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Television

Austin Forever

John and guest host Susannah Grant sit down with Richard Kelly, Cary Fukunaga, Peter Gould, Dan Sterling and Mike Birbiglia to discuss the role of a writer/director, the wonder of television, and the purpose of table reads.

Texting in film and television

Craig and I may have taken umbrage at his video about comedy directors who aren’t Edgar Wright, but Tony Zhou’s newest video looking at how filmmakers handle texting and the internet on-screen is all good. Zhou’s underlying point is that we still haven’t settled on conventions for showing texting or the internet. And that’s good! […]

Yes, screenwriting is actually writing

Craig and John take a swing at several of the week’s hyperbolic headlines, from conflict-free comedy to Fitzgerald’s failures to Strong Female Characters with nothing to do. In each case, there’s a valid idea lurking beneath the overstated claim, but it’s important to separate good examples from bad.

Q&A from the Superhero Spectacular

Craig and John, along with their talented panelists, answer questions from the audience at the May 15, 2014 live show.

Wait for it

Robin Sloan wonders whether all-at-once seasons like House of Cards work against the shows by denying viewers the joy of anticipation.

Writing in another writer’s style

It can be strangely satisfying to surrender your ego and imagine yourself as a wholly different writer.

TV writer on set

Dara Resnick Creasey writes about her first time being the [staff writer on set]

Uncomfortable Ambiguity, or Nobody Wants Me at their Orgy

Nothing is cut-and-dried this week. John and Craig talk Game of Thrones rape, allegations against director Bryan Singer and the new report showing the same low employment numbers for female writers in film and TV.

The Crossover Episode

John and Craig visit Ben Blacker’s Nerdist Writers Panel for a special crossover episode, recorded in front of a live audience on April 13, 2014.

Old Projects

Maybe I’m hyper-aware because yesterday was the 15th anniversary of Go, but I’m encountering sorts of references to past projects this week.

Draw Your Own Werewolf

Craig delights as John gets @-napped in a Twitter thread about copyright infringement. Then they talk disruption in television, and how it affects writers.

Ghosts Laughing at Jokes

John and Craig talk Lab Rats, multi-cam, and what scenes might mean in their imaginary screenplay format. Craig clarifies what “spec writing” is, and when it’s permitted, both legally and ethically.

Women and Pilots

Carolyn Strauss, executive producer of Game of Thrones, joins John and Craig to discuss female directors and the death of pilot season. In one short hour, they solve all the intractable problems facing the film and television industry. (Not true. Not even remotely.)

Netflix, Nikita, and the sense of an ending

Merrill Barr explains why Nikita’s final six-episode season is mostly for Netflix: The old model was simple: start a show, make 100 episodes, sell-off the syndication rights, continue producing episodes until it’s no longer cost-effective and cancel the series. That was it. In that model, endings mean nothing; they’re just convenient wrap-ups to a story […]

Q&A from the Holiday Spectacular

John, Craig, and guests take questions from the audience at the Scriptnotes Holiday Spectacular. Topics include TV writing careers, what to do once you have an agent, overcoming gender stereotypes, rewriting Dodgeball, and more.

Comparing a scene as written and as shot

Using a scene from my 2003 pilot “Alaska,” I thought it would be interesting to compare the written scene to what it looked like in the final version.

Positive Moviegoing

Aline Brosh McKenna joins John and Craig to discuss watching movies with an open mind and why it’s important to befriend other writers.

Making The Midnight Coterie of Sinister Intruders

Saturday Night Live’s Alex Buono details how they shot one of my favorite bits this year, the Wes Anderson-ian parody trailer for “The Midnight Coterie of Sinister Intruders.”

Solitude and getting stuff written

Guinevere Turner doesn’t want to talk to you, not when she’s writing.

Ender’s Game, one-hours and alt-jokes

John and Craig discuss the impact of author Orson Scott Card’s personal toxicity on Ender’s Game, and what it means for that movie and how it will this affect studio decisions moving forward.

101: Q&A from the live show

In this special bonus episode, John and Craig answer listener questions from the 100th episode with help from guests Rawson Thurber and Aline Brosh McKenna.

10 Questions, 10 Answers

John and Craig tackle the bursting mailbag, answering listener questions on topics ranging from the variable length of the TV season to underachieving agents to embarrassing IMDb credits.

Mason and Finley

The 22-year old twins at the center of my 1999 TV show D.C. were named Mason and Finley. Rare names at the time, but increasingly common.

Ugly children and cigarettes

Has a statistician cracked the code on successful screenplay formulas? John and Craig cast a skeptical eye at a New York Times article on Vinny Bruzzese, who claims to have done exactly that.

A city born of fire

Writer Derek Haas (Wanted, 3:10 to Yuma) joins John and Craig to discuss gay slurs, refrigerator logic and his TV show, Chicago Fire.