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	<title>Comments on: Make your introduction</title>
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	<description>A ton of useful information about screenwriting.</description>
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		<item>
		<title>By: Frank</title>
		<link>http://johnaugust.com/archives/2007/make-your-introduction/comment-page-4#comment-69749</link>
		<dc:creator>Frank</dc:creator>
		<pubDate>Sat, 28 Apr 2007 14:59:36 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/archives/2007/make-your-introduction#comment-69749</guid>
		<description>&lt;p&gt;INT. DRY CLEANERS - DAY
Inside the store a scene of mayhem. There&#039;s blood everywhere, on the floor, the walls. An OLD CUSTOMER is on the ground, apparently dead. A VAMPIRE closes in on a FEMALE CUSTOMER. The VAMPIRE exposes his teeth and is ready to sink them into the white skin of the Female Customer, when ...&lt;/p&gt;

&lt;p&gt;TOM : Please! Hello! Hey! &lt;/p&gt;

&lt;p&gt;The VAMPIRE turns around. Now we see Tom. He is in his mid-thirties and dressed like a clerk. He would go unnoticed in a crowd. &lt;/p&gt;

&lt;p&gt;TOM (VOICE OVER): It all started with a trip to the dry cleaner&lt;/p&gt;

&lt;p&gt;The VAMPIRE leaps in sudden motion towards Tom.&lt;/p&gt;

&lt;p&gt;TOM (VOICE OVER): I though it was the end.&lt;/p&gt;

&lt;p&gt;The picture freezes.&lt;/p&gt;

&lt;p&gt;TOM (VOICE OVER): But it wasn&#039;t&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>INT. DRY CLEANERS &#8211; DAY
Inside the store a scene of mayhem. There&#8217;s blood everywhere, on the floor, the walls. An OLD CUSTOMER is on the ground, apparently dead. A VAMPIRE closes in on a FEMALE CUSTOMER. The VAMPIRE exposes his teeth and is ready to sink them into the white skin of the Female Customer, when &#8230;</p>

<p>TOM : Please! Hello! Hey! </p>

<p>The VAMPIRE turns around. Now we see Tom. He is in his mid-thirties and dressed like a clerk. He would go unnoticed in a crowd. </p>

<p>TOM (VOICE OVER): It all started with a trip to the dry cleaner</p>

<p>The VAMPIRE leaps in sudden motion towards Tom.</p>

<p>TOM (VOICE OVER): I though it was the end.</p>

<p>The picture freezes.</p>

<p>TOM (VOICE OVER): But it wasn&#8217;t</p>]]></content:encoded>
	</item>
	<item>
		<title>By: David T</title>
		<link>http://johnaugust.com/archives/2007/make-your-introduction/comment-page-4#comment-69748</link>
		<dc:creator>David T</dc:creator>
		<pubDate>Sat, 28 Apr 2007 14:58:52 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/archives/2007/make-your-introduction#comment-69748</guid>
		<description>&lt;p&gt;How PITBULL (35) managed to become a renowned pick-up artist with a face like his is anyone&#039;s guess. Fact remains, if you could polish a turd, he&#039;d be the best looking guy in town - even the DOG COLLAR sports an Italian name. In two years time, Pitbull has made a fortune teaching men how to get men, claiming it doesn&#039;t even matter whether the target is gay or straight. Try to shake his hand, and he&#039;ll give you the rock - the pick-up artist must always be the exception to the rule.&lt;/p&gt;

&lt;p&gt;He locks eyes with the CLERK.&lt;/p&gt;

&lt;p&gt;PITBULL
I&#039;d show you my ticket, Alejandro, but we both know it&#039;d be pointless.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>How PITBULL (35) managed to become a renowned pick-up artist with a face like his is anyone&#8217;s guess. Fact remains, if you could polish a turd, he&#8217;d be the best looking guy in town &#8211; even the DOG COLLAR sports an Italian name. In two years time, Pitbull has made a fortune teaching men how to get men, claiming it doesn&#8217;t even matter whether the target is gay or straight. Try to shake his hand, and he&#8217;ll give you the rock &#8211; the pick-up artist must always be the exception to the rule.</p>

<p>He locks eyes with the CLERK.</p>

<p>PITBULL
I&#8217;d show you my ticket, Alejandro, but we both know it&#8217;d be pointless.</p>]]></content:encoded>
	</item>
	<item>
		<title>By: Rambler</title>
		<link>http://johnaugust.com/archives/2007/make-your-introduction/comment-page-4#comment-69747</link>
		<dc:creator>Rambler</dc:creator>
		<pubDate>Sat, 28 Apr 2007 14:58:29 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/archives/2007/make-your-introduction#comment-69747</guid>
		<description>&lt;p&gt;INT - back room of Dry Cleaners:  {daytime}&lt;/p&gt;

&lt;p&gt;An employee takes 6 shirts off a rack and piles them together, they are all black. Reluctantly he begins unbuttoning the shirt he is wearing; his fingers linger covetously over the rich fabric. He shakes out the wrinkles, slides it onto a hangar, and gathers it up with the other 6. And takes them all to the front counter, whereSTORE OWNER and BRAM are standing.&lt;/p&gt;

&lt;p&gt;BRAM looks at the shirts critically but doesn&#039;t say anything, he picks up the stack of shirts and tosses down a few bills to cover the price of the cleaning. As STORE OWNER reaches for the money BRAM&#039;s hand grasps his wrist interrupting him.&lt;/p&gt;

&lt;p&gt;BRAM - &quot;Tell your people to stop wearing my things.&quot;&lt;/p&gt;

