The full Scriptnotes catalogue is available as 50-episode seasons for premium members at scriptnotes.net.
You can also purchase individual seasons in our Store.
Key:
3PC :: Three Page Challenge
HWTMBAM :: How Would This Be a Movie?
LIVE :: Live shows with an audience
DEEP DIVE :: Entire episode focused on one movie
We’ll be updating this index periodically, but for the most recent episodes, check the main Scriptnotes Page.
| EPISODE # | TITLE | 3PC | HWTBAM | LIVE | DEEP DIVE |
|---|---|---|---|---|---|
| SEASON 1 | |||||
| 1 | Pitching a take, and the WGA elections | ||||
| 2 | How to get an agent and/or manager | ||||
| 3 | Kids, cards, whiteboards and outlines | ||||
| 4 | Working with directors | ||||
| 5 | WGA, copyright and musicals | ||||
| 6 | How kids become screenwriters | ||||
| 7 | Firing a manager, and trying new software | ||||
| 8 | The Good Boy Syndrome, and whether film school is worth it | ||||
| 9 | Five figure advice | ||||
| 10 | Good actors and bad writing partners | ||||
| 11 | How movie money works | ||||
| 12 | Follies, Kindles and Second-Act Malaise | ||||
| 13 | Undervalued simplicity, and WGA coverage for videogames | ||||
| 14 | How residuals work | ||||
| 15 | Screenwriting gurus and so-called experts | ||||
| 16 | Thirteen questions about one thing | ||||
| 17 | What do producers do? | ||||
| 18 | Zen and the Angst of Kaufman | ||||
| 19 | 56 Days Later | ||||
| 20 | How credit arbitration works | ||||
| 21 | Casting and positive outcomes | ||||
| 22 | Six figure advice | ||||
| 23 | The Happy Funtime Smile Hour | ||||
| 24 | The Brotherhood of Screenwriters | ||||
| 25 | Optioning a novel, and the golden age of television | ||||
| 26 | Etiquette for screenwriters | ||||
| 27 | Let’s run a studio! | ||||
| 28 | How to cut pages | ||||
| 29 | MacGruber, McGarnagle, McBain | ||||
| 30 | How to be the script department | ||||
| 31 | All Apologies | ||||
| 32 | Amazon’s new deal for writers | ||||
| 33 | Professional screenwriting, and why no one really breaks in | ||||
| 34 | Umbrage Farms | ||||
| 35 | The Disney Dilemma | ||||
| 36 | Writer’s block and other romantic myths | ||||
| 37 | Let’s talk about dialogue | ||||
| 38 | 20 Questions with John and Craig | ||||
| 39 | Littlest Plot Shop | ||||
| 40 | Death and feedback | ||||
| 41 | Getting to page one | ||||
| 42 | Verbs are what’s happening | ||||
| 43 | Pen Names and Divine Intervention | ||||
| 44 | Endings for beginners | ||||
| 45 | Setting, perspective and terrible numbers | ✓ | |||
| 46 | Mistakes development executives make | ||||
| 47 | What script should you write? | ||||
| 48 | Craig dreams of sushi | ✓ | |||
| 49 | Losing sleep over critics | ||||
| 50 | How to Not Be Fat | ||||
| SEASON 2 | |||||
| 51 | Dashes, ellipses and underground monsters | ✓ | |||
| 52 | Grammar, guns and butter | ||||
| 53 | Action is more than just gunfights and car chases | ✓ | |||
| 54 | Eight Reasonable Questions about Screenwriting | ||||
| 55 | Producers and pitching | ||||
| 56 | Gorilla City and the Kingdom of Toads | ✓ | |||
| 57 | What is a movie idea? | ||||
| 58 | Writing your very first screenplay | ||||
| 59 | Plot holes, and the myth of perseveraversity | ||||
| 60 | The Black List, and a stack of scenes | ✓ | |||
| 61 | Alt-universe panels | ||||
| 62 | We're all Disney princesses now | ||||
