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Search Results for: courier

Ratio of pages to screen time

September 10, 2003 QandA, Words on the page

How do you (roughly) calculate the ratio of script length to screen time?
Would you use a different calculation for different genres?

–Rebecca

The very general rule is that a page in the script should equal a minute of screen time, which is one reason the industry has standardized around 12-point Courier for the font. Since most screenplays are around 120 pages, the movie should work out to be 120 minutes, or two hours, assuming every scene in the script makes it into the movie.

Of course, a page full of action would likely take longer than a minute, just as a page of rapid-fire dialogue would be a lot faster. That’s why before a movie goes into production, the script is often “timed” to estimate how long the movie will be, so the director and producers can plan accordingly.

A “script timer” is a professional reader who estimates how long each scene will play, and thus, the length of the overall movie. Generally, the script timer will take into account the director’s vision and style when timing the scenes; the David Lynch version of a scene would tend to run longer than the Michael Bay version.

Many script timers are in fact the script supervisors, who will be set during the entire production helping the director, actors and editors maintain continuity and catch mistakes. From the screenwriter’s perspective, this is one of the most important people on the set, since he or she always has the director’s ear, and will be the person correcting actors who mangle their lines.

Dead rapper’s mom is calling the shots

September 10, 2003 Producers, QandA

I have a situation
that is very complex. I’m in the process right now of producing a movie with
the mother of a famous rapper who was killed. This will be a feature film about
his life as a youngster up until his death. The problem is, she wants us to
also use the screenwriter who wrote the first draft of the script, who she
has a personal relationship with. How do we deal with this situation once the
director gets involved?

–D

Carefully. And prepare for it to get rough.

I’m including your question not because I can offer you any real help, but
to remind readers that producers don’t have an easy life. Aspiring screenwriters
tend to think of producers as sharks or gurus, but often they’re people like
D struggling to make a movie under difficult circumstances.

Just a guess, but I suspect the screenwriter who wrote the first draft is
inexperienced, and may not be up for the task. If D or the director decides
to replace him, who’s the bad guy? If the mother freaks out, who’s going to
deal with her?

The real world, outside of the safety of 12-point Courier, is chock full of
these uncomfortable situations, and producers aren’t always the bad guys.

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