&lt;p&gt;STORE OWNER&#039;s gaze (and our own) turn to the blue shirt; inky blackness spreads from the point where BRAM&#039;s hand is touching it.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>INT &#8211; back room of Dry Cleaners:  {daytime}</p>

<p>An employee takes 6 shirts off a rack and piles them together, they are all black. Reluctantly he begins unbuttoning the shirt he is wearing; his fingers linger covetously over the rich fabric. He shakes out the wrinkles, slides it onto a hangar, and gathers it up with the other 6. And takes them all to the front counter, whereSTORE OWNER and BRAM are standing.</p>

<p>BRAM looks at the shirts critically but doesn&#8217;t say anything, he picks up the stack of shirts and tosses down a few bills to cover the price of the cleaning. As STORE OWNER reaches for the money BRAM&#8217;s hand grasps his wrist interrupting him.</p>

<p>BRAM &#8211; &#8220;Tell your people to stop wearing my things.&#8221;</p>

<p>STORE OWNER&#8217;s gaze (and our own) turn to the blue shirt; inky blackness spreads from the point where BRAM&#8217;s hand is touching it.</p>]]></content:encoded>
	</item>
	<item>
		<title>By: Proudhon</title>
		<link>http://johnaugust.com/archives/2007/make-your-introduction/comment-page-4#comment-69745</link>
		<dc:creator>Proudhon</dc:creator>
		<pubDate>Sat, 28 Apr 2007 14:55:27 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/archives/2007/make-your-introduction#comment-69745</guid>
		<description>&lt;p&gt;EXT.- CITY STREET- DAY&lt;/p&gt;

&lt;p&gt;PETER walks directly toward us. He is wearing a waiter&#039;s uniform: white shirt, black pants, black shoes, and has his clenched fists jammed into his pockets. He is in his early forties, clean-shaven with short black hair. Once a welterweight, he is now a light-heavy, and years on his feet have taken the spring from his step. He  turns to enter a store and we hear a bell announcing his arrival.&lt;/p&gt;

&lt;p&gt;INT. DRY CLEANER&lt;/p&gt;

&lt;p&gt;A fiftyish white man, obviously the OWNER, enters from the rear of the store.&lt;/p&gt;

&lt;p&gt;OWNER: Can I help you?&lt;/p&gt;

&lt;p&gt;PETER unclenches a fist and hands OWNER a rumpled receipt.&lt;/p&gt;

&lt;p&gt;OWNER: We haven&#039;t used these tickets in years. When&#039;d you bring the item in?&lt;/p&gt;

&lt;p&gt;PETER: July 26, 2004, (beat) the day after my father&#039;s funeral.&lt;/p&gt;

&lt;p&gt;OWNER: I&#039;ll have to hunt around in the back for it - we usually don&#039;t keep things that long. (He looks again at the ticket, then at PETER.) Another funeral?&lt;/p&gt;

&lt;p&gt;PETER: You never know.&lt;/p&gt;

&lt;p&gt;PETER smiles (but just barely) and points at OWNER.&lt;/p&gt;

&lt;p&gt;PETER: But if you come back with my suit you&#039;ve got nothing to worry about.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>EXT.- CITY STREET- DAY</p>

<p>PETER walks directly toward us. He is wearing a waiter&#8217;s uniform: white shirt, black pants, black shoes, and has his clenched fists jammed into his pockets. He is in his early forties, clean-shaven with short black hair. Once a welterweight, he is now a light-heavy, and years on his feet have taken the spring from his step. He  turns to enter a store and we hear a bell announcing his arrival.</p>

<p>INT. DRY CLEANER</p>

<p>A fiftyish white man, obviously the OWNER, enters from the rear of the store.</p>

<p>OWNER: Can I help you?</p>

<p>PETER unclenches a fist and hands OWNER a rumpled receipt.</p>

<p>OWNER: We haven&#8217;t used these tickets in years. When&#8217;d you bring the item in?</p>

<p>PETER: July 26, 2004, (beat) the day after my father&#8217;s funeral.</p>

<p>OWNER: I&#8217;ll have to hunt around in the back for it &#8211; we usually don&#8217;t keep things that long. (He looks again at the ticket, then at PETER.) Another funeral?</p>

