Screenblogger Devon DeLapp was generous enough to type up [his notes](http://www.devondelapp.com/weblog/?entry=223633) of my recent Q&A at the Writers Guild Foundation. He did a good job keeping up with a rambling conversation. I only have a few real corrections/clarificatons:
* Go really didn’t change that much from the first draft.
* Charlie’s Angels was a positive experience, but not “a total love fest.” [clears throat]
* My dad died several years before I read Big Fish.
* For Thief of Always, I was fired for a very specific reason: the director and novelist _hated_ my script.
* Drew Barrymore’s relative star power wasn’t the deciding factor on Barbarella; there were complicated studio politics at work.
* “I can beat myself with the best of them.” Well, I probably said that, but it sounds kind of naughty out of context.
* Although I write longhand (a scribble version, followed by a readable one), what my assistant types up is exactly the script, not notes. I’ll try to scan some of these scenes so people can see what I mean.
* “Get job as a writer on TV” — as if it’s that easy. But I really do think that every screenwriter should look at TV as just another screen, and pursue it if at all interested.
You can read the whole shebang [here](http://www.devondelapp.com/weblog/?entry=223633). Thanks again to Devon for putting it up.