed with TV westerns and shoot-em-up cop shows. Updating it a bit, we gave him violent videogames and a well-meaning but completely over-his-head father, who is literally bullied by his son.

Even with just these four characters, it took work to find enough for everyone to do and say. In the Chocolate Room, for instance, we have to keep track of Willy Wonka, Charlie, Grandpa Joe, Augustus, Mrs. Gloop, Violet, Ms. Beauregarde, Veruca, Mr. Salt, Mike and Mr. Teavee. That’s eleven characters, not counting the Oompa-Loompas. If we’d added four more parents to the scene, we’d probably still be shooting it.

Cheaper Charlie shirts

June 7, 2005 Charlie, Projects

[hot topic t-shirt](http://www.hottopic.com/store/nodePage.asp?LS=0&BRAND_ID=63)Reader “Bri” was thoughtful enough to point out that Hot Topic has started selling less-expensive Charlie and the Chocolate Factory t-shirts. They’re perfect for your your rebellious kid sister who wants to express her individuality in a completely conformist way.

The “Life Had Never Been Sweeter” shirt comes from a line of dialogue (narration, actually) in the movie, which comes out July 15th.

You can find the shirts here. (Link dead, March 2011.)

More Charlie goodness

June 2, 2005 Charlie, Projects

[wonka small](http://pdl.warnerbros.com/wbmovies/charlie/flashsite/index.html)A sharp-eyed reader wrote in to point out that the [flash site](http://pdl.warnerbros.com/wbmovies/charlie/flashsite/index.html) for Charlie and the Chocolate Factory is now open for business. You can find a lot more downloads, but still no “Cast and Crew” section yet. Ahem.

Also, the [full trailer](http://www.apple.com/trailers/wb/charliechocolatefactory/) is now up at Apple, without any of that AOL baggage that the [AICN](http://aintitcoolnews.com) folks complain about.

« Previous Page
Next Page »

Primary Sidebar

Newsletter

Inneresting Logo A Quote-Unquote Newsletter about Writing
Read Now

Explore

Projects

  • Aladdin (1)
  • Arlo Finch (27)
  • Big Fish (88)
  • Birdigo (2)
  • Charlie (39)
  • Charlie's Angels (16)
  • Chosen (2)
  • Corpse Bride (9)
  • Dead Projects (18)
  • Frankenweenie (10)
  • Go (30)
  • Karateka (4)
  • Monsterpocalypse (3)
  • One Hit Kill (6)
  • Ops (6)
  • Preacher (2)
  • Prince of Persia (13)
  • Shazam (6)
  • Snake People (6)
  • Tarzan (5)
  • The Nines (118)
  • The Remnants (12)
  • The Variant (22)

Apps

  • Bronson (14)
  • FDX Reader (11)
  • Fountain (32)
  • Highland (73)
  • Less IMDb (4)
  • Weekend Read (64)

Recommended Reading

  • First Person (88)
  • Geek Alert (151)
  • WGA (162)
  • Workspace (19)

Screenwriting Q&A

  • Adaptation (66)
  • Directors (90)
  • Education (49)
  • Film Industry (491)
  • Formatting (130)
  • Genres (90)
  • Glossary (6)
  • Pitches (29)
  • Producers (59)
  • Psych 101 (119)
  • Rights and Copyright (96)
  • So-Called Experts (47)
  • Story and Plot (170)
  • Television (164)
  • Treatments (21)
  • Words on the page (238)
  • Writing Process (178)

More screenwriting Q&A at screenwriting.io

© 2025 John August — All Rights Reserved.