<p>PETER: You never know.</p>

<p>PETER smiles (but just barely) and points at OWNER.</p>

<p>PETER: But if you come back with my suit you&#8217;ve got nothing to worry about.</p>]]></content:encoded>
	</item>
	<item>
		<title>By: Kris Braun</title>
		<link>http://johnaugust.com/archives/2007/make-your-introduction/comment-page-4#comment-69743</link>
		<dc:creator>Kris Braun</dc:creator>
		<pubDate>Sat, 28 Apr 2007 14:52:55 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/archives/2007/make-your-introduction#comment-69743</guid>
		<description>&lt;p&gt;INT. DRY CLEANERS - DAY
Bagged clothes jangle as the conveyor rack lurches forward and then stops. The child arms of CODY strain to hang the next garment on the rack. He glances at the OWNER sitting on a stool at the front counter making faces at her People magazine. He resumes reaching.
The door chimes. Cody looks up and gapes. He looks to see if the owner has noticed. She gives him a look and he rushes off to retrieve the order.
MARTHA ATLEY, fourty-ish, stands in the lobby wearing a power suit. She is at the same time intense and distant. The owner shifts under her gaze and glances toward the back.
Cody appears, struggling with a long box which he hoists on the counter. He stares at Martha.
The owner rises from her stool, shuffles over and opens the box. It contains a wedding dress. 
OWNER
I was able to get it pretty good. But there was just so much of his blood... I couldn&#039;t get it all out.
She motions to a sequined area on the breast of the dress.
MARTHA
That&#039;s fine.
OWNER
Real sorry, Miss Williams. 
MARTHA
Atley. (beat) I&#039;m still taking his name.
OWNER
Oh! I-
Cody is whimpering.
OWNER
Cody!
CODY
We believed in him. He was gonna change things.
MARTHA
What is your name?
CODY
Cody.
MARTHA
Cody, he still is going to change things. If you believed in him, now you can believe in me. Maybe one day you can help me.
Cody nods.
The owner moves to the till.
OWNER
Two hundred fourty nine seventy-three.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>INT. DRY CLEANERS &#8211; DAY
Bagged clothes jangle as the conveyor rack lurches forward and then stops. The child arms of CODY strain to hang the next garment on the rack. He glances at the OWNER sitting on a stool at the front counter making faces at her People magazine. He resumes reaching.
The door chimes. Cody looks up and gapes. He looks to see if the owner has noticed. She gives him a look and he rushes off to retrieve the order.
MARTHA ATLEY, fourty-ish, stands in the lobby wearing a power suit. She is at the same time intense and distant. The owner shifts under her gaze and glances toward the back.
Cody appears, struggling with a long box which he hoists on the counter. He stares at Martha.
The owner rises from her stool, shuffles over and opens the box. It contains a wedding dress. 
OWNER
I was able to get it pretty good. But there was just so much of his blood&#8230; I couldn&#8217;t get it all out.
She motions to a sequined area on the breast of the dress.
MARTHA
That&#8217;s fine.
OWNER
Real sorry, Miss Williams. 
MARTHA
Atley. (beat) I&#8217;m still taking his name.
OWNER
Oh! I-
Cody is whimpering.
OWNER
Cody!
CODY
We believed in him. He was gonna change things.
MARTHA
What is your name?
CODY
Cody.
MARTHA
Cody, he still is going to change things. If you believed in him, now you can believe in me. Maybe one day you can help me.
Cody nods.
The owner moves to the till.
OWNER
Two hundred fourty nine seventy-three.</p>]]></content:encoded>
	</item>
	<item>
		<title>By: Andreas</title>
		<link>http://johnaugust.com/archives/2007/make-your-introduction/comment-page-4#comment-69730</link>
		<dc:creator>Andreas</dc:creator>
		<pubDate>Sat, 28 Apr 2007 13:46:08 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/archives/2007/make-your-introduction#comment-69730</guid>
		<description>&lt;p&gt;INT. - DRY CLEANERS â€“ NOON&lt;/p&gt;

&lt;p&gt;A dry cleaner store in downtown L.A., the doorbell rings. Enter RUFUS, a scruffy guy in his mid-thirties, slightly out of breath. Rufus wears a shabby trench coat that might have looked Bogart-Style before it has been worn for twenty years and washed maybe twice. His hair is greasy, his glasses were expensive and hip one day, now one glass has a chip in it, and the other one could use some cleaning. To complete the weird outfit, Rufus wears big clown shoes. &lt;/p&gt;

&lt;p&gt;Behind the counter stands a tough polish lady, attending a customer, about twenty years old, in a business suit. &lt;/p&gt;

&lt;p&gt;Rufus coughs, not because his throat is soar, but because he wants attention. Which hew doesn&#039;t get. So he coughs again, louder. Still no reaction from the lady behind the counter and her customer. &lt;/p&gt;

&lt;p&gt;So Rufus opens his coat and puts his right hand out high, in it a brown paper bag, obviously filled up with something. We can now see, what he&#039;s wearing under his coat: &lt;/p&gt;

&lt;p&gt;A belt of explosives. Rufus screams.&lt;/p&gt;

&lt;p&gt;RUFUS 
Insha&#039;allah!&lt;/p&gt;

&lt;p&gt;The lady behind the counter screams, the guy in the business suit jumps to the side, stumbles, crashes into a display of &quot;Explore L.A.!&quot;-flyers. &lt;/p&gt;

&lt;p&gt;Rufus slams his left hand against the brown bag in his right. A loud BOOM! erupts, followed by a silent rain of confetti. &lt;/p&gt;

&lt;p&gt;Rufus now turns to the business guy. In his hand he holds now a big pile of papers, loosely held together by a rubber band. &lt;/p&gt;

&lt;p&gt;RUFUS
Hello Mr. Weinstein, now that I have your attention, may I present you my screenplay, &quot;Suicide Plumber&quot;. It&#039;s an action comedy in the style of &quot;The Great Gatsby&quot; but with a twist.&lt;/p&gt;

&lt;p&gt;The business guy stares at Rufus in disbelief.&lt;/p&gt;

&lt;p&gt;RUFUS
I&#039;ve been working on it for years. Please.&lt;/p&gt;

&lt;p&gt;BUSINESS GUY
(screaming) I am not Harvey Weinstein, you moron! Do you think Harvey Weinstein picks up his own fucking laundry or what??? I&#039;m his assistant! &lt;/p&gt;

&lt;p&gt;RUFUS
Oh. &lt;/p&gt;

&lt;p&gt;BLAM! With a huge noise, Rufus left leg is torn away, he falls over, watching his clown-shoed limb now blocking the front door. 
Behind the counter the polish lady is now holding a shotgun. &lt;/p&gt;

&lt;p&gt;OLGA
(shouting in polish accent) I told you to never come back in my store!&lt;/p&gt;

&lt;p&gt;Rufus blacks out.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>INT. &#8211; DRY CLEANERS â€“ NOON</p>

