Many listeners have asked how Craig and I record our weekly podcast, so here’s a quick rundown of our standard operating procedure.
The producers have agreed to restore my SCRIPT discount code for Big Fish on Broadway, but only through December 22nd — and they might pull the offer at any time.
Often, the best backup strategy is giving it away.
Back in May, I hosted a panel on behalf of The Academy on Storytelling in the Digital Age. I meant to post my introduction, but promptly forgot until now.
John and Craig discuss what it feels like to finish a project — the combination of excitement and relief, joy and sadness — as Craig advises John which project he should write next now that Big Fish is set to open.
A listener makes the case that modern screenwriting style has changed how scenes themselves work.
John and Craig welcome their largest live audience yet for a conversation about Kickstarter, movie pilots and musicals. Joined by special guest Andrew Lippa, they talk about the special challenges and opportunities that arise when characters break into song.
Beginning with episode 98, we asked Scripnotes listeners to send us their take on the Scriptnotes theme for us to use as an outro. Here are the ones we’ve used so far.
John and Craig reveal their Myers-Briggs secrets as they discuss Kevin Spacey’s comments on the state of television, Eric Garcetti’s plans to address runaway production, and the WGA election.
Almost every week on the Scriptnotes podcast, Craig and I each share a One Cool Thing. Now you can find all of these recommendations on a single page.
The Kickstarter campaign for the Yank! cast album, which I blogged about earlier this week, cleared its $35,000 target this morning. Thanks to everyone who contributed.
John and Craig discuss Damon Lindelof’s interview about how plot stakes have escalated lockstep with budget, perhaps to the point of absurdity.
I wanted to share a quick summary of where the podcast has been and where we’re going.
John and Craig sit down with screenwriter-turned-psychotherapist Dennis Palumbo to discuss writer’s block, procrastination, partnerships and more. It’s a can’t-miss episode for aspiring writers and professionals alike.
Generally, screenwriters should focus on words rather than pictures. But in certain cases, images really help.
Four days in, sales of the Scriptnotes t-shirts are going fairly smoothly. We briefly blew off the lid of our PayPal account, but have been able to keep everything at a good simmer since then.
As promised, John and Craig answer a bunch of listener questions on everything except screenwriting, on topics ranging from sex to science to sushi.
On next week’s episode of the podcast, Craig and I will be answering listener questions about everything except screenwriting. So if you’re a fan who wants to hear Craig’s opinions on velcro shoes or to know my first literary crush (Pete Crenshaw from The Three Investigators), this is your week.
Craig and John discuss the big Veronica Mars/Kickstarter news in one of the more contentious podcasts to date. If you like umbrage, this is the show for you.
The infographic below, which hit the front page of Reddit tonight, comes from a 2007 post of mine titled How to Write a Scene. The graphic by Ryan Rivard is lovely and all, but the full post is probably more helpful. In particular, point five merits explanation: 5) Ask: What’s the most surprising thing that […]
John and Craig discuss spec scripts, pitches and how it feels when your movie gets brutal reviews.
Craig and John discuss a new report that tallies spec script sales for 2012 — with the reminder that selling a spec isn’t necessarily the most important thing for new writers.
A Twitter follower asks for an explanation of animation residuals.
John and Craig talk about everything that comes after the oft-discussed First Three Pages, speculating on the kinds of issues they’d spot if they were looking at full scripts.
Craig and John dive back into the Three Page Challenge entries, along with an overview of the 500+ contenders that have been submitted.