<?xml version="1.0" encoding="utf-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: A somewhat derivative challenge</title>
	<atom:link href="http://johnaugust.com/archives/2008/derivativ/feed" rel="self" type="application/rss+xml" />
	<link>http://johnaugust.com/archives/2008/derivativ</link>
	<description>A ton of useful information about screenwriting.</description>
	<lastBuildDate>Mon, 15 Mar 2010 18:50:25 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.9.2</generator>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
		<item>
		<title>By: KO</title>
		<link>http://johnaugust.com/archives/2008/derivativ/comment-page-2#comment-130180</link>
		<dc:creator>KO</dc:creator>
		<pubDate>Thu, 08 May 2008 14:57:01 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1028#comment-130180</guid>
		<description>&lt;p&gt;INT. IRISH PUB â€“ SOUTH PHILADELPHIA â€“LATE MONDAY EVENING&lt;/p&gt;

&lt;p&gt;Two transit workers, Mike and Bobby, both 30s, are drowning in Bushmills and Yuengling.  Other than these two, the bar is a cemetery of pint glasses.  The Eagles-Cowboys game commands their attention from above the whiskey lineup.  The Cowboys have run away with the game, much like the other patrons have run away from the bar.       &lt;/p&gt;

&lt;p&gt;MIKE
(transfixed by the game)
I canâ€™t believe they passed up Tony Kornheiser for this guy.  Heâ€™s awful.&lt;/p&gt;

&lt;p&gt;BOBBY
(equally transfixed)
Who, Dennis Miller?  He ainâ€™t that bad.&lt;/p&gt;

&lt;p&gt;MIKE
No way, just listen to him.&lt;/p&gt;

&lt;p&gt;After a brief commercial, Dennis Miller returns to grace us with his color commentary for the game.&lt;/p&gt;

&lt;p&gt;DENNIS MILLER (o.s.)
â€¦the Eagles have to throw up a Hail Mary, itâ€™s their only chanceâ€¦and they doâ€¦ooohhh!  Hail Mary deniedâ€¦separation of church and state.&lt;/p&gt;

&lt;p&gt;BOBBY 
(beat)
Haha, thatâ€™s kinda funny.&lt;/p&gt;

&lt;p&gt;DENNIS MILLER (o.s.)
At this point, Jerry Jones runs the Cowboys like your financial advisor.  He knows that the free agent pickups he made this offseason have favorably impacted the derivative that is the success of his teamâ€¦&lt;/p&gt;

&lt;p&gt;Mike looks over at Bobby with a look that is begging for agreement.&lt;/p&gt;

&lt;p&gt;DENNIS MILLER  cont. (o.s.)
But heâ€™s got to worry about what assets he puts into those variables.  Those Cowboys buy more snow than Seward did when he bought Alaska from the Russians.&lt;/p&gt;

&lt;p&gt;Bobby doesnâ€™t say anything.  Heâ€™s piss drunk and trying to figure out who the hell Seward is.&lt;/p&gt;

&lt;p&gt;DENNIS MILLER (o.s.)
But then again, you canâ€™t really judge the Cowboys based on how they play Philly.  That Eagles defense provides worse coverage than a Guatemalan HMO.&lt;/p&gt;

&lt;p&gt;MIKE
(beat)
COME ON!!!&lt;/p&gt;

&lt;p&gt;BOBBY
Haha, ok fine.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>INT. IRISH PUB â€“ SOUTH PHILADELPHIA â€“LATE MONDAY EVENING</p>

<p>Two transit workers, Mike and Bobby, both 30s, are drowning in Bushmills and Yuengling.  Other than these two, the bar is a cemetery of pint glasses.  The Eagles-Cowboys game commands their attention from above the whiskey lineup.  The Cowboys have run away with the game, much like the other patrons have run away from the bar.       </p>

<p>MIKE
(transfixed by the game)
I canâ€™t believe they passed up Tony Kornheiser for this guy.  Heâ€™s awful.</p>

<p>BOBBY
(equally transfixed)
Who, Dennis Miller?  He ainâ€™t that bad.</p>

<p>MIKE
No way, just listen to him.</p>

<p>After a brief commercial, Dennis Miller returns to grace us with his color commentary for the game.</p>

<p>DENNIS MILLER (o.s.)
â€¦the Eagles have to throw up a Hail Mary, itâ€™s their only chanceâ€¦and they doâ€¦ooohhh!  Hail Mary deniedâ€¦separation of church and state.</p>

<p>BOBBY 
(beat)
Haha, thatâ€™s kinda funny.</p>

<p>DENNIS MILLER (o.s.)
At this point, Jerry Jones runs the Cowboys like your financial advisor.  He knows that the free agent pickups he made this offseason have favorably impacted the derivative that is the success of his teamâ€¦</p>

<p>Mike looks over at Bobby with a look that is begging for agreement.</p>

<p>DENNIS MILLER  cont. (o.s.)
But heâ€™s got to worry about what assets he puts into those variables.  Those Cowboys buy more snow than Seward did when he bought Alaska from the Russians.</p>

<p>Bobby doesnâ€™t say anything.  Heâ€™s piss drunk and trying to figure out who the hell Seward is.</p>

<p>DENNIS MILLER (o.s.)
But then again, you canâ€™t really judge the Cowboys based on how they play Philly.  That Eagles defense provides worse coverage than a Guatemalan HMO.</p>

<p>MIKE
(beat)
COME ON!!!</p>

<p>BOBBY
Haha, ok fine.</p>]]></content:encoded>
	</item>
	<item>
		<title>By: jack</title>
		<link>http://johnaugust.com/archives/2008/derivativ/comment-page-2#comment-130168</link>
		<dc:creator>jack</dc:creator>
		<pubDate>Thu, 08 May 2008 13:52:48 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1028#comment-130168</guid>
		<description>&lt;p&gt;Joe pointed to the black mare ambling gently toward the paddock entrance. &lt;/p&gt;

&lt;p&gt;JOE:That&#039;s your stock, right there. &lt;/p&gt;

