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Moving to Hollywood

September 10, 2003 Film Industry, QandA

My question involves networking.
I’m at the level where most of my trusted, objective readers agree I have a
legitimate shot, but I live far from Hollywood. Time and again I hear how important
it is to network to get one’s work in the hands of the industry players, but
I don’t have access, being so far away (DC). Do you have any good ideas about
how to make such connections apart from simply relocating to LA?

–Robert Remy

Unfortunately, I don’t have any brilliant suggestions. Outside of a few screenwriter-specific
competitions, such as the Nichols Fellowship or the Austin Film Festival’s
screenwriting awards, the kind of networking you’re talking about relies on
some face-to-face interaction, and that’s pretty much impossible if you’re
in the wrong city.

If you’re trying to make Hollywood movies, this may be the time to move to
LA. If it’s independent films you aspire to, you may find just as many opportunities
in New York, Austin, Seattle, San Francisco or other metropolitan cities. The
Baltimore/D.C. area does have a film community (we used a crew based there
for my television show), so it’s even possible you could make a movie right
where you live.

But I suspect it’s big movies you’re talking about, and big movies require
big money, which pretty much means LA. Some of the bigger screenwriters live
outside of Southern California, but most of them started their careers here
or in New York. If you’ve done everything you can in D.C., consider whether
you feel ready to make the move.

Related Posts

  1. To live and die in LA
  2. More LA relocating
  3. Film censorship

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