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Writing Animated Movies (Encore)

Episode - 356

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December 31, 2024 Scriptnotes

John welcomes Linda Woolverton (Beauty and the Beast, The Lion King, Homeward Bound) to talk about her experience writing animated features, from the parallel processes of writing and production to her paltry paycheck for Beauty and the Beast. They consider the blurring lines between live-action and hyperrealistic CGI, as well as the history of animation writers’ exclusion from the WGA.

We also answer listener questions about whether there is such a thing as a bad character want and how to manage story days within a screenplay, which prompts exploration of wardrobe changes, thinking in terms of color rather than time and Linda’s penchant for naked characters.

In our bonus segment for premium members, John and Drew look back on their goals for 2024 and discuss how to make New Year’s resolutions you’ll actually accomplish.

Links:

  • Linda Woolverton
  • Episode 92: The Little Mermaid
  • Shanghai Disney’s Pirates of the Caribbean. This POV video of the ride is definitely a spoiler.
  • Climate Central
  • Get a Scriptnotes T-shirt!
  • Check out the Inneresting Newsletter
  • Gift a Scriptnotes Subscription or treat yourself to a premium subscription!
  • Craig Mazin on Threads and Instagram
  • John August on BlueSky, Threads, Instagram, and Mastodon
  • Outro by Matthew Chilelli (send us yours!)
  • This episode was originally produced by Megan McDonnell. Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli.

Email us at ask@johnaugust.com

You can download the episode here.

Related Posts

  1. Writing Animated Movies
  2. Scriptnotes, Ep 356: Writing Animated Movies — Transcript
  3. Writing About Mental Health and Addiction (Encore)

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