I recently went out to about 10 companies with a comedy pitch. I had some good response, although no sale, as I somewhat expected as a new writer. But it was a great experience to pitch it, meet new people, etc.
*One of the producers I pitched to loved the overall concept but had issues with my execution of it. He wants to develop it with me as a script.*
*On the one hand, I can see the value of having an experienced exec’s insight. Plus he was very excited about the idea and got it on a thematic level.*
*On the other, I am so sick of developing this idea which I’ve been working on for months and really want to start writing it now. (Even though it didn’t sell, I still think i can execute it well enough to sell.) I’m worried the producer’s ideas for plot changes were pretty major, and I may not agree with all of them. Plus I’d have to cater to his views in order for him to bring it to the studio. My inclination is to just go ahead and spec it, then show it again to him and everyone else. But I’m wondering what you think. I’d hate to pass up a good opportunity.*
*–KR*
*Los Angeles, CA*
I don’t know the producer, so I can’t speak to his taste. But I think your instincts are right.
Look at it this way: Say you write the script and it still doesn’t sell. At least if you wrote the script the way you wanted, you’d always have something you believed in. But if you wrote it to the producer’s vision and it didn’t sell, you’d be stuck with a script that’s not really what you wanted in the first place.
So I say, spec it and take it to the producer first. If he still wants it his way, you can decide whether it’s worth the work to try it. He may even option it. But whatever happens, you’ll always have your version in the vault.