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	<title>Comments on: Handling a character&#8217;s POV shot</title>
	<atom:link href="http://johnaugust.com/archives/2008/handling-a-characters-pov-shot/feed" rel="self" type="application/rss+xml" />
	<link>http://johnaugust.com/archives/2008/handling-a-characters-pov-shot</link>
	<description>A ton of useful information about screenwriting.</description>
	<pubDate>Fri, 21 Nov 2008 07:01:21 +0000</pubDate>
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		<title>By: Paula Puryear</title>
		<link>http://johnaugust.com/archives/2008/handling-a-characters-pov-shot#comment-154886</link>
		<dc:creator>Paula Puryear</dc:creator>
		<pubDate>Wed, 06 Aug 2008 15:11:42 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1117#comment-154886</guid>
		<description>&lt;p&gt;@ Mike, In Donovan's example "see" does not need to be in caps. You can feel comfortable using caps sparingly. It's rarely needed, though it is an option.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>@ Mike, In Donovan&#8217;s example &#8220;see&#8221; does not need to be in caps. You can feel comfortable using caps sparingly. It&#8217;s rarely needed, though it is an option.</p>]]></content:encoded>
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		<title>By: LHOOQtius ov Borg</title>
		<link>http://johnaugust.com/archives/2008/handling-a-characters-pov-shot#comment-154708</link>
		<dc:creator>LHOOQtius ov Borg</dc:creator>
		<pubDate>Mon, 04 Aug 2008 22:51:41 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1117#comment-154708</guid>
		<description>&lt;p&gt;My approach is similar to Donovan's.  I would write:&lt;/p&gt;

&lt;p&gt;INT. KITCHEN - DAY &lt;/p&gt;

&lt;p&gt;Evan is three spoonfuls into his muesli.  &lt;/p&gt;

&lt;p&gt;An EXPLOSION rocks the building.  &lt;/p&gt;

&lt;p&gt;He knocks over his tiny kitchen table as he races to the window to see:&lt;/p&gt;

&lt;p&gt;EXT. FRONT YARD - DAY&lt;/p&gt;

&lt;p&gt;His Toyota Yaris is flipped over on the front lawn, engulfed in flames.  &lt;/p&gt;

&lt;p&gt;OR this:&lt;/p&gt;

&lt;p&gt;INT. KITCHEN - DAY &lt;/p&gt;

&lt;p&gt;Evan is three spoonfuls into his muesli.  &lt;/p&gt;

&lt;p&gt;An EXPLOSION rocks the building.  &lt;/p&gt;

&lt;p&gt;He knocks over his tiny kitchen table as he races to the window.&lt;/p&gt;

&lt;p&gt;EVAN'S POV:&lt;/p&gt;

&lt;p&gt;Out he window, his Toyota Yaris is flipped over on the FRONT LAWN, engulfed in flames.&lt;/p&gt;

&lt;p&gt;BACK TO SCENE:&lt;/p&gt;

&lt;p&gt;Shaking with fear, Evan backs away from the window.&lt;/p&gt;

&lt;p&gt;It would depend on, as John mentioned, whether or not it was truly important that the shot be POV because it is important that the audience know that only Evan is seeing this happen.  Most likely I'd do option 1, unless I &lt;em&gt;needed&lt;/em&gt; option 2.&lt;/p&gt;

&lt;p&gt;My $0.02.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>My approach is similar to Donovan&#8217;s.  I would write:</p>

<p>INT. KITCHEN - DAY </p>

<p>Evan is three spoonfuls into his muesli.  </p>

<p>An EXPLOSION rocks the building.  </p>

<p>He knocks over his tiny kitchen table as he races to the window to see:</p>

<p>EXT. FRONT YARD - DAY</p>

<p>His Toyota Yaris is flipped over on the front lawn, engulfed in flames.  </p>

<p>OR this:</p>

<p>INT. KITCHEN - DAY </p>

<p>Evan is three spoonfuls into his muesli.  </p>

<p>An EXPLOSION rocks the building.  </p>

<p>He knocks over his tiny kitchen table as he races to the window.</p>

<p>EVAN&#8217;S POV:</p>

<p>Out he window, his Toyota Yaris is flipped over on the FRONT LAWN, engulfed in flames.</p>

<p>BACK TO SCENE:</p>

<p>Shaking with fear, Evan backs away from the window.</p>

<p>It would depend on, as John mentioned, whether or not it was truly important that the shot be POV because it is important that the audience know that only Evan is seeing this happen.  Most likely I&#8217;d do option 1, unless I <em>needed</em> option 2.</p>