<p>A dry cleaner store in downtown L.A., the doorbell rings. Enter RUFUS, a scruffy guy in his mid-thirties, slightly out of breath. Rufus wears a shabby trench coat that might have looked Bogart-Style before it has been worn for twenty years and washed maybe twice. His hair is greasy, his glasses were expensive and hip one day, now one glass has a chip in it, and the other one could use some cleaning. To complete the weird outfit, Rufus wears big clown shoes. </p>

<p>Behind the counter stands a tough polish lady, attending a customer, about twenty years old, in a business suit. </p>

<p>Rufus coughs, not because his throat is soar, but because he wants attention. Which hew doesn&#8217;t get. So he coughs again, louder. Still no reaction from the lady behind the counter and her customer. </p>

<p>So Rufus opens his coat and puts his right hand out high, in it a brown paper bag, obviously filled up with something. We can now see, what he&#8217;s wearing under his coat: </p>

<p>A belt of explosives. Rufus screams.</p>

<p>RUFUS 
Insha&#8217;allah!</p>

<p>The lady behind the counter screams, the guy in the business suit jumps to the side, stumbles, crashes into a display of &#8220;Explore L.A.!&#8221;-flyers. </p>

<p>Rufus slams his left hand against the brown bag in his right. A loud BOOM! erupts, followed by a silent rain of confetti. </p>

<p>Rufus now turns to the business guy. In his hand he holds now a big pile of papers, loosely held together by a rubber band. </p>

<p>RUFUS
Hello Mr. Weinstein, now that I have your attention, may I present you my screenplay, &#8220;Suicide Plumber&#8221;. It&#8217;s an action comedy in the style of &#8220;The Great Gatsby&#8221; but with a twist.</p>

<p>The business guy stares at Rufus in disbelief.</p>

<p>RUFUS
I&#8217;ve been working on it for years. Please.</p>

<p>BUSINESS GUY
(screaming) I am not Harvey Weinstein, you moron! Do you think Harvey Weinstein picks up his own fucking laundry or what??? I&#8217;m his assistant! </p>

<p>RUFUS
Oh. </p>

<p>BLAM! With a huge noise, Rufus left leg is torn away, he falls over, watching his clown-shoed limb now blocking the front door. 
Behind the counter the polish lady is now holding a shotgun. </p>

<p>OLGA
(shouting in polish accent) I told you to never come back in my store!</p>

<p>Rufus blacks out.</p>]]></content:encoded>
	</item>
	<item>
		<title>By: Sofia, UK</title>
		<link>http://johnaugust.com/archives/2007/make-your-introduction/comment-page-4#comment-69711</link>
		<dc:creator>Sofia, UK</dc:creator>
		<pubDate>Sat, 28 Apr 2007 12:49:57 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/archives/2007/make-your-introduction#comment-69711</guid>
		<description>&lt;p&gt;Impatiently, KENNY is waiting in the corner. His stylish hair is an ill fit with the faded T-shirt and green 80â€™s shorts. Itâ€™s been days since he gave up hiding the scratch-marks on his left arm, and is now furiously scuffing away at the itch. Finally the clerk nods at him. Kenny marches up and quickly puts the wrinkled ball of a ticket on the counter.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>Impatiently, KENNY is waiting in the corner. His stylish hair is an ill fit with the faded T-shirt and green 80â€™s shorts. Itâ€™s been days since he gave up hiding the scratch-marks on his left arm, and is now furiously scuffing away at the itch. Finally the clerk nods at him. Kenny marches up and quickly puts the wrinkled ball of a ticket on the counter.</p>]]></content:encoded>
	</item>
	<item>
		<title>By: Einar, Iceland</title>
		<link>http://johnaugust.com/archives/2007/make-your-introduction/comment-page-4#comment-69679</link>
		<dc:creator>Einar, Iceland</dc:creator>
		<pubDate>Sat, 28 Apr 2007 11:53:16 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/archives/2007/make-your-introduction#comment-69679</guid>
		<description>&lt;p&gt;A yellowcab drives slowly through downtown Reykjavik. The TAXIDRIVERÂ´S head is sticking out of the window. As he steers the car he gasps for air. &lt;/p&gt;

&lt;p&gt;In the backseat sits Eric Hannesson. Eric looks like he has been marooned on some terrible island for the past few years. Wild beard, clothes in rags.....a Robinson Crusoe without the tan and having a bad hairday. His pants have been pissed in, his shirt is covered with spots of drying vomit and blood. Eric stares intently at his own hand, clenched between his bony fingers is a wrinkled, torn and yellowing ticket......In gilded lettering the ticket reads: Olympia Dry Cleaners nr. 187&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>A yellowcab drives slowly through downtown Reykjavik. The TAXIDRIVERÂ´S head is sticking out of the window. As he steers the car he gasps for air. </p>

<p>In the backseat sits Eric Hannesson. Eric looks like he has been marooned on some terrible island for the past few years. Wild beard, clothes in rags&#8230;..a Robinson Crusoe without the tan and having a bad hairday. His pants have been pissed in, his shirt is covered with spots of drying vomit and blood. Eric stares intently at his own hand, clenched between his bony fingers is a wrinkled, torn and yellowing ticket&#8230;&#8230;In gilded lettering the ticket reads: Olympia Dry Cleaners nr. 187</p>]]></content:encoded>
	</item>
	<item>
		<title>By: Enriko</title>
		<link>http://johnaugust.com/archives/2007/make-your-introduction/comment-page-4#comment-69677</link>
		<dc:creator>Enriko</dc:creator>
		<pubDate>Sat, 28 Apr 2007 11:45:11 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/archives/2007/make-your-introduction#comment-69677</guid>
		<description>&lt;p&gt;INT. DRY CLEANERS - DAY&lt;/p&gt;

