I have an old movie that I’d absolutely love to rewrite. I was wondering how
you go about doing it. How do you find out who has the rights to the original
screenplay, and is there anything else I would need to do?
–John
Start by looking for what
company made the picture. On IMDb, look up the movie’s page, then click on "Company
Credits." The top entity listed is usually the place to start.
If the studio still exists, such as Columbia Pictures, there’s a very good
chance that they still own the remake rights to that movie. Call information
in Los Angeles to get their main phone number, then call it and ask for the
rights department. (It may have a different name, or be a subset of the legal
department, but every studio has somebody who handles exactly these kind of
rights.) Whoever you end up speaking with will probably have you fax over your
information request, then promptly lose that fax until you call them back and
pester them some more.
At this point, all you probably want to know is whether the company owns the
remake rights for that picture. If they do, it’s up to you to figure out your
next step, be that approaching the studio with your idea, or buying the studio’s
remake rights (with your money or someone else’s).
If the studio doesn’t own the remake rights, hopefully they know who does.
Repeat the process of calling/faxing/waiting until you find out exactly who
controls these rights.
What if the company who produced the original movie no longer exists? If the
movie is available on videotape or DVD, start with whatever company distributed
it. Call their home video department (very likely based in Los Angeles) and
ask to speak with somebody in their rights department. In order to distribute
the movie, they had to secure rights from somebody. Find out who that was.
If you’re at a dead end, with no more numbers to call, start going through
the names in the credit block. You can track down contact information for writers
through the WGA, directors through the DGA, and producers (sometimes) through
the Producers Guild of America. Of these three, producers are most likely to
have information about who controls the rights for their movies.
Keep in mind that just because someone says they own the remake rights, doesn’t
mean it’s necessarily true. You’ll need to have an experienced entertainment
lawyer review the chain of title to make sure all the i’s are dotted and all
the t’s crossed.