Follow Up

Starting a screenwriting career outside of LA (or New York, or London)

In a recent episode of Scriptnotes, we shared stories from screenwriters who managed to build careers while living outside of Los Angeles, New York or London. Here are additional tales from writers who got their start without moving to the big city first.

There are no black beans in France

France doesn’t have black beans. And this is a problem for someone who eats them every day.

Don’t Think Twice

Craig and guest host Mike Birbiglia discuss Mike’s new film, Don’t Think Twice, a comedy about life as an improv performer. The two explore the current state of independent film and the challenges facing aspiring filmmakers.

Anthrax, Amnesia and Atomic Veterans

John and Craig implore screenwriters to think twice before using the phrase “begs the question.” We know it’s a losing battle, but if we learned anything from 300, sometimes those are still worth having.

Adam Davis, year 10

Adam Davis moved to Los Angeles in 2007, and has been offering periodic updates on what he’s learned and what he’s accomplished.

The Exit Interview

In the season finale of Scriptnotes, John and Craig reveal big changes to the podcast.

Generic Trigger Warning

John and Craig take a look at three new entries in the Three Page Challenge, with scripts tackling kidnapping, dystopia and parkour hackers. We look at both how the writing works on the page, and what the writers seem to be trying to say.

Flaws are features

Craig and John look at unforgettable villains, screenwriter billions, and a parallel world with two Nathan Fillions. (The last part is not true.)

Aaron Sorkin vs. Aristotle

John and Craig consider a new master class in screenwriting taught by Aaron Sorkin, and a very old Greek word (anagnorisis) championed by Aristotle. Both are useful!

The One with the Kates

John and Craig welcome Kate McLennan and Kate McCartney, the Australian creator/stars of The Katering Show (a previous One Cool Thing).

A Writer’s Guide to Allies

There’s not much to learn from “we have to stop the evil genius before he blows up the world.” But drama, both in the real world and in fiction, comes from interaction with characters who are theoretically on our side.

An Alliance with House Mazin

It’s a craft episode, with Craig and John discussing allies and allegiances in film and television. Enemies are easy; friends are difficult. We talk through the types relationships characters find themselves in, and strategies for making the most of them.

They Won’t Even Read You

John and Craig look at how the push to increase diversity in TV writing rooms impacts writers looking to staff for the first time.

The One with the Austin Winner

Remember the live show in Austin, when we promised we’d read one lucky listener’s script and talk about it on the air? This is that episode.

Pitching an Open Writing Assignment

John and Craig discuss open writing assignments, and how to best pitch to producers and studios looking to hire a writer for a specific property. Most of the work happens before you set foot in the room, so proper planning is essential.

The One with the Idiot Teamster

John and Craig welcome writer-director Lorene Scafaria to talk about her new movie The Meddler and some of the unique challenges faced by female directors.

Outlines and Treatments

John and Craig look at the non-screenplay things screenwriters end up writing, most notably outlines and treatments. We discuss some of the ones we’ve written (with examples), and offer advice on writing your own.

The Invitation, and Requels

Phil Hay and Matt Manfredi join us to talk about their new movie The Invitation, and what’s it’s like to go from writing tentpole action films (like Clash of the Titans) to comedies (like Ride Along) to chamber-drama thrillers.

Fan Fiction and Ghost Taxis

Craig and John look at three stories in the news for another installment of “How Would This Be a Movie?” From fake scientists to figure skaters, we pitch our takes before some actor’s production company buys the rights. Speaking of rights, a new lawsuit targets the makers of Creed for stealing the idea. The case […]

The job of writer-producer

Dana Fox joins John and Craig to discuss her role as both screenwriter and producer of How to Be Single. Like Simon Kinberg and Chris Morgan, Dana is one of a handful of feature writers taking responsibility for delivering not just the script, but the finished movie. We look at how and why she made […]

Sexy But Doesn’t Know It

John and Craig look at how to introduce characters in a screenplay — and how to avoid being mocked by a Twitter feed for it. We go back through previous Three Page Challenges and several of the screenplays nominated for awards this year to examine trends and techniques.

The Script Graveyard

Where do screenplays go when they die? John and Craig take a look at their movies that never were, looking for patterns among dozens of their unproduced works. What can screenwriters learn from the dead, and is it ever worth trying to resurrect these flatliners?

Ocean’s 77

Craig and John play “How Would This Be a Movie?” looking at three articles in the news.

Fun with Numbers

Craig and John discuss the impact of Star Wars knocking down all the records, both for the industry and big-screen sci-fi.

Feel the Nerd Burn

Craig and John discuss three new entries in the Three Page Challenge, looking at how simple mistakes and confusing word choices can hurt the read.