&lt;p&gt;JOE:And this (holding up his stub) is a derivative. The horse can win, lose or fall and break it&#039;s leg, but someone, somewhere can still make a buck.&lt;/p&gt;

&lt;p&gt;FRANK:And that&#039;s how Dad made all his money?&lt;/p&gt;

&lt;p&gt;JOE:Yeah, and how he lost it. Gambled away everything he&#039;d ever worked for and all the money a thousand folks planned to retire on.&lt;/p&gt;

&lt;p&gt;FRANK:Should have stuck to cards huh?&lt;/p&gt;

&lt;p&gt;JOE:Yeah, but then we&#039;d be down there with those mopes, hustling for tips, putting their grocery money on the back of a horse cause it&#039;s named after a song they danced to once. No-one likes to be told they&#039;ve handed their future over to a bookie, but give it a fancy name, call yourself a stockbroker and it&#039;s always someone else&#039;s fault.&lt;/p&gt;

&lt;p&gt;FRANK:The market&#039;s always right, Joe.&lt;/p&gt;

&lt;p&gt;JOE:The market&#039;s always right!&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>Joe pointed to the black mare ambling gently toward the paddock entrance. </p>

<p>JOE:That&#8217;s your stock, right there. </p>

<p>JOE:And this (holding up his stub) is a derivative. The horse can win, lose or fall and break it&#8217;s leg, but someone, somewhere can still make a buck.</p>

<p>FRANK:And that&#8217;s how Dad made all his money?</p>

<p>JOE:Yeah, and how he lost it. Gambled away everything he&#8217;d ever worked for and all the money a thousand folks planned to retire on.</p>

<p>FRANK:Should have stuck to cards huh?</p>

<p>JOE:Yeah, but then we&#8217;d be down there with those mopes, hustling for tips, putting their grocery money on the back of a horse cause it&#8217;s named after a song they danced to once. No-one likes to be told they&#8217;ve handed their future over to a bookie, but give it a fancy name, call yourself a stockbroker and it&#8217;s always someone else&#8217;s fault.</p>

<p>FRANK:The market&#8217;s always right, Joe.</p>

<p>JOE:The market&#8217;s always right!</p>]]></content:encoded>
	</item>
	<item>
		<title>By: Radiant Ruby</title>
		<link>http://johnaugust.com/archives/2008/derivativ/comment-page-2#comment-130160</link>
		<dc:creator>Radiant Ruby</dc:creator>
		<pubDate>Thu, 08 May 2008 13:22:54 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1028#comment-130160</guid>
		<description>&lt;p&gt;**Her mother, LUCE, is having trouble finishing her sentences!&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>**Her mother, LUCE, is having trouble finishing her sentences!</p>]]></content:encoded>
	</item>
	<item>
		<title>By: Radiant Ruby</title>
		<link>http://johnaugust.com/archives/2008/derivativ/comment-page-2#comment-130159</link>
		<dc:creator>Radiant Ruby</dc:creator>
		<pubDate>Thu, 08 May 2008 13:21:53 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1028#comment-130159</guid>
		<description>&lt;p&gt;INT. WEDDING SHOP -DAY&lt;/p&gt;

&lt;p&gt;An eager bride, HAYLEY, is trying on a pitch perfect dress for the big day. Her mother, LUCE, is having &lt;/p&gt;

&lt;p&gt;LUCE
I&#039;m really having difficulty coming to terms with your decision to marry this boy Derryk; he seems to be lacking...prospects.&lt;/p&gt;

&lt;p&gt;HAYLEY
I know what you&#039;re thinking but I love him. Anyway he&#039;s an investment. A derivative.&lt;/p&gt;

&lt;p&gt;She goes behind a screen and gets changed into her jeans and jumper.&lt;/p&gt;

&lt;p&gt;Derryk arrives outside the shop and gives them both a geeky but heartfelt wave. They wave back.&lt;/p&gt;

&lt;p&gt;LUCE
A derivative? Well he seems nice and I&#039;m sure he loves you. He just seems a bit out of your league. Is he really the one?&lt;/p&gt;

&lt;p&gt;HAYLEY
Think of it this way. Sure we&#039;re both broke now. But he happens to be a very talented artist and I&#039;m telling you in ten years I&#039;ll be set up for life.&lt;/p&gt;

&lt;p&gt;LUCE
Mmm really? And if he doesn&#039;t become successful?&lt;/p&gt;

&lt;p&gt;HAYLEY
(with a wink)
I&#039;ll divorce him.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>INT. WEDDING SHOP -DAY</p>

<p>An eager bride, HAYLEY, is trying on a pitch perfect dress for the big day. Her mother, LUCE, is having </p>

<p>LUCE
I&#8217;m really having difficulty coming to terms with your decision to marry this boy Derryk; he seems to be lacking&#8230;prospects.</p>

<p>HAYLEY
I know what you&#8217;re thinking but I love him. Anyway he&#8217;s an investment. A derivative.</p>

<p>She goes behind a screen and gets changed into her jeans and jumper.</p>

<p>Derryk arrives outside the shop and gives them both a geeky but heartfelt wave. They wave back.</p>

<p>LUCE
A derivative? Well he seems nice and I&#8217;m sure he loves you. He just seems a bit out of your league. Is he really the one?</p>

<p>HAYLEY
Think of it this way. Sure we&#8217;re both broke now. But he happens to be a very talented artist and I&#8217;m telling you in ten years I&#8217;ll be set up for life.</p>

<p>LUCE
Mmm really? And if he doesn&#8217;t become successful?</p>

<p>HAYLEY
(with a wink)
I&#8217;ll divorce him.</p>]]></content:encoded>
	</item>
	<item>
		<title>By: M&#38;M</title>
		<link>http://johnaugust.com/archives/2008/derivativ/comment-page-2#comment-130141</link>
		<dc:creator>M&#38;M</dc:creator>
		<pubDate>Thu, 08 May 2008 11:31:23 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1028#comment-130141</guid>
		<description>&lt;p&gt;[I just noticed that I didnâ€™t answer the prompt in Johnâ€™s original postâ€”â€œHave a character EXPLAIN derivatives, as used in the financial industry.â€?  Allow me a brief revision of my submission in comment #47.]&lt;/p&gt;

