• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

John August

  • Arlo Finch
  • Scriptnotes
  • Library
  • Store
  • About

Portraying "endurance"

September 10, 2003 QandA

I am working on a screenplay where I am trying to portray extreme endurance
on the part of the main character. The problem is I am afraid that my method
of illustrating this leads to a sort of monotony in my script. What creative
approaches could I use to portray redundancy while maintaining the momentum
of the story?

–Jonathan

If "endurance" is shown by having the character run for pages and
pages, then yes, I think you’re right to worry that your script will be monotonous.
But one of the amazing things about both movies and screenplays is that they
can compress space and time to great effect.

For example, let’s say you had your character run from New York City to Miami
without stopping. That’s pretty extreme endurance. If this action were supposed
to take five days, you’d probably want to show the passage of time in some
form: sunrises, sunsets, and shadows sweeping past in time-lapse. Maybe there
would be rain storms that come and go. If your runner were a man, maybe you’d
notice his beard growing.

Next, you’d need to show how far he’s running. You could cheese out and show
a map of the Eastern seaboard, with an animated line charting his progress.
Or, perhaps more cinematically, you could show his journey in relation to major
geographic icons: running across the Brooklyn Bridge, through the Washington
Mall, down the Georgia coast and into the heart of Miami’s hotel district.

Regardless of exactly how you show the journey, I suspect you could do it
all in less than a minute of screen time, which means less than a page of script.
That’s a pretty economical way to establish this information.

Related Posts

  1. Characters w/ multiple names
  2. A character sings a song
  3. Character caps

Primary Sidebar

Newsletter

Inneresting Logo A Quote-Unquote Newsletter about Writing
Read Now

Explore

Projects

  • Aladdin (1)
  • Arlo Finch (27)
  • Big Fish (88)
  • Birdigo (2)
  • Charlie (39)
  • Charlie's Angels (16)
  • Chosen (2)
  • Corpse Bride (9)
  • Dead Projects (18)
  • Frankenweenie (10)
  • Go (30)
  • Karateka (4)
  • Monsterpocalypse (3)
  • One Hit Kill (6)
  • Ops (6)
  • Preacher (2)
  • Prince of Persia (13)
  • Shazam (6)
  • Snake People (6)
  • Tarzan (5)
  • The Nines (118)
  • The Remnants (12)
  • The Variant (22)

Apps

  • Bronson (14)
  • FDX Reader (11)
  • Fountain (32)
  • Highland (73)
  • Less IMDb (4)
  • Weekend Read (64)

Recommended Reading

  • First Person (88)
  • Geek Alert (151)
  • WGA (162)
  • Workspace (19)

Screenwriting Q&A

  • Adaptation (66)
  • Directors (90)
  • Education (49)
  • Film Industry (492)
  • Formatting (130)
  • Genres (90)
  • Glossary (6)
  • Pitches (29)
  • Producers (59)
  • Psych 101 (119)
  • Rights and Copyright (96)
  • So-Called Experts (47)
  • Story and Plot (170)
  • Television (165)
  • Treatments (21)
  • Words on the page (238)
  • Writing Process (178)

More screenwriting Q&A at screenwriting.io

© 2025 John August — All Rights Reserved.