&lt;p&gt;Fluorescent lighting flickers across the powerful, well-worn face of COONS MACDOUGAL, 58.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>INT. DRY CLEANERS &#8211; DAY</p>

<p>Fluorescent lighting flickers across the powerful, well-worn face of COONS MACDOUGAL, 58.</p>]]></content:encoded>
	</item>
	<item>
		<title>By: arango</title>
		<link>http://johnaugust.com/archives/2007/make-your-introduction/comment-page-4#comment-69642</link>
		<dc:creator>arango</dc:creator>
		<pubDate>Sat, 28 Apr 2007 10:12:20 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/archives/2007/make-your-introduction#comment-69642</guid>
		<description>&lt;p&gt;INT. B-HIVE CLEANERS, 9:00 A.M. FRIDAY, NEPHI, UTAH&lt;/p&gt;

&lt;p&gt;MAX ZYONâ€” Except for the fact that he is an unmarried, excommunicated Mormon, MAX ZYON, a man in his early 30s, is a typical native from Utah with average height, crew cut blond hair, blue eyes, pale skin and pearly white teeth.&lt;/p&gt;

&lt;p&gt;MAX enters B-Hive Dry Cleaners to pick up church attire for his brotherâ€™s missionary Homecoming this Sunday.  Having missed his brotherâ€™s Farewell two years ago and due to his religious indiscretion, MAXâ€™s mother pressured him to dress nicely for the event. At all times MAX carries a messenger bag strapped across his chest that holds his beloved 19th century Swiss brass ear trumpet, inherited from his deceased grandfather, from whom he also inherited his clumsy, Clouseausian hearing.  Yet in MAXâ€™s arrogance, he always assumes he hears most things correctly without the trumpet. &lt;/p&gt;

&lt;p&gt;MAX:  Hello there, Iâ€™m here to pick up a suit for Zyon.&lt;/p&gt;

&lt;p&gt;ATTENDANT:  (an awkward pimply teenage boy with a shaky voice) Is that spelled Z-i-o-n?&lt;/p&gt;

&lt;p&gt;MAX:  (pointing to the window) Not open? Look buddy, your sign says open, why are you pulling my leg?&lt;/p&gt;

&lt;p&gt;ATTENDANT:  What?  I said, do you spell it Z-i-o-n&lt;/p&gt;

&lt;p&gt;MAX:  (Speaking loudly as if the ATTENDANT were hard of hearing), No! Not Owen! Not a pick up for Owen, itâ€™s Zyon-- Zee-yyyy-oooo-nnnnnn (arms outstretching with each syllable).&lt;/p&gt;

&lt;p&gt;ATTENDANT: (muttering to himself, ATTENDANT looks through a rack of clothes and with his back turned to MAX)  Your order isnâ€™t ready yet.&lt;/p&gt;

&lt;p&gt;MAX:  Huh?  &lt;/p&gt;

&lt;p&gt;ATTENDANT:  (a little louder) Itâ€™s not ready yet.&lt;/p&gt;

&lt;p&gt;MAX:  What do you mean you got rid of it?!!&lt;/p&gt;

&lt;p&gt;ATTENDANT:  Itâ€™s not ready yet.&lt;/p&gt;

&lt;p&gt;MAX:  Catch your drift?&lt;/p&gt;

&lt;p&gt;ATTENDANT:  What?&lt;/p&gt;

&lt;p&gt;MAX: (Rolling his eyes and reaching into his bag, Max grabs his ear trumpet, inserts it in his right ear and leans across the counter).  Come again?&lt;/p&gt;

&lt;p&gt;ATTENDANT:  (confused and uncomfortable at having to lean in so close to MAXâ€™s ear trumpet, he does so and yells)  ITâ€™LL BE READY THIS AFTERNOON&lt;/p&gt;

&lt;p&gt;MAX: (jumping back at the loud noise) Christ man!  You donâ€™t have to yell!!&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>INT. B-HIVE CLEANERS, 9:00 A.M. FRIDAY, NEPHI, UTAH</p>

<p>MAX ZYONâ€” Except for the fact that he is an unmarried, excommunicated Mormon, MAX ZYON, a man in his early 30s, is a typical native from Utah with average height, crew cut blond hair, blue eyes, pale skin and pearly white teeth.</p>

<p>MAX enters B-Hive Dry Cleaners to pick up church attire for his brotherâ€™s missionary Homecoming this Sunday.  Having missed his brotherâ€™s Farewell two years ago and due to his religious indiscretion, MAXâ€™s mother pressured him to dress nicely for the event. At all times MAX carries a messenger bag strapped across his chest that holds his beloved 19th century Swiss brass ear trumpet, inherited from his deceased grandfather, from whom he also inherited his clumsy, Clouseausian hearing.  Yet in MAXâ€™s arrogance, he always assumes he hears most things correctly without the trumpet. </p>

<p>MAX:  Hello there, Iâ€™m here to pick up a suit for Zyon.</p>

<p>ATTENDANT:  (an awkward pimply teenage boy with a shaky voice) Is that spelled Z-i-o-n?</p>

<p>MAX:  (pointing to the window) Not open? Look buddy, your sign says open, why are you pulling my leg?</p>

<p>ATTENDANT:  What?  I said, do you spell it Z-i-o-n</p>

<p>MAX:  (Speaking loudly as if the ATTENDANT were hard of hearing), No! Not Owen! Not a pick up for Owen, itâ€™s Zyon&#8211; Zee-yyyy-oooo-nnnnnn (arms outstretching with each syllable).</p>

<p>ATTENDANT: (muttering to himself, ATTENDANT looks through a rack of clothes and with his back turned to MAX)  Your order isnâ€™t ready yet.</p>

