In an effort to finally get the Projects section updated, I’ve added the transcript of my very first meeting with Daniel Wallace, the author of Big Fish. It’s interesting looking back at the project before there was a script. (In fact, the book itself hadn’t yet come out.)
Paperback version of shooting script now available
Newmarket Press has published a paperback version of my screenplay for BIG FISH. You can order it here.
How does the paperback compare to the .pdf version available on this site? Well, it’s the same script, but it adds a kind foreward by Daniel Wallace (who wrote the novel), a very long intro by me, photographs, and production notes. Plus, it looks better on a shelf.
Big Fish receives Oscar nomination for Best Score
This morning, Danny Elfman’s score for BIG FISH was nominated for an Academy Award. It’s well-deserved. His score is subtle, never flashy, and really works to support the movie rather than call attention to itself.
While I’m delighted we got this nomination, I’d be lying if I said I wasn’t a little disappointed we didn’t get others. Oh well. There are many excellent films and filmmakers recognized in this year’s nominations, and some omissions at least as notable as BIG FISH’s.
I don’t think there’s any great conspiracy for or against anyone. Nominations are just the aggregate of a lot of individual opinions. And on the plus side, I can stop obsessively reading Internet message boards about the awards, which has become a giant time-suck. For that extra hour each day, God bless you, Academy voters.
Good day jobs for writers and others
What are good “day jobs” for writers, actors or others looking to break in in LA? Are there certain jobs that provide flexibility and are not entirely draining of the soul?
–Ron
Myrtle Beach, SC
To me, the criteria for a good day job are the following:
1) It should pay enough that you can live, but not much more. If you’re raking in enough money for a nice new car, there’s less motivation to pursue your “real” career.
2) You shouldn’t work with crazy people. Life is too short. There are enough insane people in the film industry; you don’t need them in your day job too.
3) Some flexibility. You need to be able to take a meeting on 24 hours notice.
4) Not too physically, emotionally, or intellectually draining. You need to have enough juice left to do your real work after hours.
5) Tolerable enough that you don’t dread going to work, but you’ll happily quit when given the chance.
Obviously, the cliché for actors is to work as waiters. In truth, this can be a good choice. If you work nights, you have your days free for call-backs and classes, and there’s always the hope that a big producer or director will notice your striking talents while you refill their passion-fruit ice tea. For almost exactly the same reason — being noticed — many actors deliberately avoid restaurant jobs, on the fear that the same guy they auditioned for this morning will recognize them. Writers are in much the same boat, although since writers are almost never good-looking, there’s very little chance they’ll be discovered at Mastro’s Steak House.
The other classic choice is to work as an assistant, answering phones and making copies. This is what I did, as did Rawson and Dana, my two-former-now-powerful former assistants. If you work for the right person, in or out of the film industry, this can be a good job. But for every good boss, there are two or three psychos, so it’s a risk. But you’ll almost certainly learn more as an assistant than as a waiter.
Beyond these two paths, there are a thousand other things people do as day jobs in Los Angeles: dog walkers, tutors, computer fix-it guys. Two of my friends index books, which pays well but is crushingly boring. Another friend is a freelance business manager, handling the daily accounting for rock stars. And many screenwriters work as readers, writing coverage on other screenplays while writing their own.
In finding a day job, ask yourself what other people always say you’re good at. Then do it. But never stop paying attention to your real career: the one you’re not getting paid for yet.