I follow the keys rule: only if they take possession of my car keys.
In the short term, yes, the rush towards 3-D may affect the kinds of movies that get greenlit. But the underlying “nature of cinematic storytelling” doesn’t tend to change much even in the face of tremendous technical innovations.
Paul spent 29 years in a job too good to leave, and regrets it.
NYT on unpaid internships, which are common and often illegal.
The iPad makes a terrific device for reading screenplays as .pdfs, particularly with third-party apps.
The job of an agent or manager is to put your work in the hands of people who might like it, then get you into rooms to meet with them. If they can’t do that, you need someone new.
In books and in movies, increased sampling usually generates more sales than it costs.
I’ve not written Alice in Wonderland three times. It’s a recurring motif, dating back to 1995 and the very start of my career.
Producers and production companies aren’t necessarily going to be excited that someone else had the project before them. Yes, it validates their taste a bit, but they may worry that the script has already been burned out around town. If everyone has read it and passed, what are they going to do with it, exactly?
Scott wonders if his online filmmaking classes are teaching him what he needs to know.
Chris works as an assistant at a studio? Do they own anything he writes?
Netflix announced that it wouldn’t be shipping new releases from Warner Bros. until 28 days after street date.
Useful suggestions for screenwriters working on their first animated feature
ScriptShadow reviews scripts to upcoming movies. And that hurts screenwriters more than anyone.
Since I was name-checked twice this interview from the top-ranked Wharton School of Business, I feel some responsibility to point out a few fallacies and follies.
WGAw screenwriters should have received an email yesterday about an online survey the Guild is conducting. Please find the email — it might get stuck in your spam filter — and click the link.
For newcomers, I can offer a bit of a summary
I have little sympathy for users outraged that Hulu is going to start charging.
Is it a good idea to focus on making a movie for Christian audiences?
Writers are making less money, and it’s part of a bigger shift in the industry.
A reader asks if a planned DVD crosses into dangerous copyright territory.
Somewhat remarkably, the top two movies in America have subtitles. Lots and lots of subtitles.
It’s the wrong kind of question, but you don’t know that at the start.
An LA Times article about the island of Pagasa makes a great case study in the difference between an interesting setting and an actual movie idea.
Brian Lowry cautions against [taking Comic-Con buzz too seriously.