| 63 | The Mystery of the Js | ✓ | |||
| 64 | Dramedy, deadlines and dating your writing partner | ✓ | |||
| 65 | The Next 117 Pages | ||||
| 66 | One-step deals, and how to read a script | ||||
| 67 | The air duct of backstory | ✓ | |||
| 68 | Talking Austen in Austin | ✓ | |||
| 69 | Eggnog and Dreadlock Santa | ||||
| 70 | Best of Outlines, Agents and Good Boy Syndrome | ||||
| 71 | Unless they pay you, the answer is no | ||||
| 72 | People still buy movies | ✓ | |||
| 73 | Raiders of the Lost Ark | ✓ | |||
| 74 | Three-Hole Punchdrunk | ||||
| 75 | Villains | ||||
| 76 | How screenwriters find their voice | ✓ | |||
| 77 | We'd Like to Make an Offer | ||||
| 78 | The Germans have a word for it | ||||
| 79 | Rigorous, structured daydreaming | ✓ | |||
| 80 | Rhythm and Blues | ||||
| 81 | Veronica Mars Attacks | ||||
| 82 | God doesn't need addresses | ✓ | |||
| 83 | A city born of fire | ||||
| 84 | First sale and funny on the page | ||||
| 85 | Another Time and Place | ✓ | |||
| 86 | Taking notes | ||||
| 87 | Moving On is not Giving Up | ||||
| 88 | Ugly children and cigarettes | ✓ | |||
| 89 | Writing effective transitions | ||||
| 90 | 50 Random Questions | ||||
| 91 | Bechdel and Batman | ||||
| 92 | The Little Mermaid | ✓ | |||
| 93 | Let's talk about Nikki Finke | ||||
| 94 | 10 Questions, 10 Answers | ||||
| 95 | Notes on the death of the film industry | ||||
| 96 | Three Page Challenge, Live Edition | ✓ | ✓ | ||
| 97 | Is 15 the new 30_ | ||||
| 98 | Long movies, producer credits and price-fixing | ||||
| 99 | Psychotherapy for screenwriters | ||||
| 100 | Scriptnotes, the 100th episode | ✓ | |||
| SEASON 3 | |||||
| 101 | Q&A from the live show | ✓ | |||
| 102 | Hits, misses and hedge funds | ✓ | |||
| 103 | Disaster Porn, and Spelling Things Out | ||||
| 104 | Ender's Game, one-hours and alt-jokes | ||||
| 105 | Adventures in semi-colons | ✓ | |||
| 106 | Two ENTJs walk into a bar (and fix it) | ||||
| 107 | Talking to actors | ||||
| 108 | Are two screens better than one_ | ✓ | |||
| 109 | Scriptnotes Live from New York | ✓ | |||
| 110 | Putting your pain second | ✓ | |||
| 111 | What's Next | ||||
| 112 | Let me give you some advice | ||||
| 113 | Not Safe for Children | ✓ | |||
| 114 | Blockbusters | ||||
| 115 | Scriptnotes Back to Austin with Rian Johnson and Kelly Marcel | ✓ | |||
| 116 | Damsels in distress | ||||
| 117 | Not Just Dialogue | ||||
| 118 | Time Travel with Richard Kelly | ||||
| 119 | Positive Moviegoing | ||||
| 120 | Let's talk about coverage | ||||
| 121 | My Girlfriend’s Boyfriend’s Screenwriter | ||||
| 122 | Young Billionaire's Guide to Hollywood | ✓ | |||
| 123 | Scriptnotes Holiday Spectacular | ✓ | |||
| 124 | Q&A from the Holiday Spectacular | ✓ | |||
| 125 | Egoless Screenwriting | ||||
| 126 | Punching the Salty Ocean | ✓ | |||
| 127 | Women and Pilots | ||||
| 128 | Frozen with Jennifer Lee | ✓ | |||
| 129 | The One with the Guys from Final Draft | ||||
| 130 | Period Space | ||||
| 131 | Procrastination and Pageorexia | ||||
| 132 | The Contract between Writers and Readers | ✓ | |||
| 133 | Groundhog Day | ✓ | |||
| 134 | So Many Questions | ||||
| 135 | World-building | ||||
| 136 | Ghosts Laughing at Jokes | ✓ | |||
| 137 | Draw Your Own Werewolf | ||||
| 138 | The Deal with the Deal | ||||