&lt;p&gt;WOMAN AT BAR
You got fired for trading derivatives at work?&lt;/p&gt;

&lt;p&gt;MAN AT BAR
No, I got fired for demonstrating how they work.&lt;/p&gt;

&lt;p&gt;WOMAN
That doesnâ€™t sound like something youâ€™d get canned for.&lt;/p&gt;

&lt;p&gt;MAN
Actually, I was trading grades for blowjobs.&lt;/p&gt;

&lt;p&gt;WOMAN
(beat)
So how does that explain derivatives?&lt;/p&gt;

&lt;p&gt;MAN
Students who took me up on my offer entered into a contract with a mutually-beneficial payoff at the end of the semester.  And hereâ€™s the real kickerâ€”the payoff is guaranteed, regardless of everyone&#039;s performance in class.&lt;/p&gt;

&lt;p&gt;WOMAN
But howâ€™d you get caught?&lt;/p&gt;

&lt;p&gt;MAN
I forgot to change one studentâ€™s grade from a D to an A, and she told the dean.  Derivatives are risky.  A lot can go wrong.&lt;/p&gt;

&lt;p&gt;WOMAN
Would you like to come back to my place and look over my portfolio?&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>[I just noticed that I didnâ€™t answer the prompt in Johnâ€™s original postâ€”â€œHave a character EXPLAIN derivatives, as used in the financial industry.â€?  Allow me a brief revision of my submission in comment #47.]</p>

<p>WOMAN AT BAR
You got fired for trading derivatives at work?</p>

<p>MAN AT BAR
No, I got fired for demonstrating how they work.</p>

<p>WOMAN
That doesnâ€™t sound like something youâ€™d get canned for.</p>

<p>MAN
Actually, I was trading grades for blowjobs.</p>

<p>WOMAN
(beat)
So how does that explain derivatives?</p>

<p>MAN
Students who took me up on my offer entered into a contract with a mutually-beneficial payoff at the end of the semester.  And hereâ€™s the real kickerâ€”the payoff is guaranteed, regardless of everyone&#8217;s performance in class.</p>

<p>WOMAN
But howâ€™d you get caught?</p>

<p>MAN
I forgot to change one studentâ€™s grade from a D to an A, and she told the dean.  Derivatives are risky.  A lot can go wrong.</p>

