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John sits down with screenwriter Christina Hodson to discuss race, gender, and representation in Hollywood, and how screenwriters can help correct the status quo with the one thing they can control: the words on the page.

We tackle the nuances of designating race for open-ethnicity characters, the assumption of whiteness, the pros and cons of feature writers rooms and the promise of inclusion riders.

We also answer a listener question about why some movies are timeless and some feel dated as soon as they premiere.


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UPDATE 4-19-18: The transcript of this episode can be found here.