Craig and John discuss the impact of Star Wars knocking down all the records, both for the industry and big-screen sci-fi.
Doc McStuffins creator Chris Nee joins Craig and John to answer listener questions that have nothing to do with screenwriting.
Noah Bradley, who illustrated several of the weapon cards for One Hit Kill, has a great post up about his journey to becoming a full-time professional artist.
Gina Ippolito writes about how she got staffed on her first TV show.
Bragging about efficiency plays into the worst stereotypes of California: smug, self-righteous and self-congratulatory. Yet conspicuous underconsumption has actual public benefits. You’re showing what’s possible, and helping to nudge trend lines and public policy in the right direction.
You’re going to want to pass on the curse. The smart play is to pick someone who won’t die right away.
Aline Brosh McKenna joins John and Craig to discuss the how movies featuring good mentors (Dead Poet’s Society, To Sir with Love) differ from films with bad mentors (Whiplash, The Devil Wears Prada). It’s not just that the teachers are bad guys; rather, the stories are structured completely differently.
John and Craig spend the hour discussing the number one topic whenever screenwriters are done complaining about studio notes: the end of the world, and how to get ready for it.
Grimm’s fairy tales offer uniformly terrible marriage advice.
Craig and John go back to basics with an all advice episode, looking at the Dear J.J. recommendations for Star Wars, Tony Gilroy’s advice to screenwriters and whatever’s up with Max Landis.
As promised, John and Craig answer a bunch of listener questions on everything except screenwriting, on topics ranging from sex to science to sushi.
Craig and John look at two recent court decisions that could have a big impact on how movies get sold and resold — and how writers get paid. First-Sale Doctrine is one of those intractable issues that involves freedom and control, bits and atoms, creators and consumers.
Brett Terpstra has good advice for anyone sending in a resume.
Screenwriters are often not the healthiest folk. We do our work at computers, surrounded by snacks, so it’s no surprise many of us get fat. But it doesn’t have to be that way.
After somehow flipping my mental model of the city, I spent a few years trying to correct my internal map of New York City, one visit at a time. Two decades later, I’m not a native or an expert by any means, but tourists consistently ask me directions — perhaps because they recognize that I was once lost, like them. So here’s a guide I’ll offer to help anyone who finds themselves encountering New York City for the first time.
My last house-sitting gig was in 1995, taking care of Vincent Price’s old house in the hills. I lasted one sleepless night. Despite the promise of easy escape — the master bedroom had sliding glass doors to the patio — the accumulated creaks and bumps and footsteps in the dark were too much for my fertile imagination.
So, hey, you’re pregnant. And it’s not welcome news, because you’re in college and hope to go to medical school. But before you marry scruffy-cute ukelele guy, maybe think about adoption.
Sure: everyone’s already linked to Austin Kleon’s wonderful post How to Steal Like an Artist (and 9 things nobody taught me). But I can’t know that you’ve read it. And I don’t have better advice for you today, or even this week. So I really recommend you read it, and take some notes.
It occurs to me that while relatively few of my readers will end up becoming professional screenwriters, nearly all of them will end becoming up parents. So in that spirit, I want to offer a few suggestions to file away.
I have to believe she was misquoted, or excerpted in some unflattering way, because Jessica Alba couldn’t have actually said this.
My husband legally changed his last name to August while we were pregnant with our daughter, so we’d all have the same last name. It’s made life a lot easier.
Don’t let fear of the unknown stop you from visiting. A billion people live there, and you owe it to yourself to see what it’s like.
Jenny was prescribed anti-anxiety medication, but worries it will mess up her writing.
Why do people rag on Arial and Comic Sans? Does type really matter?
Any system is only as good as the person using it. I’m largely GTD, but hardly a master.