<p>WOMAN
Would you like to come back to my place and look over my portfolio?</p>]]></content:encoded>
	</item>
	<item>
		<title>By: Joey B</title>
		<link>http://johnaugust.com/archives/2008/derivativ/comment-page-2#comment-130099</link>
		<dc:creator>Joey B</dc:creator>
		<pubDate>Thu, 08 May 2008 07:02:00 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1028#comment-130099</guid>
		<description>&lt;p&gt;INT. MR. CHELSEA&#039;S OFFICE
A circular couch and countless movie posters adorn the luxurious office room like virgin trophies: they&#039;ve never been touched. Mr. CHELSEA(40) nervously taps his foot with the ferocity of a cocaine addict. 
CHELSEA
He made his millions in video game design. He&#039;s a little young. And short. But Asians are short. And young. So, just be aware... Maybe, slouch a little so he&#039;s not overwhelmed. 
JASON (35), stands at six foot five. He mimics Chelsea&#039;s motions with his thumbs. A VOICE comes over the intercom.
VOICE (O.S.)
Mr. Chelsea, Mr. Iziko and his assistant Mr. Ichiko have arrived.
MR. CHELSEA
Wonderful, send them in. 
Mr. IZIKO (19), walks in confidently. His white suit meshes with his white skin to create one gaunt mass, five feet five inches tall. Mr. ICHIKO (30) trails behind him. 
CHELSEA
Mr. Iziko! Pleasure to see you again!
MR. IZIKO
(in Japanese)
Tell him I&#039;m in a hurry, his client has three and a half minutes.
MR. ICHIKO
Very...busy...quick please. 
Jason sprints into action. He slouches awkwardly. 
JASON
It&#039;s a superhero movie, kinda like an inverted Superman. He starts out a big finance guy, you know, metaphorically he has all the power in town, CFO type, and then bam! He&#039;s hit by a meteor.
MR. ICHIKO
(in Japanese)
It&#039;s an instructional video of a stock broker super hero. 
MR. IZIKO
(in Japanese)
What&#039;s the point?
MR. ICHIKO
More...broker.
JASON
Well, technically he&#039;s not a broker, but he has all the power, he trades derivatives, buys options, all that stuff &#039;cuz it&#039;s an indictment of our consumer culture...until he--
MR. ICHIKO
(in Japanese)
The video explains how to make money with derivatives. I think it would be very useful for first year students at the Iziko school. 
MR. IZIKO
(in Japanese)
What&#039;s it called?
MR. ICHIKO
Name?
JASON
Oh, well he has two. By day he&#039;s Adam Smith, derivative trader. By night, he&#039;s The Ice Pick. He gets--
MR. ICHIKO
(in Japanese)
The Derivative Man.
MR. IZIKO
(in Japanese)
Derivative? That&#039;s his name?
MR. ICHIKO
(in Japanese)
No. That&#039;s what he teaches.
Mr. Iziko is dumbfounded.
MR. IZIKO
(in Japanese)
What is a derivative again?
MR. ICHIKO
(in Japanese)
It&#039;s how we make money. We pay him a little for his instructional video now, just enough so that if we make the video later, he won&#039;t be disappointed by the shit we&#039;re paying him then. 
MR. IZIKO
(in Japanese)
His job security derives from my financial sucess.
Mr. Iziko starts laughing. Then Mr. Ichiko starts laughing. Quickly, Chelsea laughs hysterically and taps Jason who also starts laughing. Mr. Iziko stops abruptly.
MR. IZIKO (CONT&#039;D)
(in Japanese)
Does he take me for some type of fool? I don&#039;t want to give away my secrets in some stupid instructional video! Is he trying to drive me out of business?!
Mr. Iziko storms out, Mr. Ichiko follows. 
FADE OUT.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>INT. MR. CHELSEA&#8217;S OFFICE
A circular couch and countless movie posters adorn the luxurious office room like virgin trophies: they&#8217;ve never been touched. Mr. CHELSEA(40) nervously taps his foot with the ferocity of a cocaine addict. 
CHELSEA
He made his millions in video game design. He&#8217;s a little young. And short. But Asians are short. And young. So, just be aware&#8230; Maybe, slouch a little so he&#8217;s not overwhelmed. 
JASON (35), stands at six foot five. He mimics Chelsea&#8217;s motions with his thumbs. A VOICE comes over the intercom.
VOICE (O.S.)
Mr. Chelsea, Mr. Iziko and his assistant Mr. Ichiko have arrived.
MR. CHELSEA
Wonderful, send them in. 
Mr. IZIKO (19), walks in confidently. His white suit meshes with his white skin to create one gaunt mass, five feet five inches tall. Mr. ICHIKO (30) trails behind him. 
CHELSEA
Mr. Iziko! Pleasure to see you again!
MR. IZIKO
(in Japanese)
Tell him I&#8217;m in a hurry, his client has three and a half minutes.
MR. ICHIKO
Very&#8230;busy&#8230;quick please. 
Jason sprints into action. He slouches awkwardly. 
JASON
It&#8217;s a superhero movie, kinda like an inverted Superman. He starts out a big finance guy, you know, metaphorically he has all the power in town, CFO type, and then bam! He&#8217;s hit by a meteor.
MR. ICHIKO
(in Japanese)
It&#8217;s an instructional video of a stock broker super hero. 
MR. IZIKO
(in Japanese)
What&#8217;s the point?
MR. ICHIKO
More&#8230;broker.
JASON
Well, technically he&#8217;s not a broker, but he has all the power, he trades derivatives, buys options, all that stuff &#8216;cuz it&#8217;s an indictment of our consumer culture&#8230;until he&#8211;
MR. ICHIKO
(in Japanese)
The video explains how to make money with derivatives. I think it would be very useful for first year students at the Iziko school. 
MR. IZIKO
(in Japanese)
What&#8217;s it called?
MR. ICHIKO
Name?
JASON
Oh, well he has two. By day he&#8217;s Adam Smith, derivative trader. By night, he&#8217;s The Ice Pick. He gets&#8211;
MR. ICHIKO
(in Japanese)
The Derivative Man.
MR. IZIKO
(in Japanese)
Derivative? That&#8217;s his name?
MR. ICHIKO
(in Japanese)
No. That&#8217;s what he teaches.
Mr. Iziko is dumbfounded.
MR. IZIKO
(in Japanese)
What is a derivative again?
MR. ICHIKO
(in Japanese)
It&#8217;s how we make money. We pay him a little for his instructional video now, just enough so that if we make the video later, he won&#8217;t be disappointed by the shit we&#8217;re paying him then. 
MR. IZIKO
(in Japanese)
His job security derives from my financial sucess.
Mr. Iziko starts laughing. Then Mr. Ichiko starts laughing. Quickly, Chelsea laughs hysterically and taps Jason who also starts laughing. Mr. Iziko stops abruptly.
MR. IZIKO (CONT&#8217;D)
(in Japanese)
Does he take me for some type of fool? I don&#8217;t want to give away my secrets in some stupid instructional video! Is he trying to drive me out of business?!
Mr. Iziko storms out, Mr. Ichiko follows. 
FADE OUT.</p>]]></content:encoded>
	</item>
	<item>
		<title>By: Mike Lavoie</title>
		<link>http://johnaugust.com/archives/2008/derivativ/comment-page-2#comment-130087</link>
		<dc:creator>Mike Lavoie</dc:creator>
		<pubDate>Thu, 08 May 2008 05:59:46 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1028#comment-130087</guid>
		<description>&lt;p&gt;INT. THE BASEMENT OF BURGERâ€™S MEATS. NIGHT. 
A man, FRANK, 33, is tied with twine to a metal chair in the middle of the room. He wears a rumpled pinstriped suit. His mouth is gagged with twine, his drool bloody, one eye swollen shut. A small metal table on wheels rests in front of him. &lt;/p&gt;

&lt;p&gt;NEMO, 28, the silent muscle, sits behind Frank in an XL black wifebeater that strains to contain him. He ices his right hand with a stiff T-bone. Next to him, stacked cardboard boxes read: BURGERâ€™S MEATS. Nearby, a spool of packing twine.&lt;/p&gt;

&lt;p&gt;BURGER, 45, a meatball in brown pants, donning a brown fedora and an old blood-stained apron that says â€œFuck the Cook,â€? lumbers down the stairs with a large Burgerâ€™s Meats cardboard box. As he descends:&lt;/p&gt;

&lt;p&gt;BURGER 
You are a derivative, Frank. You donâ€™t know what that is. I know you donâ€™t know cause I see you not readinâ€™ the Business Weeks I get you. &lt;/p&gt;

&lt;p&gt;Frank fidgets, moans. &lt;/p&gt;

&lt;p&gt;BURGER 
Itâ€™s like: If someone needs a shakedown, I call you. If Christopher goes crazy, you take him to the titty bar. If Mikey comes up short on whatever the fuck, you go knock off the Starbucks.&lt;/p&gt;

&lt;p&gt;Burger arrives in front of the table, speaks directly to Frank.&lt;/p&gt;

&lt;p&gt;BURGER
Itâ€™s a risky business. You reduce the risk for me. That is the whole fuckinâ€™ raison dâ€™keepinâ€™ you around.&lt;/p&gt;

&lt;p&gt;Burger throws the box down on the table in front of Frank and it rolls toward Frank and bumps into him gently. Burger removes his apron and hangs it up on a hook on the wall.&lt;/p&gt;