<p>My $0.02.</p>]]></content:encoded>
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		<title>By: Mike</title>
		<link>http://johnaugust.com/archives/2008/handling-a-characters-pov-shot#comment-154254</link>
		<dc:creator>Mike</dc:creator>
		<pubDate>Fri, 01 Aug 2008 21:53:14 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1117#comment-154254</guid>
		<description>&lt;p&gt;In the example, would the word "see" need to be in all caps?&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>In the example, would the word &#8220;see&#8221; need to be in all caps?</p>]]></content:encoded>
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		<title>By: Donovan</title>
		<link>http://johnaugust.com/archives/2008/handling-a-characters-pov-shot#comment-154230</link>
		<dc:creator>Donovan</dc:creator>
		<pubDate>Fri, 01 Aug 2008 18:52:00 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1117#comment-154230</guid>
		<description>&lt;p&gt;@Anna: You're right. John's version does suggest (clearly) 2 different camera setups - it's even in the slugline "KITCHEN WINDOW/FRONT YARD": shot/reverse shot. To stay closer to Ryan's authorial intention - and without mentioning the camera or the word "POV" - you could write it like this:&lt;/p&gt;

&lt;p&gt;Evan is three spoonfuls into his muesli when he hears an EXPLOSION outside.  He races to the window to see...&lt;/p&gt;

&lt;p&gt;EXT.  FRONT YARD - DAY &lt;/p&gt;

&lt;p&gt;...his Toyota Yaris flipped over on the front lawn, engulfed in flames.&lt;/p&gt;

&lt;p&gt;Either way, you do need to use a new EXT slugline for what happens outside - regardless of whether the camera will be placed INT or EXT.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>@Anna: You&#8217;re right. John&#8217;s version does suggest (clearly) 2 different camera setups - it&#8217;s even in the slugline &#8220;KITCHEN WINDOW/FRONT YARD&#8221;: shot/reverse shot. To stay closer to Ryan&#8217;s authorial intention - and without mentioning the camera or the word &#8220;POV&#8221; - you could write it like this:</p>

<p>Evan is three spoonfuls into his muesli when he hears an EXPLOSION outside.  He races to the window to see&#8230;</p>

<p>EXT.  FRONT YARD - DAY </p>

<p>&#8230;his Toyota Yaris flipped over on the front lawn, engulfed in flames.</p>

<p>Either way, you do need to use a new EXT slugline for what happens outside - regardless of whether the camera will be placed INT or EXT.</p>]]></content:encoded>
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		<title>By: Nick</title>
		<link>http://johnaugust.com/archives/2008/handling-a-characters-pov-shot#comment-154229</link>
		<dc:creator>Nick</dc:creator>
		<pubDate>Fri, 01 Aug 2008 18:41:13 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1117#comment-154229</guid>
		<description>&lt;p&gt;@Johnny:&lt;/p&gt;

&lt;p&gt;I agree.  It's sometimes hard to avoid resorting to "POV" or "WHAT BILL SEES" or other things like that, but it's worth the effort to find a different way to describe what you mean.  Most of us on this blog are firmly entrenched in the spec world, which means that it's far more important that our script &lt;em&gt;read&lt;/em&gt; well than be easily translated into a shot list by a director and DP.  To me, the less a screenplay &lt;em&gt;sounds&lt;/em&gt; like a screenplay, the better it reads.  So, less focus on film grammar and more focus on writing clear, clever prose and dialogue.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>@Johnny:</p>

<p>I agree.  It&#8217;s sometimes hard to avoid resorting to &#8220;POV&#8221; or &#8220;WHAT BILL SEES&#8221; or other things like that, but it&#8217;s worth the effort to find a different way to describe what you mean.  Most of us on this blog are firmly entrenched in the spec world, which means that it&#8217;s far more important that our script <em>read</em> well than be easily translated into a shot list by a director and DP.  To me, the less a screenplay <em>sounds</em> like a screenplay, the better it reads.  So, less focus on film grammar and more focus on writing clear, clever prose and dialogue.</p>]]></content:encoded>
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		<title>By: Anna</title>
		<link>http://johnaugust.com/archives/2008/handling-a-characters-pov-shot#comment-154227</link>
		<dc:creator>Anna</dc:creator>
		<pubDate>Fri, 01 Aug 2008 18:32:23 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1117#comment-154227</guid>
		<description>&lt;p&gt;A new EXT. scene suggests that the camera is outside.&lt;/p&gt;

&lt;p&gt;To me the scene basically reads like two setups: Evan leaning out (facing us/the camera) and then his pov of the Yaris.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>A new EXT. scene suggests that the camera is outside.</p>