| 139 | The Crossover Episode | ✓ | |||
| 140 | Falling back in love with your script | ||||
| 141 | Uncomfortable Ambiguity, or Nobody Wants Me at their Orgy | ||||
| 142 | The Angeles Crest Fiasco | ||||
| 143 | Photoplays and archetypes | ||||
| 144 | The Summer Superhero Spectacular | ✓ | ✓ | ||
| 145 | Q&A from the Superhero Spectacular | ✓ | |||
| 146 | Wet Hot American Podcast | ||||
| 147 | To Chase or To Spec | ||||
| 148 | From Debussy to VOD | ||||
| 149 | The Long-Lost Austin Three Page Challenge | ✓ | ✓ | ||
| 150 | Yes, screenwriting is actually writing | ||||
| B3.1 | BONUS Big Fish, from book to screen to musical | ✓ | |||
| B3.2 | BONUS Rewriting and Refocusing | ✓ | |||
| SEASON 4 | |||||
| 151 | Secrets and Lies | ||||
| 152 | The Rocky Shoals (pages 70-90) | ||||
| 153 | Selling without selling out | ✓ | |||
| 154 | Making Things Better by Making Things Worse | ||||
| 155 | Two Writers One Script | ||||
| 156 | Summer Re-run: Psychotherapy for Screenwriters | ||||
| 157 | Threshers Mergers and the Top Two Boxes | ||||
| 158 | Putting a price on it | ||||
| 159 | The Mystery of the Disappearing Articles | ✓ | |||
| 160 | A Screenwriter’s Guide to the End of the World | ||||
| 161 | A Cheap Cut of Meat Soaked in Butter | ||||
| 162 | Luck sequels and bus money | ||||
| 163 | Ghost | ✓ | |||
| 164 | Guardians of the Galaxy’s Nicole Perlman | ||||
| 165 | Toxic Perfection Syndrome | ||||
| 166 | Critics Characters and Business Affairs | ✓ | |||
| 167 | The Tentpoles of 2019 | ||||
| 168 | Austin Forever | ✓ | |||
| 169 | Descending Into Darkness | ✓ | |||
| 170 | Lotteries lightning strikes and twist endings | ||||
| 171 | Finishing a script and the Perfect Studio Executive | ||||
| 172 | Franz Kafka's brother and the perfect agent | ||||
| 173 | The Perfect Reader | ||||
| 174 | Hacks Transference and Where to Begin | ||||
| 175 | Twelve Days of Scriptnotes | ✓ | |||
| 176 | Advice to a First-Time Director | ||||
| 177 | Cutting Pages and Fixing Holes | ||||
| 178 | Doing not thinking | ✓ | |||
| 179 | The Conflict Episode | ||||
| 180 | Bad Teachers Good Advice and the Default Male | ||||
| 181 | INT THE WOODS NIGHT | ||||
| 182 | The One with Rebel Wilson and Dan Savage | ||||
| 183 | The Deal with the Gravity Lawsuit | ||||
| 184 | Go Set a Spider-Man | ||||
| 185 | Malcolm Spellman a Study in Heat | ||||
| 186 | The Rules (or the Paradox of the Outlier) | ||||
| 187 | The Coyote Could Stop Any Time | ✓ | |||
| 188 | Midseason Finale | ||||
| 189 | Uncluttered by Ignorance | ||||
| 190 | This Is Working | ||||
| 191 | The Deal with Scrippedcom | ||||
| 192 | You can't train a cobra to do that | ||||
| 193 | How writing credits work | ||||
| 194 | Poking the bear | ||||
| 195 | Writing for Hollywood without living there | ||||
| 196 | The long and short of it | ||||
| 197 | How do bad movies get made | ||||
| 198 | Back to 100 | ||||
| 199 | Second Draft Doldrums | ||||
| 200 | The 200th Episode Live Show | ✓ | |||
| B.4.1 | BONUS 175 QA from Twelve Days of Scriptnotes | ✓ | ✓ | ||
| B.4.2 | BONUS AFF Three Page Challenge 2014 | ✓ | ✓ | ||
| B.4.3 | BONUS The Dirty Show with Rebel Wilson and Dan Savage | ||||
| B.4.4 | BONUS Writers on Writing Simon Kinberg | ✓ | |||
| B.4.5 | BONUS 161 Overtime, or Smoothing in the Bumpy Stuff | ||||
| SEASON 5 | |||||