<p>MAX:  Huh?  </p>

<p>ATTENDANT:  (a little louder) Itâ€™s not ready yet.</p>

<p>MAX:  What do you mean you got rid of it?!!</p>

<p>ATTENDANT:  Itâ€™s not ready yet.</p>

<p>MAX:  Catch your drift?</p>

<p>ATTENDANT:  What?</p>

<p>MAX: (Rolling his eyes and reaching into his bag, Max grabs his ear trumpet, inserts it in his right ear and leans across the counter).  Come again?</p>

<p>ATTENDANT:  (confused and uncomfortable at having to lean in so close to MAXâ€™s ear trumpet, he does so and yells)  ITâ€™LL BE READY THIS AFTERNOON</p>

<p>MAX: (jumping back at the loud noise) Christ man!  You donâ€™t have to yell!!</p>]]></content:encoded>
	</item>
	<item>
		<title>By: Jason</title>
		<link>http://johnaugust.com/archives/2007/make-your-introduction/comment-page-4#comment-69603</link>
		<dc:creator>Jason</dc:creator>
		<pubDate>Sat, 28 Apr 2007 07:29:50 +0000</pubDate>
		<guid isPermaLink="false">http://johnaugust.com/archives/2007/make-your-introduction#comment-69603</guid>
		<description>&lt;p&gt;INT. DRY CLEAN--DAY&lt;/p&gt;

&lt;p&gt;The inside of a glass door reverses MR. WHITE&#039;S DRY CLEAN.  Police sirens.  Screams.  Gunfire.  Business as usual in the  big city.&lt;/p&gt;

&lt;p&gt;The door swings open.  Sleigh bells ANNOUNCE the next hurried customer sweeping in &lt;/p&gt;

&lt;p&gt;A GUNMAN MASKED WITH VINYL TIGHTS, blindly waving a gun.&lt;/p&gt;

&lt;p&gt;The thief is dressed to the nines.  Black tie, white tuxedo but soaked with splashes of red stains, dripping down to white basketball sneakers.  Smoke hisses off his suit.  If it&#039;s an italian wedding he just held up, maybe it&#039;s marinara sauce.  The crook&#039;s head is strangled by pink, glittered pantyhose with dancing blue hippos.  Snug on 1 to 3 month tushies perhaps, but fiercely chowing down on 6 feet, 200lbs of grade A hoodlum.  Face first.&lt;/p&gt;

&lt;p&gt;He labors to suck barely enough oxygen for a mouse.  Stumbles toward the counter, drags a glutted canvas bag that paints a red trail down the middle of a sparkling, white vinyl floor.&lt;/p&gt;

&lt;p&gt;The nozzle of a pistol RINGS a brass service bell.&lt;/p&gt;

&lt;p&gt;The gunman YANKS at the suffocating pantyhose, stretches it out as far as his arms can pull without dislocation.  But still, the little leotard won&#039;t let go.  It&#039;s like fused to his skin.  The nylon PEELS back his face in a horrific Munch Scream.   He whimpers, a disfigured pig-child being born.  The shimmering tiny tights relent,  finally snapping off.  They sling shot back across the room, and RING the dangling sleigh bells over the entrance.&lt;/p&gt;

&lt;p&gt;DING-DING-DING!  DING-A-LING!&lt;/p&gt;

&lt;p&gt;STROMILE TROTTER barely 20, handsome, self-made millionaire from the better hood.  DESIGNER RUNNERS self-autographed with a Sharpie, reveal his many aliases.&lt;/p&gt;

&lt;p&gt;&quot;CORSAIR JORDAN&quot; &quot;MAN OF STEAL&quot; &quot;DUNKIN&#039; DONUT DUNKER&quot; &quot;AKA- CRACK HEAD ROB FROM DA HOOD&quot;&lt;/p&gt;

&lt;p&gt;Detroit is his own all-he-can-slurp oyster bar-- thanks partly to a magnetic personality, but mostly supported by a one-time booming investment, his .357 Magnum.  A big mane of hair fluctuates with major Einstein static head, but this criminal mind&#039;s only relativity to genius is a pre-game-double-knot shoestring theory-- and even that Mamma says is &quot;one missed lace hole away from a purse snatch plan that POOF! Goes foolproof to fool proof&quot;.&lt;/p&gt;

&lt;p&gt;The canvas bag is hauled onto the counter.  FUMES RISE OUT then-- stacks of RED-SPLOTCHED BILLS spill onto the counter.&lt;/p&gt;

&lt;p&gt;A HAND slides down the front of his bulging tuxedo pants.&lt;/p&gt;

&lt;p&gt;The hand retrieves 1-2-3 more stacks of red-dyed C-notes that rain on the counter.  Tuxedo blazer, shirt, pants, and air Jordans topple the pile.&lt;/p&gt;

&lt;p&gt;Behind the service counter, curtains part- TREY BIGG.  He&#039;s big, black, and his bulging pecks are straining his white&lt;/p&gt;

&lt;p&gt;MR. WHITE&#039;S DRY CLEAN t-shirt.&lt;/p&gt;

&lt;p&gt;He scans the room.  The hippo tights swing his tiny tin bells.  The crimson streak splits his clean floor.  The mountain of cash and clothes drip a pool of red dye on his counter.&lt;/p&gt;

&lt;p&gt;Trey Bigg flexes beefy biceps, a tattoo ripples- &lt;/p&gt;

&lt;p&gt;&quot;CLEAN MACHINE&quot;  &lt;/p&gt;

&lt;p&gt;He likes to get medieval on tough stains and beat em out...  old school.  Right now though, he&#039;s snarling at another motto that hangs over his head.&lt;/p&gt;

