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Sensible sluglines

April 5, 2005 Formatting, QandA

questionmarkThank you for keeping your site up to date and offering so many great resources, not the least of which: your scripts. I have read your scripts, Rawson Thurber’s Dodgeball, and many others.

I have a question on the usage of slug lines and pacing.

A quick example:

TOM

carefully turns the dial a tad.

THE MACHINE

Hums, LIGHTS UP!

TOM

grins and turns the

REMOTE to the maximum level.

I am afraid I am overusing this technique, but would like your professional opinion.

–Brandon Walowitz
Los Angeles

Yes, you’re overdoing it, at least to my taste. I suspect you could find successful screenwriters who write very much the way you describe, but to me it feels like padding.

Just as you wouldn’t want to read a solid page of 12-pt Courier, you don’t want to read a series of short sluglines. There’s no flow. Think of these short sluglines as punctuation, little guides to help you make your way down the page.

Some suggestions:

  • Use a slug only if we’re going to be looking at something new to the scene, or if we’re cross-cutting between simultaneous action. In your example, “TOM” is the same guy both times, and “THE MACHINE” is probably already established in the scene.

  • After a slug, I usually start the next line lower-case, particularly if it’s the continuation of a sentence.

  • Try to have at least three “normal” lines between slugs.

  • Avoid mixing slugs and dialogue. It gets messy on the page.

Related Posts

  1. How many lines per page?
  2. Page count and tight formatting
  3. Using parentheticals

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