| 201 | How would this be a movie | ✓ | |||
| 202 | Everyman vs Superman | ✓ | |||
| 203 | Nobody Eats Four Marshmallows | ||||
| 204 | No one makes those movies anymore | ||||
| 205 | The One with Alec Berg | ||||
| 206 | Everything but the dialogue | ||||
| 207 | Why movies have reshoots | ||||
| 208 | How descriptive audio works | ||||
| 209 | How to Not Be a Jerk | ||||
| 210 | One-Handed Movie Heroes | ✓ | |||
| 211 | The International Episode | ||||
| 212 | Diary of a First-Time Director | ✓ | |||
| 213 | NDAs and other acronyms | ||||
| 214 | Clerks and recreation | ✓ | |||
| 215 | PG13 Blood Boobs and Bullcrap | ||||
| 216 | Rewrites and Scheduling | ||||
| 217 | Campaign statements and residual statements | ||||
| 218 | Features are different | ✓ | |||
| 219 | The One Where Aline’s Show Debuts | ||||
| 220 | Writers Rooms Taxes and Fat Hamlet | ||||
| 221 | Nobody Knows Anything (including what this quote means) | ||||
| 222 | Live from Austin 2015 | ✓ | ✓ | ||
| 223 | Confusing Unlikable and On-The-Nose | ||||
| 224 | Whiplash on paper and on screen | ✓ | |||
| 225 | Only haters hate rom-coms | ||||
| 226 | The Batman in the High Castle | ||||
| 227 | Feel the Nerd Burn | ✓ | |||
| 228 | Scriptnotes Holiday Show 2015 | ✓ | |||
| 229 | Random Advice 2015 | ||||
| 230 | Raiders of the Lost Ark | ||||
| 231 | Room Spotlight and The Big Short | ||||
| 232 | Fun with Numbers | ||||
| 233 | Ocean’s 77 | ✓ | |||
| 234 | The Script Graveyard | ||||
| 235 | The one with Jason Bateman and the Game of Thrones guys | ✓ | |||
| 236 | Franchises and Final Draft | ||||
| 237 | Sexy But Doesn’t Know It | ||||
| 238 | The job of writer-producer | ||||
| 239 | What is good writing | ✓ | |||
| 240 | David Mamet and the producer pass | ||||
| 241 | Fan Fiction and Ghost Taxis | ✓ | |||
| 242 | No More Milk Money | ||||
| 243 | Heroes, Villains and Two-Handers | ||||
| 244 | The Invitation and Requels | ||||
| 245 | Outlines and Treatments | ||||
| 246 | The One with the Idiot Teamster | ✓ | |||
| 247 | The One with Lawrence Kasdan | ✓ | |||
| 248 | Pitching an Open Writing Assignment | ||||
| 249 | How to Introduce Characters | ✓ | |||
| 250 | The One with the Austin Winner | ✓ | |||
| B.5.1 | BONUS AFF Three Page Challenge 2015 | ✓ | ✓ | ||
| B.5.2 | BONUS Aline Brosh McKenna & Rachel Bloom Crazy Ex-Girlfriend QA | ✓ | |||
| B.5.3 | BONUS Beyond Words 2016 | ✓ | |||
| B.5.4 | BONUS Black Mass screenwriter Mark Mallouk | ✓ | |||
| B.5.5 | BONUS Craig and Adam McKay | ||||
| B.5.6 | BONUS Drew Goddard The Origin Story | ✓ | |||
| B.5.7 | BONUS How to Be Single QA | ✓ | |||
| B.5.8 | BONUS Jungle Book QA | ✓ | |||
| B.5.9 | BONUS Straight Outta Compton | ✓ | |||
| B.5.10 | BONUS The Gold Standard | ||||
| SEASON 6 | |||||
| 251 | They Won’t Even Read You | ✓ | |||
| 252 | An Alliance with House Mazin | ||||
| 253 | Television Economics for Dummies | ✓ | |||
| 254 | The One with the Kates | ||||
| 255 | New and Old Hollywood | ||||
| 256 | Aaron Sorkin vs Aristotle | ||||
| 257 | Flaws are features | ||||
| 258 | Generic Trigger Warning | ✓ | |||
| 259 | The Exit Interview | ||||
| 260 | Anthrax Amnesia and Atomic Veterans | ✓ | ✓ | ||
| 261 | Don't Think Twice | ||||
| 262 | Tidy Screenwriting | ||||
| 263 | Frequently Asked Questions about Screenwriting | ✓ | |||