&lt;p&gt;&quot;CUSTOMER IS ALWAYS RIGHT&quot;&lt;/p&gt;

&lt;p&gt;Stromile stands dumb with electrified head, stripped down to sox and tighty-whities.  His revolver is stuffed halfway down his fruit-of-the-loom&#039;s, and point straight to a red blotched crotch.  A wad of red moolah,  a POCKET SIZED PHOTO, and a LAUNDRY TICKET stick out of rubber waistband.  Stromile draws the laundry ticket out of his shorts, casually hands it to-a big, black, bleach bomb, foaming at the mouth.
And ready to explode.&lt;/p&gt;

&lt;p&gt;TREY BIGG
They call me...  MISTER BIG!&lt;/p&gt;

&lt;p&gt;STROMILE
Terrible.&lt;/p&gt;

&lt;p&gt;TREY BIGG
No sir.  Totally Denzel.&lt;/p&gt;

&lt;p&gt;STROMILE
Mr. Poitier is turning in his grave.&lt;/p&gt;

&lt;p&gt;TREY BIGG
Sid ain&#039;t dead.  But he should be.  Cause...&lt;/p&gt;

&lt;p&gt;TOGETHER
That was a killer performance!&lt;/p&gt;

&lt;p&gt;Trey reaches under the counter.  Dumps 60lbs of neatly stacked, crisp, green American money on the counter.&lt;/p&gt;

&lt;p&gt;TREY BIGG
Where you been Stromile Trotter?  Pickup&#039;s been clean jean for a month.&lt;/p&gt;

&lt;p&gt;STROMILE
Paternity test results came in.&lt;/p&gt;

&lt;p&gt;TREY BIGG
Congratulations bro!&lt;/p&gt;

&lt;p&gt;Stromile flashes a FAMILY PICTURE- 
FRAZZLED Stromile and a PRETTY BLOND cradle a NEWBORN BABY in a pink dress.  Trey matches the pink hippo tights on the baby with the ones hanging over the front door.&lt;/p&gt;

&lt;p&gt;TREY BIGG
Oh, shit. that&#039;s awful.   &lt;/p&gt;

&lt;p&gt;STROMILE
That&#039;s actually one of the better ones.  Mr. Photo-Sock finally got me to stop crying.&lt;/p&gt;

&lt;p&gt;TREY BIGG
No. I mean- shit. That&#039;s DADDY, awful.  &lt;/p&gt;

&lt;p&gt;STROMILE
Oh. No, I&#039;m good.&lt;/p&gt;

&lt;p&gt;TREY BIGG
C&#039;mon man. &lt;/p&gt;

&lt;p&gt;STROMILE
No.  Really.&lt;/p&gt;

&lt;p&gt;TREY BIGG
Don&#039;t try to douche a situation that stinks. &lt;/p&gt;

&lt;p&gt;STROMILE
I&#039;m fine It&#039;s like Mr. Photo-Sock says. Every picture has a negative AND a positive. He&#039;s like the Patch Adams of photography.&lt;/p&gt;

&lt;p&gt;(singing/sockhopping)
No mourning in the morning, just laughter from hereafter, and just yuckkity-yuck-yuck... if you forgot-- the Morning After!&lt;/p&gt;

&lt;p&gt;Stromile strains a smile. We move close to his&lt;/p&gt;

&lt;p&gt;Unblinking eye. That struggles to hide the abortion of its living soul. &lt;/p&gt;

&lt;p&gt;It slowly and sadly moistens.  A solitary tear finally overflows out the corner, slaloms down his cheek until a TONGUE catches it near lip.  &lt;/p&gt;

&lt;p&gt;STROMILE
Yumm.  Happy tears taste like syrup.&lt;/p&gt;

&lt;p&gt;Trey spreads his python arms wide.&lt;/p&gt;

&lt;p&gt;Stromile tries to hold back the dam. But all traces of manhood disappear and he melts into the big man&#039;s chest.  Trey&#039;s monstrous hands thoughtfully use 100 dollar bills to wipe away Stromile&#039;s river of tears.&lt;/p&gt;

&lt;p&gt;TREY BIGG
Oh-so-sorry, daddy-o.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>INT. DRY CLEAN&#8211;DAY</p>

<p>The inside of a glass door reverses MR. WHITE&#8217;S DRY CLEAN.  Police sirens.  Screams.  Gunfire.  Business as usual in the  big city.</p>

<p>The door swings open.  Sleigh bells ANNOUNCE the next hurried customer sweeping in </p>

<p>A GUNMAN MASKED WITH VINYL TIGHTS, blindly waving a gun.</p>

<p>The thief is dressed to the nines.  Black tie, white tuxedo but soaked with splashes of red stains, dripping down to white basketball sneakers.  Smoke hisses off his suit.  If it&#8217;s an italian wedding he just held up, maybe it&#8217;s marinara sauce.  The crook&#8217;s head is strangled by pink, glittered pantyhose with dancing blue hippos.  Snug on 1 to 3 month tushies perhaps, but fiercely chowing down on 6 feet, 200lbs of grade A hoodlum.  Face first.</p>

<p>He labors to suck barely enough oxygen for a mouse.  Stumbles toward the counter, drags a glutted canvas bag that paints a red trail down the middle of a sparkling, white vinyl floor.</p>

<p>The nozzle of a pistol RINGS a brass service bell.</p>

<p>The gunman YANKS at the suffocating pantyhose, stretches it out as far as his arms can pull without dislocation.  But still, the little leotard won&#8217;t let go.  It&#8217;s like fused to his skin.  The nylon PEELS back his face in a horrific Munch Scream.   He whimpers, a disfigured pig-child being born.  The shimmering tiny tights relent,  finally snapping off.  They sling shot back across the room, and RING the dangling sleigh bells over the entrance.</p>

