Craig and John talk with Chris Keyser, one of the co-chairs of the WGA Negotiating Committee, to learn what gains were achieved in the most recent deal, and what work lies ahead.

John and Craig step up to the whiteboard to look at the story logic in our scripts, then examine how tricks and gimmicks can help keep scenes interesting.

Craig and John discuss the concept of affordances — player expectations for what videogame characters can do — and how writers can apply these principles to their film and TV scripts.

John and Craig explore how story develops from a synthesis of character and plot, and why writers need to continually shift their frames of reference between “inside” and “outside” the experience of their heroes.

Craig and John take a look at what happens when the drama is behind the camera, and the difference between what’s reported and what’s really going on. We also offer some advice on what one should do, should they find themselves caught up in the crazy.

Craig and John take on a new Three Page Challenge, looking at three listener scenes to see if they follow the exacting rules set by Screenwriters University. (Ahem.)

Craig and John look at how screenwriters describe locations, and how these choices impact production and the final product. Plus, we discuss how podcasts have become a new source of IP for adaptations.

Craig and John answer listener questions about writer agreements, videogame properties, and page one rewrites.

In a new installment of How Would This Be a Movie, John and Craig take a look at three stories in the news to discuss how to adapt them into award-winning movies.

Craig and John look at The Addams Family — not just the 1991 film and its sequel, but the property itself to see what lessons we can learn when adapting for the big screen.

Chris McQuarrie (THE USUAL SUSPECTS, VALKYRIE) joins us to talk through how he went from writing giant movies to directing them.

Craig and guest host Dana Fox welcome Rob McElhenney (It’s Always Sunny in Philadelphia) and Rian Johnson (Looper, Star Wars: The Last Jedi) to the live show at the Arclight. The four discuss breaking into Hollywood, handling rejection and sticking to your vision as a writer/director.

Craig and John take on a new round of Three Page Challenges. There’s a fat “Elvis,” a bounty hunter White Rabbit, and a guy locked in the trunk of a speeding Mustang.

Craig and John investigate the future of the 007 franchise, script-reading robots, and the realities of overhauling a movie in the editing room.

John sits down with Damon Lindelof (Lost, The Leftovers) for a bonus-length discussion of all things TV.

Malcolm Spellman returns to help us answer a bunch of listener questions, including the most important one: what’s Malcolm up to? (Warning! Adult language.)

Craig and John discuss chess, bad news, baseball, God, and screenwriting competitions.

A pernicious cold has stolen John’s voice, so he and Craig reach into the vault to unearth their conversation with screenwriter-turned-psychotherapist Dennis Palumbo, in which they discuss writer’s block, procrastination, partnerships and more. It’s a can’t-miss episode for aspiring writers and professionals alike.

Special guest Irene Turner joins Craig and John for a new round of “How Would This Be a Movie?”