&lt;p&gt;BURGER 
Iâ€™d rather you be stocks or bonds like; somethinâ€™ I can count on. Thatâ€™s why I got you subscriptions to the Business Weeks. But you donâ€™t wanna be an asset to me. You wanna be a liability.&lt;/p&gt;

&lt;p&gt;Burger rolls the table away from Frank him so that nothing stands between Burger and Frank. Burger pulls a meat cleaver out of the box. Frank moans and shakes his head. &lt;/p&gt;

&lt;p&gt;BURGER 
Where is my money, Frank? I want you to think real hard before you start lyinâ€™ to me. Cause you got more to lose than just your life. &lt;/p&gt;

&lt;p&gt;Frank quiets.&lt;/p&gt;

&lt;p&gt;Burger turns around, puts down the cleaver and pulls a stuffed rhino out of the box and throws it in Frankâ€™s lap. Burger then pulls out some womenâ€™s underwear and smells them.&lt;/p&gt;

&lt;p&gt;BURGER 
Lavender. Very nice.&lt;/p&gt;

&lt;p&gt;He throws them at Frank. Frank stares in horror at his childâ€™s rhino and wifeâ€™s underwear. Burger nods to the Thug. The Thug approaches and cuts the twine from Frankâ€™s mouth. There is silence.&lt;/p&gt;

&lt;p&gt;FRANK 
I didnâ€™t take the money. &lt;/p&gt;

&lt;p&gt;BURGER 
Wrong answer. &lt;/p&gt;

&lt;p&gt;FRANK 
I swear.&lt;/p&gt;

&lt;p&gt;BURGER 
Your word is no good, Frank.&lt;/p&gt;

&lt;p&gt;FRANK 
Burger, it wasnâ€™t me, I fuckinâ€™ swear.&lt;/p&gt;

&lt;p&gt;BURGER
That your final answer?&lt;/p&gt;

&lt;p&gt;FRANK 
I swear to God, Burger! On my dead mother!! On my WIFE!!! PLEASE!&lt;/p&gt;

&lt;p&gt;Burger is silent, staring at Frank. Decisively, he picks up the cleaver, turns around, grabs his apron off the wall and pushes his way through a set of double doors at the other end of the room. Frank watches the doors flip-flap closed, staring at them. There are muffled voices in the other room, vague chopping sounds and low grunts. Several silent moments later, Burger, mouth agape, chest heaving, storms back in, apron and cleaver dripping with fresh blood. As Burger approaches Frank, Frank can see Burger is holding a HAND. There is a WEDDING RING on it. Frank screams in agony, recognizing it. &lt;/p&gt;

&lt;p&gt;FRANK
(sobbing)
AAAAAH!! Oh God! Oh fuck! YOU FUCKING MONSTER! YOU FUCK!&lt;/p&gt;

&lt;p&gt;Burger slaps Frank brutally with his wifeâ€™s disembodied hand.&lt;/p&gt;

&lt;p&gt;BURGER 
Iâ€™m a fuck? Iâ€™m a fuck?
(Punctuating each word with crushing forehands and backhands)
THIS. IS. WHAT. YOU. GET. WHEN. YOU. STEAL. FROM. ME.&lt;/p&gt;

&lt;p&gt;He throws her hand on the floor, now a twisted wreck of broken fingers. Frank rocks gently, sobbing softly. Burger leans against the table, catching his breath.&lt;/p&gt;

&lt;p&gt;BURGER
There are four kinds of derivatives, Frank. Forwards, which is the direction we can move in now. Options, which youâ€™re running out of. Futures, a couple of which you can decide now. And finally: swaps. As in: You give me my money and, in exchange, you get the rest of your wife.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>INT. THE BASEMENT OF BURGERâ€™S MEATS. NIGHT. 
A man, FRANK, 33, is tied with twine to a metal chair in the middle of the room. He wears a rumpled pinstriped suit. His mouth is gagged with twine, his drool bloody, one eye swollen shut. A small metal table on wheels rests in front of him. </p>

<p>NEMO, 28, the silent muscle, sits behind Frank in an XL black wifebeater that strains to contain him. He ices his right hand with a stiff T-bone. Next to him, stacked cardboard boxes read: BURGERâ€™S MEATS. Nearby, a spool of packing twine.</p>

<p>BURGER, 45, a meatball in brown pants, donning a brown fedora and an old blood-stained apron that says â€œFuck the Cook,â€? lumbers down the stairs with a large Burgerâ€™s Meats cardboard box. As he descends:</p>

<p>BURGER 
You are a derivative, Frank. You donâ€™t know what that is. I know you donâ€™t know cause I see you not readinâ€™ the Business Weeks I get you. </p>

<p>Frank fidgets, moans. </p>

<p>BURGER 
Itâ€™s like: If someone needs a shakedown, I call you. If Christopher goes crazy, you take him to the titty bar. If Mikey comes up short on whatever the fuck, you go knock off the Starbucks.</p>

<p>Burger arrives in front of the table, speaks directly to Frank.</p>

<p>BURGER
Itâ€™s a risky business. You reduce the risk for me. That is the whole fuckinâ€™ raison dâ€™keepinâ€™ you around.</p>

<p>Burger throws the box down on the table in front of Frank and it rolls toward Frank and bumps into him gently. Burger removes his apron and hangs it up on a hook on the wall.</p>

<p>BURGER 
Iâ€™d rather you be stocks or bonds like; somethinâ€™ I can count on. Thatâ€™s why I got you subscriptions to the Business Weeks. But you donâ€™t wanna be an asset to me. You wanna be a liability.</p>

<p>Burger rolls the table away from Frank him so that nothing stands between Burger and Frank. Burger pulls a meat cleaver out of the box. Frank moans and shakes his head. </p>

<p>BURGER 
Where is my money, Frank? I want you to think real hard before you start lyinâ€™ to me. Cause you got more to lose than just your life. </p>

