John and Craig talk about what screenwriters can learn from the structure of classical music, then invite journalist Scott Tobias on to discuss how day-and-date video-on-demand releases make it hard to know how indie films are doing, individually and as a group.
Craig and John go back to basics with an all advice episode, looking at the Dear J.J. recommendations for Star Wars, Tony Gilroy’s advice to screenwriters and whatever’s up with Max Landis.
There’s no one “right” camera. The best camera for making a movie is the one that works for your style, story and budget.
Most stories end one of two ways: resolution or logical exhaustion.
Following up on an email exchange, I sat down for a conversation with writer/director Jay Duplass to talk about his Kickstarter-backed indie documentary, and the larger questions of balance indie projects with studio features.
Matt reports from a special Sundance session in which Kickstarter co-founder Yancey Strickler talks about how indie filmmakers can best use the site.
At least a third of the booths were demoing HD-DLSRs or rigs designed to make them more usable, such as shoulder mounts, audio recorders and follow-focus units.
If you’re making a movie on a limited budget, it may put real constraints on your locations, schedule and cast size. But that frugality doesn’t need to limit your story. Story is free.
Thanks to the OTMM crew, there is now video from the Q&A I hosted after Tuesday night’s screening.
‘ll be leading a Q&A with the filmmakers, talking not just about the film but the challenges and opportunities in making and releasing a microbudget movie
Tonight and next Wednesday, I’ll be hosting the Director’s Close Up panels for Film Independent. Tonight’s director is Jason Reitman, joined by cinematographer Eric Steelberg, editor Dana E. Glauberman and composer Rolfe Kent. We’ll be talking about Up In The Air, Juno and Thank You For Smoking.
One Too Many Mornings is lo-fi funny, a mumblecore Swingers, with a refreshingly clear sense of what it is.
An indie at this year’s Sundance Film Festival will let you download the movie the day after it premieres.
For this coming year’s festival, Sundance will be taking eight features and their filmmakers out to eight cities across the country on January 28th — before the awards are even given out.
Is it a good idea to focus on making a movie for Christian audiences?
Todd Sklar is back with Range Life, taking eight indies on tour around the country.
A new article by Peter Broderick articulates a lot of the points I try to make to filmmakers with truly indie films.
As a counterpoint to the utopian bliss of the Sundance Filmmakers Lab, I’ll direct your attention a speech given by James D. Stern] last week on the present and future of indie film.
Ten of the 80 short films featured this week at the Sundance Film Festival are available free on iTunes until January 25th. It’s a great way to see some work you’d almost certainly never catch. Visit itunes.com/Sundance to check out trailers and download. (Link opens in iTunes store.) I’m happy to see shorts featured this […]
Anne Thompson’s Variety article on the challenging market at Sundance this year is worth a read for anyone considering the indie route. I’ve written several times about my festival experience with The Nines, and how the classic paradigm of how indie films get bought and distributed is almost a myth. Most Sundance movies don’t sell, […]
Following up on my earlier post about alternative distributions for indies, Splinter has its debut on HDNet Movies tonight, in anticipation of its theatrical roll-out this weekend. (And in competition with a certain presidential candidate’s national address.) I haven’t seen the movie, but it got a nice review today in Variety, and awards at Screamfest.
How some are navigating distribution of indie fare.
You made a movie. Get the most you can out of it, then get cracking on doing the next project.