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Psych 101

Same script, different day

Do you ever get sick of working with the same script that you are loathe to even look at it anymore? Yes.

When do you move on?

I can’t reduce it to some simple “He’s Just Not That Into You” formula, but two months is far beyond the limit.

When writing partners disagree

While it’s great to have an extra brain helping to write a script, you’re unlikely to always agree, and compromises may not always make sense.

Inspiration, creativity and showing up

Writer Elizabeth Gilbert discussing healthier ways to look at the creative process.

Why do LA people suck?

Is one reader’s frustration indicative of the Hollywood culture, or specific to him? Likely both.

Are writing groups a good idea?

They’re not a terrible idea, as long as they’re approached with the right expectations.

When writing teams break up

Don’t just think about who “owns” what. There are more practical considerations.

Which project should I write?

I’d recommend writing the one that has the best ending.

Nice to meet you. Again. Maybe.

The Kevin Williamson Problem, explained.

Do I need a caveat?

Hollywood folk are savvy enough to realize that the guys who wrote Saw aren’t any sicker than most screenwriters.

Rewriting the rewriter

Sometimes there’s good reasons why original writers leave and return to their projects.

Your first time

Your first script is like the first time you have sex. It’s not the best sex you’re ever going to have. In fact, it would be sad if it were.

Shouldn’t I get credit for the outline?

Explorations of ownership in a corporate environment.

What do you do when the buzz fades?

You made a movie. Get the most you can out of it, then get cracking on doing the next project.

Aquaman is a Pescepublican

Superhero politics should remain abstract.

Making unnecessary and possibly horrible changes

Making your movie. Keeping your soul.

Short questions, short answers

Why did Edward Bloom leave Ashland? Does beginners luck exist? Shocking answers revealed, inside!

Question sprint

Killing backstories, writing out lyrics and why you will always want to be writing something else (amongst other topics), explored.

Advice for terrible writers

Confronted with a bad script, step back and ask the right questions.

They love it and they’re passing

Capitalize on people’s affection for your script to find something that pays money.

Quitting, and the age question

A tough question. Here are some signs that you should quit or stick with it.

September 11th

How to write when it suddenly seems to become a trivial pursuit.

An intern with a script

Every intern has a script. So tread lightly.

Inconvenient brilliance

Obey the muse, whatever the timing, or risk her departure.

Lost Rooms and American Zombies

When other people have the same ideas and act on them, it helps me clear my slate.