<p>Frank quiets.</p>

<p>Burger turns around, puts down the cleaver and pulls a stuffed rhino out of the box and throws it in Frankâ€™s lap. Burger then pulls out some womenâ€™s underwear and smells them.</p>

<p>BURGER 
Lavender. Very nice.</p>

<p>He throws them at Frank. Frank stares in horror at his childâ€™s rhino and wifeâ€™s underwear. Burger nods to the Thug. The Thug approaches and cuts the twine from Frankâ€™s mouth. There is silence.</p>

<p>FRANK 
I didnâ€™t take the money. </p>

<p>BURGER 
Wrong answer. </p>

<p>FRANK 
I swear.</p>

<p>BURGER 
Your word is no good, Frank.</p>

<p>FRANK 
Burger, it wasnâ€™t me, I fuckinâ€™ swear.</p>

<p>BURGER
That your final answer?</p>

<p>FRANK 
I swear to God, Burger! On my dead mother!! On my WIFE!!! PLEASE!</p>

<p>Burger is silent, staring at Frank. Decisively, he picks up the cleaver, turns around, grabs his apron off the wall and pushes his way through a set of double doors at the other end of the room. Frank watches the doors flip-flap closed, staring at them. There are muffled voices in the other room, vague chopping sounds and low grunts. Several silent moments later, Burger, mouth agape, chest heaving, storms back in, apron and cleaver dripping with fresh blood. As Burger approaches Frank, Frank can see Burger is holding a HAND. There is a WEDDING RING on it. Frank screams in agony, recognizing it. </p>

<p>FRANK
(sobbing)
AAAAAH!! Oh God! Oh fuck! YOU FUCKING MONSTER! YOU FUCK!</p>

<p>Burger slaps Frank brutally with his wifeâ€™s disembodied hand.</p>

<p>BURGER 
Iâ€™m a fuck? Iâ€™m a fuck?
(Punctuating each word with crushing forehands and backhands)
THIS. IS. WHAT. YOU. GET. WHEN. YOU. STEAL. FROM. ME.</p>

<p>He throws her hand on the floor, now a twisted wreck of broken fingers. Frank rocks gently, sobbing softly. Burger leans against the table, catching his breath.</p>

<p>BURGER
There are four kinds of derivatives, Frank. Forwards, which is the direction we can move in now. Options, which youâ€™re running out of. Futures, a couple of which you can decide now. And finally: swaps. As in: You give me my money and, in exchange, you get the rest of your wife.</p>]]></content:encoded>
	</item>
	<item>
		<title>By: Stephan Vladimir Bugaj</title>
		<link>http://johnaugust.com/archives/2008/derivativ/comment-page-2#comment-130086</link>
		<dc:creator>Stephan Vladimir Bugaj</dc:creator>
		<pubDate>Thu, 08 May 2008 05:51:55 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1028#comment-130086</guid>
		<description>&lt;p&gt;JENKINS, a stuffed suit executive munching a Cuban cigar, leans forward. He bellows out a cloud of smoke from his yellow grin.  It engulfs the thin, bookish MAX.  Jenkins gesticulates with his cigar like an orchestra conductor, pushing Max farther back into his chair with each sweeping gesture.&lt;/p&gt;

&lt;p&gt;JENKINS
Your pointless pontifications on pricing parameters and rates of change and rates of change of rates of change are boring me, Max.  Buy low, sell high.  It&#039;s simple, Max.  Even a genius like you can see that, no?&lt;/p&gt;

&lt;p&gt;MAX
But, Mr. Jenkins, we can&#039;t just -- &lt;/p&gt;

&lt;p&gt;JENKINS
Come now, Max.  It&#039;s like the man once said.  There is only one holistic system of systems, one vast and immane, interwoven, interacting, multi-variate, multi-national dominion of dollars.  It is the international system of currency that determines the totality of life on this planet!  The world is a college of corporations, inexorably determined by the by-laws of business.  That is the natural order of things today!  Am I getting through --&lt;/p&gt;

&lt;p&gt;Max&#039;s chair crashes to the ground as he jumps up. He grabs Jenkins&#039; arm in mid-swing. Plucks the cigar from his hand. &lt;/p&gt;

&lt;p&gt;MAX
You foolish old fossil!  &lt;/p&gt;

&lt;p&gt;As Max rants he shoves the cigar an inch closer to Jenkins&#039; nose with each outburst. &lt;/p&gt;

&lt;p&gt;MAX
Don&#039;t you understand?  There is no IBM or ITT or AT&amp;T, no DuPont, Dow, Union Carbide or Exxon.  There are only equities and commodoties, rates and trends, arbitrage and triage, speculation and hedging, OTCs and ETCs.  The future is forwards, the forwards, our future!  You think your cozy little world of petro-dollars and electro-dollars and multi-dollars is what George Soros talks about in his board meetings?   You stand here and howl about dollars and cents.  There are no dollars and cents.  Dollars and cents are but a dot on a chart, a moment in time, the input to the next output, the second when the future becomes the present, before it becomes the future again! And with arbitrage, we always live in the future.  You&#039;re reading a dysfunctional function.  Look deeper.  Can&#039;t you see it, Jenkins?  The future? -- Is knowing the future!  The almighty dollar is dead.  There are only arbitrage positions and speculation markets, equity swaps and back-to-backs, forward rate agreements and interest rate caps, swaptions and options and futures and turbo warrants.  Long-term positions?  Profitability?  And, for Heaven&#039;s sake -- dividends?  Yesterday&#039;s news, Jenkins.  There are no more straight bets, no more original positions.  No, Jenkins.  Everything is derivative now.  &lt;/p&gt;

&lt;p&gt;The cigar is almost touching Jenkins&#039; nose.  He nervously pushes it aside.&lt;/p&gt;

&lt;p&gt;JENKINS
(uncertain)
What does it mean, Max?&lt;/p&gt;

&lt;p&gt;MAX
Your future has no options, Jenkins.  I&#039;m shorting you.  &lt;/p&gt;

