John and Craig open the mailbag to answer a swath of listener questions that make Craig’s blood boil. They offer insights and umbrage on when you can turn down projects early in your career, picking the right day job, maintaining visibility when you’re taken off a project, the next steps after a successful short, when […]
John and Craig welcome back Ryan Reynolds for an in-depth look at his creative process bringing the character of Deadpool to the screen. As co-writer, producer and star of the Deadpool franchise, Ryan leads us through his first introduction to the character, the rough journey getting to greenlight, and the challenges presented by an often-faceless […]
John welcomes journalist/screenwriter Max Read to look at the emerging sub-genre “halogencore” – stories of corporate malfeasance that are less about uncovering corruption as they are about characters learning to ignore it. They look at the evolution of the sub-genre, how these movies function, and why it’s important to define genres at all. We also […]
In this compendium episode, John and Craig look at two of the most fundamental building blocks of compelling stories – conflict and stakes. We define six forms of conflict common in movies, and explore ways to sustain conflict within a scene and throughout a story. We also look for ways to find the root of […]
John and Craig stand waist-deep in rotten tomatoes and ask, what can we learn from bad movies? Resisting the urge to walk out, they explore ways to evaluate a movie’s problems, interrogate your taste, and turn a real stinker into an opportunity to grow as a writer. We also follow up on Lifetime movies, colored […]
John welcomes writer-director Betsy Thomas (Superior Donuts, Superstore) to finally discuss writing multi-camera sitcoms. Using famous sitcom scripts as guides, they look at how multi-cam sets itself apart through its unique formatting and production, how it utilizes blocking, its surprising limitations in post, and the live studio audience. But Betsy is more than just a […]
John and Craig welcome back Megana Rao to look at rituals and what they can tell us about our characters. But what are characters doing deliberately, and what is just routine? They separate routines from rites, and how both can help deepen our understanding of characters and the threats that face them. We also follow […]
John and Craig finally become writing partners and edit the opening to one chapter of the upcoming Scriptnotes book live on-air. They wrestle with word choices, adapting the phrasing of a spoken conversation and finding a unified voice as they pass the keyboard back and forth. We also catch up Craig on what he’s missed […]
John welcomes back Mike Schur (The Good Place, Parks and Recreation) to ask, how do you fix an overwritten script? They discuss ways to rebuild scenes and restore muddy characters that have become burdened by too many notes, all while making sure your script retains its voice. We also look at the new IATSE deal […]
John and Craig welcome Aline Brosh McKenna to look at what writers mean by a “voice,” and how it develops. Some screenwriters’ voice develops long before their craft, leading people to label them as “promising” even though the scripts themselves are a mess. Other writers get all the technical stuff right from the start, but […]
John welcomes Simon Rich (Man Seeking Woman, Miracle Workers) to look at how he crafts a comedic premise. Using his work on SNL, his time writing Inside Out at Pixar and his plethora of short stories, they look at how he develops a funny idea into a story with narrative and emotional punch. We also […]
John welcomes back Aline Brosh McKenna to help figure out how to say goodbye… in your story. Using examples from some of their favorite movies, they explore how farewell scenes work, what sets them apart from the average see-you-later, and leaving a lasting effect on your characters and the audience. We also look at the […]
In this compendium episode, John and Craig fast-forward to the third act to talk about endings. How do they work? What makes them great? And how do you fix them when they’re not working? They look at how to connect your ending to your characters, crafting a twist that surprises (but doesn’t confuse), the function […]
John and Craig decode the current state of software in the film and television industry. With dozens of programs needed for every project, they look at why bad and outdated programs continue to have a hold on the industry, why it’s so hard to build something better, and how these programs find financial success in […]
John welcomes Meredith Scardino (Girls5eva) and Jen Statsky (Hacks) to discuss the highs and lows of writing the third season of a hit comedy. But how do you push a series forward without violating the premise or retreading familiar terrain? Are the shows still the shows they pitched? How has streaming changed since their shows […]
John and Craig explore one of the most powerful and versatile tools in episodic television: the cold open. But how does it work? What kind of scenes does it showcase best? How can it play with point of view, perspective and time? What makes it memorable? And how do you make it work for your […]
John joins Mike Birbiglia on his podcast Working It Out to share direct, practical screenwriting advice that you’ll actually use, whether you’re an aspiring screenwriter or you want to pursue creative work of any kind. They explore John’s screenwriting process, from defining his expression “breaking the back of the script,” through the different forms of […]
In this compendium episode, John and Craig demystify the the relationship between writers and the people who represent them, looking at how to acquire, work with and (if necessary) fire your agents and managers. How do you get an agent or a manager? What are they looking for in a potential client? What frustrates them? […]
Why are things so rough in Hollywood right now? John and Craig look at the industry’s current contraction, its historical analogues, and offer suggestions for what might fix it. We also follow up on streaming ad breaks and New York accents, before answering listener questions on being paralyzed, whether it’s by your second draft or […]
John and Craig investigate what characters know and how we know they know what they know. It’s something that can be as confusing as that last sentence was, but they offer clear guidance on building informed characters, audience expectations, and how to get everybody on the same page. We also look at how ad breaks […]