| 264 | The One With the Agent | ||||
| 265 | Sheep Crossing Roads | ||||
| 266 | Stranger Things and Other Things | ||||
| 267 | Dig Two Graves | ✓ | |||
| 268 | (Sometimes) You Need a Montage | ||||
| 269 | Mystery Vs Confusion | ✓ | |||
| 270 | John Lee Hancock | ||||
| 271 | Buckling Down | ||||
| 272 | The Secret Live Show in Austin | ✓ | |||
| 273 | What is a Career in Screenwriting Like | ||||
| 274 | Welcome to Gator Country | ✓ | |||
| 275 | English is not Latin | ||||
| 276 | Mammoths of Mercy | ✓ | |||
| 277 | Fantasy and Reality | ||||
| 278 | Revenge of the Clams | ||||
| 279 | What Do They Want | ||||
| 280 | Black List Boys Don't Cry | ||||
| 281 | Holiday Homeopathy Spectacular | ||||
| 282 | The One from Paris | ||||
| 283 | Director Disorientation | ✓ | |||
| 284 | AMA With Derek Haas | ||||
| 285 | Sinbad and the Sea-Monkeys | ✓ | |||
| 286 | Script Doctors Dialogue and Hacks | ||||
| 287 | Hollywood is Always Dying | ||||
| 288 | Betty Veronica and Craig | ||||
| 289 | WGA Negotiations 101 | ||||
| 290 | The Social Media Episode | ||||
| 291 | California Cannibal Cults | ✓ | |||
| 292 | Question Time | ||||
| 293 | Underground Railroad of Love | ✓ | |||
| 294 | Getting the Details Wrong | ||||
| 295 | The Return of Malcolm | ||||
| 296 | Television with Damon Lindelof | ||||
| 297 | Free Agent Franchises | ||||
| 298 | How Characters Move | ✓ | |||
| 299 | It's Always Sunny in Star Wars | ✓ | |||
| B.6.1 | BONUS Duly Noted | ||||
| B.6.2 | BONUS Refugee Story | ||||
| B.6.3 | BONUS WGA Strike Vote.mp3 | ||||
| B.6.4 | This Feeling Will End | ||||
| SEASON 7 | |||||
| 300 | From Writer to Writer-Director | ||||
| 301 | The Addams Family | ✓ | |||
| 302 | Let's Make Some Oscar Bait | ✓ | |||
| 303 | 75% of Nothing | ||||
| 304 | Location Is Where It's At | ||||
| 305 | Forever Young and Stupid | ✓ | |||
| 306 | DRAMA! | ||||
| 307 | Teaching Your Heroes to Drive | ||||
| 308 | Chekhov's Ladder | ||||
| 309 | Logic and Gimmickry | ||||
| 310 | What’s in the WGA Deal | ||||
| 311 | Scriptnotes Live Homecoming Show | ✓ | |||
| 312 | The Magic Word Is In This Episode | ||||
| 313 | Well, It Worked in the 80s | ||||
| 314 | Unforgiven | ✓ | |||
| 315 | Big Screens, Big Money | ||||
| 316 | Distracted Boyfriend Is All of Us | ✓ | |||
| 317 | First Day on the Job | ||||
| 318 | Writing Other Things | ||||
| 319 | Movies Dodged a Bullet | ✓ | |||
| 320 | Should You Give Up? | ||||
| 321 | Getting Stuff Written | ||||
| 322 | The Post-Weinstein Era | ||||
| 323 | Austin Live Show 2017 (AKA Too Many Scotts) | ✓ | |||
| 324 | All of It Needs to Stop | ✓ | |||
| 325 | (Adjective) Soldier | ||||
| 326 | Austin 2017 Three Page Challenge | ✓ | ✓ | ||
| 327 | Mergers and Breakups | ||||
| 328 | Pitching Television, or Being a Passionate Widget | ||||
| 329 | Five-Star Podnerships | ✓ | |||
| 330 | A Cop’s Cop Show | ||||
| 331 | We Had the Same Idea | ||||
| 332 | Wait for It | ||||
| 333 | The End of the Beginning | ||||
| 334 | Worst Case Scenarios | ||||
| 335 | Introducing Launch | ||||
| 336 | Call Me by Your Name | ||||
| 337 | The One with Stephen Schiff | ✓ | |||
| 338 | We’re Back, Baby | ||||
| 339 | Mostly Terrible People | ✓ | |||
| 340 | What’s the Plan, Anyway? | ✓ | |||
| 341 | Knowing vs. Discovering | ||||
| 342 | Getting Paid for It | ||||
