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Writing Process

Collaborating with multiple writers

September 10, 2003 QandA, Writing Process

Just recently
my friends and I have decided to make a short film. We have elected to individually
write several scenes for this short film, then combine them when complete.
Is this advisable, or is there foreseeable problems, such as writing styles,
continuity etc? How hard is it to co-write scripts?

–Mark B

I’ve never written with a partner, so my only experience in co-writing comes
from the two television shows I’ve created, in which I needed to work with
other writers to come up with episodes. In those cases, I was clearly the guy
in charge, so the experience was only collaborative up to the point where we
disagreed. Then, I always won.

Unless you and your friends are remarkably (dare I say pathologically) sensitive
to each other’s talents and feelings, I think you are in for trouble. While
filmmaking is ultimately collaborative, with up to hundreds of people working
on a movie, the writing process is inherently pretty solitary. You’re not just
pushing around words on paper; you’re pushing ideas around in your brain. And
the more brains you try to distribute this conceptual process between, the
more muddled the ideas become.

I’m not saying your short film is doomed. But I really doubt it’s going to
turn out better for this novel approach. I’d recommend you and your friends
talk through all of your ideas at length, and then let one person actually
write the script. Everyone can offer feedback and suggestions, but the best
writer among you should be the keeper of the keyboard.

Writing is hard

September 10, 2003 Psych 101, QandA, Writing Process

questionmarkI’ve been busy
writing a script, and I have the whole idea mapped out in my head. But for
some reason, my writing doesn’t seem to flow. I struggle to get from one point
to the next. Is this normal? If I go back through the script
again after I’ve jotted down my rough dialogue, will it flow then? Do you do
a quick rough draft before you get into the real writing?

–Bob

answer iconWell, are you a good writer? I ask because it sounds like this is your first
screenplay, and there’s every chance you’re a terrible writer. It’s my experience
that most people in Los Angeles feel like they could write a good movie. The
reason why most of them aren’t successful screenwriters is that they’re really
aren’t good writers.

It’s easy to see how they get mislead: If you read a script, you’d think any
monkey could do it. Most monkeys can’t.

I’m not picking on you, honestly. I hope you’re a terrific writer who’s just
realizing how incredibly difficult screenwriting can be. It’s great when the
writing flows, but most of the time, it doesn’t. You work your ass off to get
to the end of a sentence, then start another. You end up deleting scenes that
took you four hours to write, then rewriting entire scripts based on problems
you should have spotted before you even started writing.

It’s not grueling, back-breaking labor like building a road, but it is labor.
It’s exhausting. And while Final Draft might make formatting your script easier,
it’s still just as hard to write.

Often, when I approach a scene, I will do a quick rough draft, by which I
mean all of a scene’s crucial dialogue lines scribbled on the back of an envelope.
It’s mostly just to get the shape of the scene, but it is "real" writing
just as much as the endless tweaking that will inevitably be entailed.

Above all this, I would stress: Don’t wait for flow. It might come; it might
not. But it’s your job to keep writing anyway.

Generating ideas

September 10, 2003 QandA, Writing Process

Do you have a method to generate your ideas?

–Dean

Not really. I’ve never found it particularly hard to generate ideas. Most
of the time, I have far too many different things I want to write, and
the challenge is deciding which ones are actually worth the investment
of time and thought. So I don’t really have any methods for generating
ideas. I don’t brainstorm. I don’t draw mind-maps. I only outline if
I’m concerned about fitting the pieces together.
In fact, 90% of the time, I’m trying to find methods for shutting competing
ideas out, so that I’ll actually get my work finished. Or get to sleep.
I’m drawing a distinction here between coming up with new ideas (“a biker movie in space”) and figuring out how to solve specific problems with a story or scene (“how should the villain capture the Millenium Harley?”).
Obviously, every writer is going to have to find ways to get over these hurdles
when they come up. A few techniques that often help include:

  • figuring out what the outcome needs to be, then working backwards;
  • deciding what caused the problem in the first place, and whether it can be changed or cut;
  • looking at the moment from another character’s perspective;
  • quickly writing several different solutions, then judging whether one or a combination of several best address the problem.

For all the talk of high-concept comedies or big-idea action tentpole movies, a screenwriter’s daily life is almost entirely about coming up with the “little” ideas that help get the story told.

Process of writing

September 10, 2003 QandA, Writing Process

Briefly, could you explain to me your process of writing?
How long does it take you to write a full screenplay?
Do you listen to any music when you write?

–Justin Benton

Not only does every writer have a different process for getting words on the
page, but the process often varies from project to project. Generally, most
of the scripts I write have a long gestation period before a single scene is
written. Since a lot of the movies I work on are studio assignments, there
are inevitably a half-dozen meetings with producers, directors and studio executives
before we "commit" on exactly what I’ll be writing.

I’ve written first drafts of screenplays in as little as three weeks, and
as long as six months. As I’ve gotten more experience as a screenwriter, I’ve
become much better at estimating how long it will take me to write a script,
much like an experienced contractor will have a better idea how long it takes
to build a house. In general, most studio contracts will list 12 weeks for
a first draft, so I’d have to guess most writers could hand in a draft that
fast.

Being easily distracted, I never listen to music as I’m writing, though I’ll
often have music I use to get in the mood for a particular scene or sequence.

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