In this compendium episode, John and Craig demystify the the relationship between writers and the people who represent them, looking at how to acquire, work with and (if necessary) fire your agents and managers. How do you get an agent or a manager? What are they looking for in a potential client? What frustrates them? […]
Why are things so rough in Hollywood right now? John and Craig look at the industry’s current contraction, its historical analogues, and offer suggestions for what might fix it. We also follow up on streaming ad breaks and New York accents, before answering listener questions on being paralyzed, whether it’s by your second draft or […]
John and Craig investigate what characters know and how we know they know what they know. It’s something that can be as confusing as that last sentence was, but they offer clear guidance on building informed characters, audience expectations, and how to get everybody on the same page. We also look at how ad breaks […]
John welcomes writer and comedian Alex Edelman to look at how he wrote his solo show Just For Us, and dig into the meaning of “write what you know.” They discuss finding your voice as a writer, developing your story with an audience, why Alex doesn’t write his shows down, and the sample that first […]
John and Craig can’t help but look at intrinsic motivations — those specific internal drives that guide characters behavior. They discuss how to structure and expose that internal drive, the importance of an innate irritability, how it can stop your characters from becoming flat, and rewarding that intrinsic motivation with choice. But first, we follow […]
John and Craig lawyer up with criminal defense attorney Ken White (aka Popehat) to look at legal scenes in movies and TV, and separate the tropes from the truth. How do lawyers actually prepare a case? Will they meet a client in jail? Do they need to gather evidence themselves? And what happens when they […]
John and Craig look at four unbelievable stories in the news and ask, How Would This Be a Movie? Stories include a finance journalist who was scammed out of her savings, men who offer dating bounties, a franken-sheep made of cloned animal parts, and how standardized tests changed one woman’s life. We also reveal which […]
John welcomes back Pamela Ribon (Nimona, My Year of Dicks) to quietly ask: what’s with all the whispering in movies these days? They discuss trends and techniques in voice and volume, picking the right moment to whisper, and the value of voices across decibel levels. We also revisit Pamela’s work on Moana to look at […]
John and Craig wring their hands and ask, how do you make sure the person you’re hiring isn’t a monster? They look at best practices for vetting colleagues, sussing out problematic people, and managing your own emotions when you’re the person with power. We also discuss writing for non-native English speakers, using three examples to […]
John and Craig explore the counterfactuals of Hollywood history — the relatively small moments that, if the coin toss had gone the other way, would have massive ramifications on the world as we know it. What if Edison was allowed to keep his monopoly on motion pictures? What does our industry look like without the […]
John welcomes back John Gatins (Flight, Coach Carter) to talk about reviving a dormant project and actually getting it made – like he just did with his new film Little Wing. They look at how films die, what brings them back to life, and go deep into the mechanics of sports movies. We also follow […]
John has the flu (or does he?) and Craig is missing, so we’re going back through the vaults to look at the mechanics of mystery and suspense. How do writers exploit the audience’s curiosity? What builds and breaks their trust? How do you use suspense across genres? And what do these techniques look like on […]
John welcomes writer and showrunner Francesca Sloane (Mr. & Mrs. Smith, Atlanta) to talk about her process of bringing a big-screen property to television. She shares how she and Donald Glover found their way into the story, how it evolved in development, building a room that was all women of color, re-writing on set, and […]
John welcomes Celine Song (Past Lives) to chart her journey from playwright to Oscar-nominated screenwriter. We discuss the intricacies of writing bilingually, the similarities between theater and a writers room, finding the right collaborators and how writing prepared Celine for the rigors of directing. We also follow up on foreign courts, the Tiffany problem, and […]
John and Craig host another round of the Three Page Challenge, where they give their honest feedback on three listener-submitted scripts. They offer insights into using sound realistically, writing action that can be easily directed, finding subtext in dialogue, and navigating complex points of view. But first, we dig into several tricky listener questions: How […]
John and Craig discuss the dynamics of fandom, attempting to chart how things get cool, then hot, then terrible. But how are fandoms organized? Where do subcultures start? And how should you engage with the community that forms around your work? We also look at an alternative screenplay format from one of last year’s best […]
The DGA surprised the town yesterday, announcing an update to their already-signed agreement with the AMPTP. The new deal includes select pay bumps and the streaming bonus gained by WGA and SAG-AFTRA after their lengthy strikes. John and Drew are back to look at what we know about this off-cycle development and ask questions like […]
John welcomes back Aline Brosh McKenna to look at how both you and your characters can become more “agentic.” What are the traps and pitfalls of going after what you want? How do you get people to engage with your protagonist, especially when the protagonist is yourself? Then it’s another round of How Would This […]
John and Craig investigate those details that are accurate and authentic, but can pull viewers out of the story. They look for ways to balance what is realistic with what is believable, and how to get rid of distractions and keep your audience focused on what matters. We also discuss popular names, follow up on […]
John and Craig take a look at the many For Your Consideration scripts suddenly available to read to see what lessons can be learned from movies that were actually made. They find best practices for establishing setting, using “we see” and “we hear,” complicated setups, directing on the page, and how to get right into […]