| 343 | The One with the Indie Producer | ||||
| 344 | Comedy Geometry | ||||
| 345 | Love, Aptaker & Berger | ||||
| 346 | Changing the Defaults | ||||
| 347 | Conflict of Interest | ||||
| 348 | All About Family | ✓ | |||
| 349 | Putting Words on the Page | ✓ | |||
| 350 | Limerence | ✓ | |||
| B.7.1 | Bonus - 311 - Homecoming Q&A | ✓ | |||
| B.7.2 | Bonus - Scriptnotes Voice - Daley Haggar | ||||
| SEASON 8 | |||||
| 351 | Full Circle | ||||
| 352 | Infinite Westworld | ✓ | |||
| 353 | Bad Behavior | ||||
| 354 | Upgrade | ||||
| 355 | Not Worth Winning | ||||
| 356 | Writing Animated Features | ||||
| 357 | This Title is an Example of Exposition | ||||
| 358 | Point of View | ||||
| 359 | Where Movies Come From | ||||
| 360 | Relationships | ✓ | |||
| 361 | From Indie to Action Comedy | ||||
| 362 | The One with Mindy Kaling | ||||
| 363 | Best Popular Screenwriting Podcast | ||||
| 364 | Netflix Killed the Video Store | ||||
| 365 | Craig Hates Dummies | ✓ | |||
| 366 | Tying Things Up | ||||
| 367 | One Year Later | ||||
| 368 | Advice for a New Staff Writer | ||||
| 369 | What Is a Movie, Anyway? | ||||
| 370 | Two Things at the Same Time | ✓ | |||
| 371 | Writing Memorable Dialogue | ||||
| 372 | No Writing Left Behind | ||||
| 373 | Austin Live Show 2018 | ✓ | |||
| 374 | Real-World Villains | ✓ | |||
| 375 | Austin 2018 Three Page Challenge | ✓ | ✓ | ||
| 376 | Commencement | ||||
| 377 | The Second Draft | ||||
| 378 | The Worst of the Worst | ||||
| 379 | Holiday Live Show 2018 | ✓ | |||
| 380 | Double Ampersand | ||||
| 381 | Becoming a Professional Screenwriter | ||||
| 382 | Professional Realism | ||||
| 383 | Splitting the Party | ||||
| 384 | Plot Holes | ||||
| 385 | Rules and Plans | ||||
| 386 | The Princess Bride | ✓ | ✓ | ||
| 387 | Seattle Live Show 2019 | ✓ | |||
| 388 | The Clown Stays in the Picture | ✓ | |||
| 389 | The Future of the Industry | ||||
| 390 | Getting Staffed | ✓ | |||
| 391 | When It's All Said and Done | ||||
| 392 | The Final Moment | ✓ | |||
| 393 | Twenty Questions About the Agency Agreement | ||||
| 394 | Broken but Sympathetic | ||||
| 395 | All in this Together | ||||
| 396 | Big Numbers | ||||
| 397 | The Sound Episode | ||||
| 398 | The Curated Craft Compendium | ||||
| 399 | Notes on Notes | ||||
| B.8.1 | Bonus - Random Advice.mp3 | ||||
| B.8.2 | Extra - My Abortion Story | ||||
| B.8.3 | Extra - The Agency Agreement | ||||
| B.8.4 | Extra - WGA Elections 2018 | ||||
| SEASON 9 | |||||
| 400 | Movies They Don't Make Anymore | ||||
| 401 | You Got Verve | ||||
| 402 | How Do You Like Your Stakes? | ||||
| 403 | How to Write a Movie | ||||
| 404 | The One with Charlie Brooker | ||||
| 405 | Live at the Ace Hotel | ✓ | |||
| 406 | Better Sex with Rachel Bloom | ||||
| 407 | Understanding Your Feature Contract | ✓ | |||
| 408 | Rolling Dice | ||||
| 409 | I Know You Are, But What Am I? | ✓ | |||
| 410 | Wikipedia Movies | ✓ | |||
| 411 | Setting it Up with Katie Silberman | ||||
| 412 | Writing About Mental Health and Addiction | ✓ | |||
| 413 | Ready to Write | ||||
| 414 | Mushroom Powder | ✓ | |||
| 415 | The Veep Episode | ||||
| 416 | Fantasy Worldbuilding | ||||
| 417 | Idea Management | ||||
| 418 | The One with David Koepp | ||||
| 419 | Professionalism | ||||
| 420 | The One with Seth Rogen | ✓ | |||