&lt;p&gt;Max stuffs the cigar into Jenkins&#039; suit pocket.  Struts out the door.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>JENKINS, a stuffed suit executive munching a Cuban cigar, leans forward. He bellows out a cloud of smoke from his yellow grin.  It engulfs the thin, bookish MAX.  Jenkins gesticulates with his cigar like an orchestra conductor, pushing Max farther back into his chair with each sweeping gesture.</p>

<p>JENKINS
Your pointless pontifications on pricing parameters and rates of change and rates of change of rates of change are boring me, Max.  Buy low, sell high.  It&#8217;s simple, Max.  Even a genius like you can see that, no?</p>

<p>MAX
But, Mr. Jenkins, we can&#8217;t just &#8212; </p>

<p>JENKINS
Come now, Max.  It&#8217;s like the man once said.  There is only one holistic system of systems, one vast and immane, interwoven, interacting, multi-variate, multi-national dominion of dollars.  It is the international system of currency that determines the totality of life on this planet!  The world is a college of corporations, inexorably determined by the by-laws of business.  That is the natural order of things today!  Am I getting through &#8211;</p>

<p>Max&#8217;s chair crashes to the ground as he jumps up. He grabs Jenkins&#8217; arm in mid-swing. Plucks the cigar from his hand. </p>

<p>MAX
You foolish old fossil!  </p>

<p>As Max rants he shoves the cigar an inch closer to Jenkins&#8217; nose with each outburst. </p>

<p>MAX
Don&#8217;t you understand?  There is no IBM or ITT or AT&amp;T, no DuPont, Dow, Union Carbide or Exxon.  There are only equities and commodoties, rates and trends, arbitrage and triage, speculation and hedging, OTCs and ETCs.  The future is forwards, the forwards, our future!  You think your cozy little world of petro-dollars and electro-dollars and multi-dollars is what George Soros talks about in his board meetings?   You stand here and howl about dollars and cents.  There are no dollars and cents.  Dollars and cents are but a dot on a chart, a moment in time, the input to the next output, the second when the future becomes the present, before it becomes the future again! And with arbitrage, we always live in the future.  You&#8217;re reading a dysfunctional function.  Look deeper.  Can&#8217;t you see it, Jenkins?  The future? &#8212; Is knowing the future!  The almighty dollar is dead.  There are only arbitrage positions and speculation markets, equity swaps and back-to-backs, forward rate agreements and interest rate caps, swaptions and options and futures and turbo warrants.  Long-term positions?  Profitability?  And, for Heaven&#8217;s sake &#8212; dividends?  Yesterday&#8217;s news, Jenkins.  There are no more straight bets, no more original positions.  No, Jenkins.  Everything is derivative now.  </p>

<p>The cigar is almost touching Jenkins&#8217; nose.  He nervously pushes it aside.</p>

<p>JENKINS
(uncertain)
What does it mean, Max?</p>

<p>MAX
Your future has no options, Jenkins.  I&#8217;m shorting you.  </p>

<p>Max stuffs the cigar into Jenkins&#8217; suit pocket.  Struts out the door.</p>]]></content:encoded>
	</item>
	<item>
		<title>By: Graig</title>
		<link>http://johnaugust.com/archives/2008/derivativ/comment-page-2#comment-130061</link>
		<dc:creator>Graig</dc:creator>
		<pubDate>Thu, 08 May 2008 02:40:54 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1028#comment-130061</guid>
		<description>&lt;p&gt;INT. LIVING ROOM - DAY&lt;/p&gt;

&lt;p&gt;JENNY, 34, sits on the couch with her head in her hands.  Her sister MONA, 38, returns to the room with two cups of tea and Jenny looks up - her face is pretty but ashen.  Her eyes are red.  She accepts one of the steaming cups.   Silence.&lt;/p&gt;

&lt;p&gt;MONA (carefully): Do you know who the father is?&lt;/p&gt;

&lt;p&gt;Jenny blows on her tea and looks off, her face a mask.  She finally nods.&lt;/p&gt;

&lt;p&gt;JENNY:  Yeah, this guy Mike.  I met him in a bar a few months ago.&lt;/p&gt;

&lt;p&gt;MONA:  What does he do?&lt;/p&gt;

&lt;p&gt;JENNY: I think he said he works with derivatives...&lt;/p&gt;

&lt;p&gt;MONA: What&#039;s that?&lt;/p&gt;

&lt;p&gt;Jenny sobs - suddenly and loudly.  She puts her tea on the coffee table and buries her face in her sister&#039;s shoulder.&lt;/p&gt;

&lt;p&gt;JENNY:  Oh God, Mona.  It doesn&#039;t matter.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>INT. LIVING ROOM &#8211; DAY</p>

<p>JENNY, 34, sits on the couch with her head in her hands.  Her sister MONA, 38, returns to the room with two cups of tea and Jenny looks up &#8211; her face is pretty but ashen.  Her eyes are red.  She accepts one of the steaming cups.   Silence.</p>

<p>MONA (carefully): Do you know who the father is?</p>

<p>Jenny blows on her tea and looks off, her face a mask.  She finally nods.</p>

<p>JENNY:  Yeah, this guy Mike.  I met him in a bar a few months ago.</p>

<p>MONA:  What does he do?</p>

<p>JENNY: I think he said he works with derivatives&#8230;</p>

<p>MONA: What&#8217;s that?</p>

<p>Jenny sobs &#8211; suddenly and loudly.  She puts her tea on the coffee table and buries her face in her sister&#8217;s shoulder.</p>

<p>JENNY:  Oh God, Mona.  It doesn&#8217;t matter.</p>]]></content:encoded>
	</item>
	<item>
		<title>By: Hita</title>
		<link>http://johnaugust.com/archives/2008/derivativ/comment-page-2#comment-130054</link>
		<dc:creator>Hita</dc:creator>
		<pubDate>Thu, 08 May 2008 02:15:44 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1028#comment-130054</guid>
		<description>&lt;p&gt;INT College classroom, early fall beginning of first semester
Students shuffle in to CALCULUS ONE&lt;/p&gt;