<p>DING-DING-DING!  DING-A-LING!</p>

<p>STROMILE TROTTER barely 20, handsome, self-made millionaire from the better hood.  DESIGNER RUNNERS self-autographed with a Sharpie, reveal his many aliases.</p>

<p>&#8220;CORSAIR JORDAN&#8221; &#8220;MAN OF STEAL&#8221; &#8220;DUNKIN&#8217; DONUT DUNKER&#8221; &#8220;AKA- CRACK HEAD ROB FROM DA HOOD&#8221;</p>

<p>Detroit is his own all-he-can-slurp oyster bar&#8211; thanks partly to a magnetic personality, but mostly supported by a one-time booming investment, his .357 Magnum.  A big mane of hair fluctuates with major Einstein static head, but this criminal mind&#8217;s only relativity to genius is a pre-game-double-knot shoestring theory&#8211; and even that Mamma says is &#8220;one missed lace hole away from a purse snatch plan that POOF! Goes foolproof to fool proof&#8221;.</p>

<p>The canvas bag is hauled onto the counter.  FUMES RISE OUT then&#8211; stacks of RED-SPLOTCHED BILLS spill onto the counter.</p>

<p>A HAND slides down the front of his bulging tuxedo pants.</p>

<p>The hand retrieves 1-2-3 more stacks of red-dyed C-notes that rain on the counter.  Tuxedo blazer, shirt, pants, and air Jordans topple the pile.</p>

<p>Behind the service counter, curtains part- TREY BIGG.  He&#8217;s big, black, and his bulging pecks are straining his white</p>

<p>MR. WHITE&#8217;S DRY CLEAN t-shirt.</p>

<p>He scans the room.  The hippo tights swing his tiny tin bells.  The crimson streak splits his clean floor.  The mountain of cash and clothes drip a pool of red dye on his counter.</p>

<p>Trey Bigg flexes beefy biceps, a tattoo ripples- </p>

<p>&#8220;CLEAN MACHINE&#8221;  </p>

<p>He likes to get medieval on tough stains and beat em out&#8230;  old school.  Right now though, he&#8217;s snarling at another motto that hangs over his head.</p>

<p>&#8220;CUSTOMER IS ALWAYS RIGHT&#8221;</p>

<p>Stromile stands dumb with electrified head, stripped down to sox and tighty-whities.  His revolver is stuffed halfway down his fruit-of-the-loom&#8217;s, and point straight to a red blotched crotch.  A wad of red moolah,  a POCKET SIZED PHOTO, and a LAUNDRY TICKET stick out of rubber waistband.  Stromile draws the laundry ticket out of his shorts, casually hands it to-a big, black, bleach bomb, foaming at the mouth.
And ready to explode.</p>

<p>TREY BIGG
They call me&#8230;  MISTER BIG!</p>

<p>STROMILE
Terrible.</p>

<p>TREY BIGG
No sir.  Totally Denzel.</p>

<p>STROMILE
Mr. Poitier is turning in his grave.</p>

<p>TREY BIGG
Sid ain&#8217;t dead.  But he should be.  Cause&#8230;</p>

<p>TOGETHER
That was a killer performance!</p>

<p>Trey reaches under the counter.  Dumps 60lbs of neatly stacked, crisp, green American money on the counter.</p>

<p>TREY BIGG
Where you been Stromile Trotter?  Pickup&#8217;s been clean jean for a month.</p>

<p>STROMILE
Paternity test results came in.</p>

<p>TREY BIGG
Congratulations bro!</p>

<p>Stromile flashes a FAMILY PICTURE- 
FRAZZLED Stromile and a PRETTY BLOND cradle a NEWBORN BABY in a pink dress.  Trey matches the pink hippo tights on the baby with the ones hanging over the front door.</p>

<p>TREY BIGG
Oh, shit. that&#8217;s awful.   </p>

<p>STROMILE
That&#8217;s actually one of the better ones.  Mr. Photo-Sock finally got me to stop crying.</p>

<p>TREY BIGG
No. I mean- shit. That&#8217;s DADDY, awful.  </p>

<p>STROMILE
Oh. No, I&#8217;m good.</p>

<p>TREY BIGG
C&#8217;mon man. </p>

<p>STROMILE
No.  Really.</p>

<p>TREY BIGG
Don&#8217;t try to douche a situation that stinks. </p>

<p>STROMILE
I&#8217;m fine It&#8217;s like Mr. Photo-Sock says. Every picture has a negative AND a positive. He&#8217;s like the Patch Adams of photography.</p>

<p>(singing/sockhopping)
No mourning in the morning, just laughter from hereafter, and just yuckkity-yuck-yuck&#8230; if you forgot&#8211; the Morning After!</p>

<p>Stromile strains a smile. We move close to his</p>

<p>Unblinking eye. That struggles to hide the abortion of its living soul. </p>

<p>It slowly and sadly moistens.  A solitary tear finally overflows out the corner, slaloms down his cheek until a TONGUE catches it near lip.  </p>

<p>STROMILE
Yumm.  Happy tears taste like syrup.</p>

<p>Trey spreads his python arms wide.</p>

<p>Stromile tries to hold back the dam. But all traces of manhood disappear and he melts into the big man&#8217;s chest.  Trey&#8217;s monstrous hands thoughtfully use 100 dollar bills to wipe away Stromile&#8217;s river of tears.</p>

<p>TREY BIGG
Oh-so-sorry, daddy-o.</p>]]></content:encoded>
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