| 421 | Follow Upisode | ||||
| 422 | Assistants Aren’t Paid Nearly Enough | ||||
| 423 | Minimum Viable Movie | ||||
| 424 | Austin Film Festival 2019 | ✓ | |||
| 425 | Tough Love vs. Self Care | ||||
| 426 | Chance Favors the Prepared with Lulu Wang | ||||
| 427 | The New One with Mike Birbiglia | ✓ | |||
| 428 | Assistant Writers | ||||
| 429 | Cleaning up the Leftovers | ||||
| 430 | From Broadway to Hollywood | ||||
| 431 | Holiday Live Show 2019 | ✓ | |||
| 432 | Learning from Movies | ||||
| 433 | The One with Greta Gerwig | ✓ | |||
| 434 | Ambition and Anxiety | ✓ | |||
| 435 | The One with Noah Baumbach | ✓ | |||
| 436 | Political Movies | ||||
| 437 | Other Things Screenwriters Write | ||||
| 438 | How to Listen | ||||
| 439 | How to Grow Old as a Writer | ||||
| 440 | Beyond Bars | ✓ | |||
| 441 | Readers | ||||
| 442 | Stop Counting Pages (and Touching Your Face) | ||||
| 443 | What We're Up To | ||||
| 444 | Clueless | ✓ | |||
| 445 | The One with Phoebe and Ryan | ✓ | |||
| 446 | Back to Basics | ||||
| 447 | Three Page Zoom | ✓ | ✓ | ||
| 448 | Based on a ✓ Story | ||||
| 449 | The One with Sam Esmail | ✓ | |||
| 450 | Only The Interesting Scenes | ||||
| B.9.1 | Bonus - 1917 Q&A with Sam Mendes and Krysty Wilson-Cairns | ||||
| B.9.2 | Bonus - Die Hard | ✓ | |||
| B.9.3 | Extra - Assistant Townhall | ✓ | |||
| B.9.4 | Extra - What's it like to win an Emmy? | ||||
| SEASON 10 | |||||
| 451 | There Are No Slow Claps | ||||
| 452 | The Empire Strikes Back with Lawrence Kasdan | ✓ | ✓ | ||
| 453 | Getting Back to Set Transcript | ||||
| 454 | That Icky Feeling | ||||
| 455 | Police On Screen | ||||
| 456 | Too Much at Once | ||||
| 457 | Getting Staffed in Comedy Variety | ||||
| 458 | Collapsing Scenes | ||||
| 459 | International Television | ||||
| 460 | Adapting with Justin Simien | ||||
| 461 | The Right Manganese for the Job | ✓ | |||
| 462 | Development Heck | ||||
| 463 | Writing Action | ||||
| 464 | Creating a Visual Language | ✓ | |||
| 465 | The Lackeys Know What They're Doing | ||||
| 466 | Questions! Or You've Got Moxie | ||||
| 467 | Another Word for Euphemism | ||||
| 468 | Should You Pitch or Spec That? | ||||
| 469 | Loglines are for Other People | ||||
| 470 | Dual Dialogue | ||||
| 471 | Sing What You Can't Say | ||||
| 472 | Emotional States | ||||
| 473 | I Regret My Quibi Tattoo | ||||
| 474 | The Calm One | ||||
| 475 | The One with Eric Roth | ✓ | |||
| 476 | The Other Senses | ||||
| 477 | Counting Clowns | ✓ | |||
| 478 | The One Hour Drama | ||||
| 479 | On Losing A Parent | ||||
| 480 | The Wedding Episode | ||||
| 481 | Random Advice 2020 | ||||
| 482 | Batman and Beowulf | ||||
| 483 | Philosophy for Screenwriters | ||||
| 484 | Time Lords | ||||
| 485 | Unions and Guilds | ||||
| 486 | Sexy Ghosts of Chula Vista | ✓ | |||
| 487 | Getting Staffed in 2021 | ✓ | |||
| 488 | What Actually Happened in the Agency Battle | ||||
| 489 | Kingdom of Cringe | ||||
| 490 | Secrets and Lies | ||||
| 491 | The Deal with Deals | ||||
| 492 | Gray Areas | ||||
| 493 | Opening Scenes | ||||
| 494 | Screenwriting in Color | ✓ | |||
| 495 | The Title of This Episode | ||||
| 496 | The Thing You're Not Writing | ||||
| 497 | When You’re the Boss | ||||
| 498 | Small Plates | ||||
| 499 | Live and In Person | ✓ | |||
| 500 | The Quincenterary |