&lt;p&gt;PROFESSER MUKERJEE
Good morning to you class. Today we will be discussing the meaning of dewivitives and how they can be integrated into the core theowies of the modewn matematics. We can approach the definition as geometwical...&lt;/p&gt;

&lt;p&gt;SUSAN stares out the window. The room is hot.&lt;/p&gt;

&lt;p&gt;PROFESSOR MUKERJEE
Oaw we can appwoach the definition as as a wate of change. We use pawabalas to show...&lt;/p&gt;

&lt;p&gt;SUSAN rummages through her bag and finds some candy. She starts arranging them by colors on her desk and absent mindedly sticks a piece in her mouth.&lt;/p&gt;

&lt;p&gt;PROFESSOR MUKERJEE starts writing on the board....He writes: DERIVITIVE.
&quot;Susan, can you pwease explain this definition fow me and give us an example?&quot;&lt;/p&gt;

&lt;p&gt;SUSAN looks up as if out of a fog. 
UM, ah, yes, I can. A derivitive is a futures contract in which the value is dependant on the performance of an underlying asset. For example, Necco Wafers have been around for many years, and are an established candy. They should keep their value should the candy market fluctuate.&lt;/p&gt;

&lt;p&gt;PROF. MUKERJEE
No, I asked you to define a dewivative.&lt;/p&gt;

&lt;p&gt;SUSAN
Ohhhhh...a dewivitive is either a geometrical rate of change or...&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>INT College classroom, early fall beginning of first semester
Students shuffle in to CALCULUS ONE</p>

<p>PROFESSER MUKERJEE
Good morning to you class. Today we will be discussing the meaning of dewivitives and how they can be integrated into the core theowies of the modewn matematics. We can approach the definition as geometwical&#8230;</p>

<p>SUSAN stares out the window. The room is hot.</p>

<p>PROFESSOR MUKERJEE
Oaw we can appwoach the definition as as a wate of change. We use pawabalas to show&#8230;</p>

<p>SUSAN rummages through her bag and finds some candy. She starts arranging them by colors on her desk and absent mindedly sticks a piece in her mouth.</p>

<p>PROFESSOR MUKERJEE starts writing on the board&#8230;.He writes: DERIVITIVE.
&#8220;Susan, can you pwease explain this definition fow me and give us an example?&#8221;</p>

<p>SUSAN looks up as if out of a fog. 
UM, ah, yes, I can. A derivitive is a futures contract in which the value is dependant on the performance of an underlying asset. For example, Necco Wafers have been around for many years, and are an established candy. They should keep their value should the candy market fluctuate.</p>

<p>PROF. MUKERJEE
No, I asked you to define a dewivative.</p>

<p>SUSAN
Ohhhhh&#8230;a dewivitive is either a geometrical rate of change or&#8230;</p>]]></content:encoded>
	</item>
	<item>
		<title>By: Alex</title>
		<link>http://johnaugust.com/archives/2008/derivativ/comment-page-2#comment-130038</link>
		<dc:creator>Alex</dc:creator>
		<pubDate>Thu, 08 May 2008 00:53:41 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/?p=1028#comment-130038</guid>
		<description>&lt;p&gt;An ORGASMIC MOAN takes us to&lt;/p&gt;

&lt;p&gt;INT BATTERY PARK CONDO BEDROOM - NIGHT&lt;/p&gt;

&lt;p&gt;CHELSEA HASSLER rolls over naked next to gruff JIM KRUCK.  She pulls of the top-sheet, using it like a robe, and fixes her eyeliner at her mirrored armoire.  Jim counts money.&lt;/p&gt;

&lt;p&gt;JIM
So what d&#039;you when you ain&#039;t riding the meat pole?&lt;/p&gt;

&lt;p&gt;CHELSEA
Oh...finances, derivatives, blah, blah, blah...&lt;/p&gt;

&lt;p&gt;JIM
Uh...&lt;/p&gt;

&lt;p&gt;She spins around in her chair.&lt;/p&gt;

&lt;p&gt;CHELSEA
Derivates, they&#039;re like...&lt;/p&gt;

&lt;p&gt;She notices a USED CONDOM on the ground.&lt;/p&gt;

&lt;p&gt;CHELSEA (CONT&#039;D)
That little itch on your crotch?  It&#039;s fine now, but you wear a condom in case it turns into something worse. Your investment in that condom saves me from the sinking stock of chlamidia.&lt;/p&gt;

&lt;p&gt;JIM
Does &quot;chlamdidia&quot; stock sell higher than Apple&#039;s?&lt;/p&gt;

&lt;p&gt;Chelsea SIGHS.&lt;/p&gt;

&lt;p&gt;CHELSEA
Please go home.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>An ORGASMIC MOAN takes us to</p>

<p>INT BATTERY PARK CONDO BEDROOM &#8211; NIGHT</p>

<p>CHELSEA HASSLER rolls over naked next to gruff JIM KRUCK.  She pulls of the top-sheet, using it like a robe, and fixes her eyeliner at her mirrored armoire.  Jim counts money.</p>

<p>JIM
So what d&#8217;you when you ain&#8217;t riding the meat pole?</p>

<p>CHELSEA
Oh&#8230;finances, derivatives, blah, blah, blah&#8230;</p>

<p>JIM
Uh&#8230;</p>

<p>She spins around in her chair.</p>

<p>CHELSEA
Derivates, they&#8217;re like&#8230;</p>

<p>She notices a USED CONDOM on the ground.</p>

<p>CHELSEA (CONT&#8217;D)
That little itch on your crotch?  It&#8217;s fine now, but you wear a condom in case it turns into something worse. Your investment in that condom saves me from the sinking stock of chlamidia.</p>

<p>JIM
Does &#8220;chlamdidia&#8221; stock sell higher than Apple&#8217;s?</p>

<p>Chelsea SIGHS.</p>

<p>CHELSEA
Please go home.</p>]]></content:encoded>
	</item>
</channel>
</rss>