<p>To me the scene basically reads like two setups: Evan leaning out (facing us/the camera) and then his pov of the Yaris.</p>]]></content:encoded>
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		<title>By: Johnny</title>
		<link>http://johnaugust.com/archives/2008/handling-a-characters-pov-shot#comment-154218</link>
		<dc:creator>Johnny</dc:creator>
		<pubDate>Fri, 01 Aug 2008 16:54:54 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1117#comment-154218</guid>
		<description>&lt;p&gt;POVs only matter when they describe HOW a character percieves his environment (as in NIGHT VISION, TERMINATOR, PREDATOR, etc.). The ONLY truly important POV in a script is the writer's.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>POVs only matter when they describe HOW a character percieves his environment (as in NIGHT VISION, TERMINATOR, PREDATOR, etc.). The ONLY truly important POV in a script is the writer&#8217;s.</p>]]></content:encoded>
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		<title>By: Scott from Australia</title>
		<link>http://johnaugust.com/archives/2008/handling-a-characters-pov-shot#comment-154056</link>
		<dc:creator>Scott from Australia</dc:creator>
		<pubDate>Fri, 01 Aug 2008 05:20:09 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1117#comment-154056</guid>
		<description>&lt;p&gt;Sarah, just watch FLIGHT OF THE CONCHORDS and see how to turn your Kiwisms into gold. Except dont make as much fun of my country.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>Sarah, just watch FLIGHT OF THE CONCHORDS and see how to turn your Kiwisms into gold. Except dont make as much fun of my country.</p>]]></content:encoded>
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		<title>By: Ayz</title>
		<link>http://johnaugust.com/archives/2008/handling-a-characters-pov-shot#comment-154037</link>
		<dc:creator>Ayz</dc:creator>
		<pubDate>Fri, 01 Aug 2008 04:04:04 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1117#comment-154037</guid>
		<description>&lt;p&gt;@Sarah -- my wife's a kiwi. I'm constantly trying to borrow her kiwi-ism's and make them work in my dialogue. Doesn't always pan out, because for some reason only kiwi's can say that stuff and pull it off. It's one of life's mysteries to me. ;)&lt;/p&gt;

&lt;p&gt;ON TOPIC: POV is a way to make a moment more subjective too, but for me it's more a director's tool than a writer's, because it doesn't play as well on page I find.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>@Sarah &#8212; my wife&#8217;s a kiwi. I&#8217;m constantly trying to borrow her kiwi-ism&#8217;s and make them work in my dialogue. Doesn&#8217;t always pan out, because for some reason only kiwi&#8217;s can say that stuff and pull it off. It&#8217;s one of life&#8217;s mysteries to me. <img src='http://johnaugust.com/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' /> </p>

<p>ON TOPIC: POV is a way to make a moment more subjective too, but for me it&#8217;s more a director&#8217;s tool than a writer&#8217;s, because it doesn&#8217;t play as well on page I find.</p>]]></content:encoded>
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		<title>By: Anonymous Production Assistant</title>
		<link>http://johnaugust.com/archives/2008/handling-a-characters-pov-shot#comment-154034</link>
		<dc:creator>Anonymous Production Assistant</dc:creator>
		<pubDate>Fri, 01 Aug 2008 03:47:10 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1117#comment-154034</guid>
		<description>&lt;p&gt;Wow, product placement in a screenwriting &lt;i&gt;blog&lt;/i&gt;.  I'm impressed.  :)&lt;/p&gt;

&lt;p&gt;Sarah, just do a find and replace, changing "mate" to "dude."  "Good on ya, dude."  Perfectly natural.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>Wow, product placement in a screenwriting <i>blog</i>.  I&#8217;m impressed.  <img src='http://johnaugust.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>

<p>Sarah, just do a find and replace, changing &#8220;mate&#8221; to &#8220;dude.&#8221;  &#8220;Good on ya, dude.&#8221;  Perfectly natural.</p>]]></content:encoded>
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		<title>By: Sarah</title>
		<link>http://johnaugust.com/archives/2008/handling-a-characters-pov-shot#comment-153987</link>
		<dc:creator>Sarah</dc:creator>
		<pubDate>Fri, 01 Aug 2008 00:31:11 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1117#comment-153987</guid>
		<description>&lt;p&gt;Wow - you used the word muesli.  And I drive a Yaris.  Is this some coded message or should I keep taking my meds? &lt;/p&gt;

&lt;p&gt;Seriously, though, a new arrival in the US I have been trying to purge my writing of all New Zealand/English-isms.  So I have been busy gifting people my homemade 'granola'.  You've thrown me for a loop.  Yes, you have.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>Wow - you used the word muesli.  And I drive a Yaris.  Is this some coded message or should I keep taking my meds? </p>

<p>Seriously, though, a new arrival in the US I have been trying to purge my writing of all New Zealand/English-isms.  So I have been busy gifting people my homemade &#8216;granola&#8217;.  You&#8217;ve thrown me for a loop.  Yes, you have.</p>]]></content:encoded>
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